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Candide - From Princess to Slave

Voltaire

Candide

From Princess to Slave

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Summary

From Princess to Slave

Candide by Voltaire

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The old woman finally tells her backstory, revealing she was born into ultimate privilege as the daughter of a Pope and a princess. She describes her perfect life - beauty, wealth, an ideal fiancé - until everything collapses in a single day when her prince dies mysteriously from poisoned chocolate. Fleeing with her mother, they're captured by pirates who strip and search them in humiliating ways, justified as 'civilized custom.' Sold into slavery in Morocco, she witnesses horrific violence during civil wars where her mother and companions are literally torn apart by fighting factions. She survives by hiding under corpses, crawling to safety more dead than alive. The chapter ends with her discovery by a mysterious white man who sighs about his own misfortune. Voltaire uses her story to expose how quickly fortune changes and how societies normalize cruelty through tradition and religion. The old woman's matter-of-fact tone while describing unthinkable horrors shows how trauma survivors often protect themselves by treating catastrophe as routine. Her fall from the highest privilege to the lowest degradation illustrates the arbitrary nature of fate and social position. The story also satirizes how people justify terrible actions - the pirates claim their invasive searches are 'established custom,' while the Moroccans never miss their prayers despite constant murder. Through her extreme experiences, Voltaire questions whether civilization is just organized barbarism with better PR.

Coming Up in Chapter 12

The old woman's story continues as we learn how she survived her discovery by the mysterious stranger, and what new horrors and unexpected turns her life would take in the years that followed.

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An excerpt from the original text.(complete · 1146 words)

H

ISTORY OF THE OLD WOMAN.

"I had not always bleared eyes and red eyelids; neither did my nose
always touch my chin; nor was I always a servant. I am the daughter of
Pope Urban X,[10] and of the Princess of Palestrina. Until the age of
fourteen I was brought up in a palace, to which all the castles of your
German barons would scarcely have served for stables; and one of my
robes was worth more than all the magnificence of Westphalia. As I grew
up I improved in beauty, wit, and every graceful accomplishment, in the
midst of pleasures, hopes, and respectful homage. Already I inspired
love. My throat was formed, and such a throat! white, firm, and shaped
like that of the Venus of Medici; and what eyes! what eyelids! what
black eyebrows! such flames darted from my dark pupils that they
eclipsed the scintillation of the stars--as I was told by the poets in
our part of the world. My waiting women, when dressing and undressing
me, used to fall into an ecstasy, whether they viewed me before or
behind; how glad would the gentlemen have been to perform that office
for them!

"I was affianced to the most excellent Prince of Massa Carara. Such a
prince! as handsome as myself, sweet-tempered, agreeable, brilliantly
witty, and sparkling with love. I loved him as one loves for the first
time--with idolatry, with transport. The nuptials were prepared. There
was surprising pomp and magnificence; there were fêtes, carousals,
continual opera bouffe; and all Italy composed sonnets in my praise,
though not one of them was passable. I was just upon the point of
reaching the summit of bliss, when an old marchioness who had been
mistress to the Prince, my husband, invited him to drink chocolate with
her. He died in less than two hours of most terrible convulsions. But
this is only a bagatelle. My mother, in despair, and scarcely less
afflicted than myself, determined to absent herself for some time from
so fatal a place. She had a very fine estate in the neighbourhood of
Gaeta. We embarked on board a galley of the country which was gilded
like the great altar of St. Peter's at Rome. A Sallee corsair swooped
down and boarded us. Our men defended themselves like the Pope's
soldiers; they flung themselves upon their knees, and threw down their
arms, begging of the corsair an absolution in articulo mortis.

"Instantly they were stripped as bare as monkeys; my mother, our maids
of honour, and myself were all served in the same manner. It is amazing
with what expedition those gentry undress people. But what surprised me
most was, that they thrust their fingers into the part of our bodies
which the generality of women suffer no other instrument but--pipes to
enter. It appeared to me a very strange kind of ceremony; but thus one
judges of things when one has not seen the world. I afterwards learnt
that it was to try whether we had concealed any diamonds. This is the
practice established from time immemorial, among civilised nations that
scour the seas. I was informed that the very religious Knights of Malta
never fail to make this search when they take any Turkish prisoners of
either sex. It is a law of nations from which they never deviate.

