An excerpt from the original text.(complete · 2620 words)
long, and got down stairs all right. There warn’t a sound anywheres. I
peeped through a crack of the dining-room door, and see the men that
was watching the corpse all sound asleep on their chairs. The door was
open into the parlor, where the corpse was laying, and there was a
candle in both rooms. I passed along, and the parlor door was open; but
I see there warn’t nobody in there but the remainders of Peter; so I
shoved on by; but the front door was locked, and the key wasn’t there.
Just then I heard somebody coming down the stairs, back behind me. I
run in the parlor and took a swift look around, and the only place I
see to hide the bag was in the coffin. The lid was shoved along about a
foot, showing the dead man’s face down in there, with a wet cloth over
it, and his shroud on. I tucked the money-bag in under the lid, just
down beyond where his hands was crossed, which made me creep, they was
so cold, and then I run back across the room and in behind the door.
The person coming was Mary Jane. She went to the coffin, very soft, and
kneeled down and looked in; then she put up her handkerchief, and I see
she begun to cry, though I couldn’t hear her, and her back was to me. I
slid out, and as I passed the dining-room I thought I’d make sure them
watchers hadn’t seen me; so I looked through the crack, and everything
was all right. They hadn’t stirred.
I slipped up to bed, feeling ruther blue, on accounts of the thing
playing out that way after I had took so much trouble and run so much
resk about it. Says I, if it could stay where it is, all right; because
when we get down the river a hundred mile or two I could write back to
Mary Jane, and she could dig him up again and get it; but that ain’t
the thing that’s going to happen; the thing that’s going to happen is,
the money ’ll be found when they come to screw on the lid. Then the
king ’ll get it again, and it ’ll be a long day before he gives anybody
another chance to smouch it from him. Of course I wanted to slide
down and get it out of there, but I dasn’t try it. Every minute it was
getting earlier now, and pretty soon some of them watchers would begin
to stir, and I might get catched—catched with six thousand dollars in
my hands that nobody hadn’t hired me to take care of. I don’t wish to
be mixed up in no such business as that, I says to myself.
When I got down stairs in the morning the parlor was shut up, and the
watchers was gone. There warn’t nobody around but the family and the
widow Bartley and our tribe. I watched their faces to see if anything
had been happening, but I couldn’t tell.
Towards the middle of the day the undertaker come with his man, and
they set the coffin in the middle of the room on a couple of chairs,
and then set all our chairs in rows, and borrowed more from the
neighbors till the hall and the parlor and the dining-room was full. I
see the coffin lid was the way it was before, but I dasn’t go to look
in under it, with folks around.
Then the people begun to flock in, and the beats and the girls took
seats in the front row at the head of the coffin, and for a half an
hour the people filed around slow, in single rank, and looked down at
the dead man’s face a minute, and some dropped in a tear, and it was
all very still and solemn, only the girls and the beats holding
handkerchiefs to their eyes and keeping their heads bent, and sobbing a
little. There warn’t no other sound but the scraping of the feet on the
floor and blowing noses—because people always blows them more at a
funeral than they do at other places except church.
When the place was packed full the undertaker he slid around in his
black gloves with his softy soothering ways, putting on the last
touches, and getting people and things all ship-shape and comfortable,
and making no more sound than a cat. He never spoke; he moved people
around, he squeezed in late ones, he opened up passageways, and done it
with nods, and signs with his hands. Then he took his place over
against the wall. He was the softest, glidingest, stealthiest man I
ever see; and there warn’t no more smile to him than there is to a ham.
They had borrowed a melodeum—a sick one; and when everything was ready
a young woman set down and worked it, and it was pretty skreeky and
colicky, and everybody joined in and sung, and Peter was the only one
that had a good thing, according to my notion. Then the Reverend Hobson
opened up, slow and solemn, and begun to talk; and straight off the
most outrageous row busted out in the cellar a body ever heard; it was
only one dog, but he made a most powerful racket, and he kept it up
right along; the parson he had to stand there, over the coffin, and
wait—you couldn’t hear yourself think. It was right down awkward, and
nobody didn’t seem to know what to do. But pretty soon they see that
long-legged undertaker make a sign to the preacher as much as to say,
“Don’t you worry—just depend on me.” Then he stooped down and begun to
glide along the wall, just his shoulders showing over the people’s
heads. So he glided along, and the powwow and racket getting more and
more outrageous all the time; and at last, when he had gone around two
sides of the room, he disappears down cellar. Then in about two seconds
we heard a whack, and the dog he finished up with a most amazing howl
or two, and then everything was dead still, and the parson begun his
solemn talk where he left off. In a minute or two here comes this
undertaker’s back and shoulders gliding along the wall again; and so he
glided and glided around three sides of the room, and then rose up, and
shaded his mouth with his hands, and stretched his neck out towards the
preacher, over the people’s heads, and says, in a kind of a coarse
whisper, “He had a rat!” Then he drooped down and glided along the
wall again to his place. You could see it was a great satisfaction to
the people, because naturally they wanted to know. A little thing like
that don’t cost nothing, and it’s just the little things that makes a
man to be looked up to and liked. There warn’t no more popular man in
town than what that undertaker was.