"I need not tell you how great a hardship it was for a young princess
and her mother to be made slaves and carried to Morocco. You may easily
imagine all we had to suffer on board the pirate vessel. My mother was
still very handsome; our maids of honour, and even our waiting women,
had more charms than are to be found in all Africa. As for myself, I was
ravishing, was exquisite, grace itself, and I was a virgin! I did not
remain so long; this flower, which had been reserved for the handsome
Prince of Massa Carara, was plucked by the corsair captain. He was an
abominable negro, and yet believed that he did me a great deal of
honour. Certainly the Princess of Palestrina and myself must have been
very strong to go through all that we experienced until our arrival at
Morocco. But let us pass on; these are such common things as not to be
worth mentioning.

"Morocco swam in blood when we arrived. Fifty sons of the Emperor
Muley-Ismael[11] had each their adherents; this produced fifty civil
wars, of blacks against blacks, and blacks against tawnies, and tawnies
against tawnies, and mulattoes against mulattoes. In short it was a
continual carnage throughout the empire.

"No sooner were we landed, than the blacks of a contrary faction to that
of my captain attempted to rob him of his booty. Next to jewels and gold
we were the most valuable things he had. I was witness to such a battle
as you have never seen in your European climates. The northern nations
have not that heat in their blood, nor that raging lust for women, so
common in Africa. It seems that you Europeans have only milk in your
veins; but it is vitriol, it is fire which runs in those of the
inhabitants of Mount Atlas and the neighbouring countries. They fought
with the fury of the lions, tigers, and serpents of the country, to see
who should have us. A Moor seized my mother by the right arm, while my
captain's lieutenant held her by the left; a Moorish soldier had hold of
her by one leg, and one of our corsairs held her by the other. Thus
almost all our women were drawn in quarters by four men. My captain
concealed me behind him; and with his drawn scimitar cut and slashed
every one that opposed his fury. At length I saw all our Italian women,
and my mother herself, torn, mangled, massacred, by the monsters who
disputed over them. The slaves, my companions, those who had taken them,
soldiers, sailors, blacks, whites, mulattoes, and at last my captain,
all were killed, and I remained dying on a heap of dead. Such scenes as
this were transacted through an extent of three hundred leagues--and yet
they never missed the five prayers a day ordained by Mahomet.

"With difficulty I disengaged myself from such a heap of slaughtered
bodies, and crawled to a large orange tree on the bank of a neighbouring
rivulet, where I fell, oppressed with fright, fatigue, horror, despair,
and hunger. Immediately after, my senses, overpowered, gave themselves
up to sleep, which was yet more swooning than repose. I was in this
state of weakness and insensibility, between life and death, when I
felt myself pressed by something that moved upon my body. I opened my
eyes, and saw a white man, of good countenance, who sighed, and who said
between his teeth: 'O che sciagura d'essere senza coglioni!'"[12]

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Let's Analyse the Pattern

Pattern: The Justified Cruelty Loop
This chapter reveals a devastating pattern: how societies normalize cruelty by wrapping it in tradition, religion, or 'civilized custom.' The old woman's story shows how people can commit atrocities while maintaining they're following proper procedure. The mechanism works through institutional cover. The pirates justify invasive body searches as 'established custom.' The Moroccans never miss prayers while murdering each other. By creating official procedures around harmful acts, perpetrators avoid personal responsibility. They're not being cruel—they're following protocol. This transforms individual conscience into collective compliance. The more elaborate the justification, the worse the underlying behavior can become. This pattern dominates modern life. Healthcare workers deny care while citing 'policy.' Employers steal wages through 'industry standard' practices. Landlords evict families during holidays because 'business is business.' Child services separates families following 'proper procedure.' Each institution has its own version of the pirates' customs—official-sounding rules that mask cruelty as necessity. When you recognize this pattern, ask three questions: Who benefits from this 'custom'? What harm is being justified? What would happen if we ignored the procedure? Real emergencies don't wait for proper channels. Moral people sometimes break immoral rules. The old woman survived by ignoring civilized behavior—hiding under corpses, crawling through chaos. Sometimes your survival depends on refusing to participate in normalized horror, even when everyone else calls it proper. When you can name the pattern, predict where it leads, and navigate it successfully—that's amplified intelligence.

How institutions wrap harmful actions in official procedures to avoid moral responsibility while maintaining social legitimacy.

Why This Matters

Connect literature to life

Skill: Recognizing Institutional Gaslighting

This chapter shows how organizations use elaborate procedures to make victims doubt their own experiences while protecting perpetrators.

Practice This Today

This week, notice when someone uses 'policy' or 'procedure' to justify harmful actions—ask yourself who really benefits from these rules.

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Now let's explore the literary elements.

Key Quotes & Analysis

"I had not always bleared eyes and red eyelids; neither did my nose always touch my chin; nor was I always a servant."

— The Old Woman

Context: Opening her life story to explain how she ended up in her current condition

This matter-of-fact opening shows how she's learned to accept her degraded state while hinting at a dramatic fall. The physical description emphasizes how completely her circumstances have changed. It sets up the contrast between past glory and present misery.

In Today's Words:

I wasn't always broke and beaten down - I used to be somebody.

"This proceeding appeared very strange to us, but such is the established custom of civilized nations that scour the seas."

— The Old Woman

Context: Describing how pirates strip-searched the captured women

Voltaire's irony is sharp here - calling pirates 'civilized nations' while they commit assault. The phrase 'established custom' shows how societies normalize horrible behavior by making it seem proper and traditional. It reveals how people justify cruelty through bureaucracy.

In Today's Words:

They said this was just how things are done, like that made sexual assault okay.

"I was dying with hunger when I fell upon the dead bodies of my mother and my companions."

— The Old Woman

Context: After surviving the massacre in Morocco by hiding under corpses

The casual tone while describing ultimate horror shows how trauma survivors protect themselves emotionally. She treats finding her mother's mutilated body like a minor inconvenience. This detachment reveals the psychological cost of surviving extreme violence.

In Today's Words:

I was so hungry I didn't even care that I was lying on my dead mom.

Thematic Threads

Class

In This Chapter

Ultimate privilege offers no protection—the Pope's daughter becomes a slave overnight

Development

Continues showing how social position is arbitrary and temporary

In Your Life:

Your job title or family status won't protect you when systems collapse

Identity

In This Chapter

The old woman's identity completely transforms from princess to survivor, yet she remains herself

Development

Builds on how external circumstances don't define core self

In Your Life:

Who you are isn't determined by what happens to you or what others do to you

Social Expectations

In This Chapter

Pirates follow 'civilized customs' while committing crimes, showing how social norms can justify evil

Development

Expands the critique of how societies rationalize harmful behavior

In Your Life:

Just because everyone does something doesn't make it right or necessary

Human Relationships

In This Chapter

People become commodities to be bought, sold, and discarded based on utility

Development

Shows how crisis reveals who treats others as human versus property

In Your Life:

Pay attention to how people treat you when you can't benefit them

Personal Growth

In This Chapter

Trauma creates wisdom—the old woman's suffering gives her perspective on others' complaints

Development

Introduced here as survival creating unexpected strength

In Your Life:

Your worst experiences often become your greatest sources of wisdom and resilience

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You now have the context. Time to form your own thoughts.

Discussion Questions

  1. 1

    How does the old woman describe her transformation from princess to survivor, and what specific 'customs' does she encounter along the way?

    analysis • surface
  2. 2

    Why do the pirates and Moroccans justify their cruel actions through religion and tradition? What does this accomplish for them?

    analysis • medium
  3. 3

    Where do you see people today using 'policy' or 'that's just how we do things' to avoid taking responsibility for harmful decisions?

    application • medium
  4. 4

    When have you had to choose between following official procedures and doing what you knew was right? How did you navigate that situation?

    application • deep
  5. 5

    What does the old woman's matter-of-fact tone while describing horror teach us about how people survive trauma and maintain hope?

    reflection • deep

Critical Thinking Exercise

10 minutes

Decode the Justification Machine

Think of a situation where you've been told 'that's just policy' or 'that's how we've always done it' when you knew something was wrong. Write down the official explanation you were given, then identify who really benefits from this system. Finally, imagine what a person with real power to change things would say if they were being completely honest about why the policy exists.

Consider:

  • •Look for who profits or gains power from the 'custom'
  • •Notice how elaborate justifications often hide simple greed or control
  • •Consider what would happen if ordinary people simply refused to participate

Journaling Prompt

Write about a time when you had to break or bend an official rule to help someone or protect yourself. What gave you the courage to act, and what did you learn about when rules should be questioned?

Coming Up Next...

Chapter 12: The Old Woman's Catalog of Suffering

The old woman's story continues as we learn how she survived her discovery by the mysterious stranger, and what new horrors and unexpected turns her life would take in the years that followed.

Continue to Chapter 12
Previous
Robbed and Resourceful
Contents
Next
The Old Woman's Catalog of Suffering

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