Well, the funeral sermon was very good, but pison long and tiresome;
and then the king he shoved in and got off some of his usual rubbage,
and at last the job was through, and the undertaker begun to sneak up
on the coffin with his screw-driver. I was in a sweat then, and watched
him pretty keen. But he never meddled at all; just slid the lid along
as soft as mush, and screwed it down tight and fast. So there I was! I
didn’t know whether the money was in there or not. So, says I, s’pose
somebody has hogged that bag on the sly?—now how do I know whether to
write to Mary Jane or not? S’pose she dug him up and didn’t find
nothing, what would she think of me? Blame it, I says, I might get
hunted up and jailed; I’d better lay low and keep dark, and not write
at all; the thing’s awful mixed now; trying to better it, I’ve worsened
it a hundred times, and I wish to goodness I’d just let it alone, dad
fetch the whole business!
They buried him, and we come back home, and I went to watching faces
again—I couldn’t help it, and I couldn’t rest easy. But nothing come of
it; the faces didn’t tell me nothing.
The king he visited around in the evening, and sweetened everybody up,
and made himself ever so friendly; and he give out the idea that his
congregation over in England would be in a sweat about him, so he must
hurry and settle up the estate right away and leave for home. He was
very sorry he was so pushed, and so was everybody; they wished he could
stay longer, but they said they could see it couldn’t be done. And he
said of course him and William would take the girls home with them; and
that pleased everybody too, because then the girls would be well fixed
and amongst their own relations; and it pleased the girls, too—tickled
them so they clean forgot they ever had a trouble in the world; and
told him to sell out as quick as he wanted to, they would be ready.
Them poor things was that glad and happy it made my heart ache to see
them getting fooled and lied to so, but I didn’t see no safe way for me
to chip in and change the general tune.
Well, blamed if the king didn’t bill the house and the niggers and all
the property for auction straight off—sale two days after the funeral;
but anybody could buy private beforehand if they wanted to.
So the next day after the funeral, along about noon-time, the girls’
joy got the first jolt. A couple of nigger traders come along, and the
king sold them the niggers reasonable, for three-day drafts as they
called it, and away they went, the two sons up the river to Memphis,
and their mother down the river to Orleans. I thought them poor girls
and them niggers would break their hearts for grief; they cried around
each other, and took on so it most made me down sick to see it. The
girls said they hadn’t ever dreamed of seeing the family separated or
sold away from the town. I can’t ever get it out of my memory, the
sight of them poor miserable girls and niggers hanging around each
other’s necks and crying; and I reckon I couldn’t a stood it all, but
would a had to bust out and tell on our gang if I hadn’t knowed the
sale warn’t no account and the niggers would be back home in a week or
two.
The thing made a big stir in the town, too, and a good many come out
flatfooted and said it was scandalous to separate the mother and the
children that way. It injured the frauds some; but the old fool he
bulled right along, spite of all the duke could say or do, and I tell
you the duke was powerful uneasy.
Next day was auction day. About broad day in the morning the king and
the duke come up in the garret and woke me up, and I see by their look
that there was trouble. The king says:
“Was you in my room night before last?”
“No, your majesty”—which was the way I always called him when nobody
but our gang warn’t around.
“Was you in there yisterday er last night?”
“No, your majesty.”
“Honor bright, now—no lies.”
“Honor bright, your majesty, I’m telling you the truth. I hain’t been
a-near your room since Miss Mary Jane took you and the duke and showed
it to you.”
The duke says:
“Have you seen anybody else go in there?”
“No, your grace, not as I remember, I believe.”
“Stop and think.”
I studied awhile and see my chance; then I says:
“Well, I see the niggers go in there several times.”
Both of them gave a little jump, and looked like they hadn’t ever
expected it, and then like they had. Then the duke says:
“What, all of them?”
“No—leastways, not all at once—that is, I don’t think I ever see them
all come out at once but just one time.”
“Hello! When was that?”
“It was the day we had the funeral. In the morning. It warn’t early,
because I overslept. I was just starting down the ladder, and I see
them.”
“Well, go on, go on! What did they do? How’d they act?”
“They didn’t do nothing. And they didn’t act anyway much, as fur as I
see. They tiptoed away; so I seen, easy enough, that they’d shoved in
there to do up your majesty’s room, or something, s’posing you was up;
and found you warn’t up, and so they was hoping to slide out of the
way of trouble without waking you up, if they hadn’t already waked you
up.”
“Great guns, this is a go!” says the king; and both of them looked
pretty sick and tolerable silly. They stood there a-thinking and
scratching their heads a minute, and the duke he bust into a kind of a
little raspy chuckle, and says:
“It does beat all how neat the niggers played their hand. They let on
to be sorry they was going out of this region! And I believed they
was sorry, and so did you, and so did everybody. Don’t ever tell me
any more that a nigger ain’t got any histrionic talent. Why, the way
they played that thing it would fool anybody. In my opinion, there’s
a fortune in ’em. If I had capital and a theater, I wouldn’t want a
better lay-out than that—and here we’ve gone and sold ’em for a song.
Yes, and ain’t privileged to sing the song yet. Say, where is that
song—that draft?”
“In the bank for to be collected. Where would it be?”
“Well, that’s all right then, thank goodness.”
Says I, kind of timid-like:
“Is something gone wrong?”
The king whirls on me and rips out:
“None o’ your business! You keep your head shet, and mind y’r own
affairs—if you got any. Long as you’re in this town don’t you forgit
that—you hear?” Then he says to the duke, “We got to jest swaller it
and say noth’n’: mum’s the word for us.”
As they was starting down the ladder the duke he chuckles again, and
says:
“Quick sales and small profits! It’s a good business—yes.”
v
The king snarls around on him and says:
“I was trying to do for the best in sellin’ ’em out so quick. If the
profits has turned out to be none, lackin’ considable, and none to
carry, is it my fault any more’n it’s yourn?”
“Well, they’d be in this house yet and we wouldn’t if I could a got
my advice listened to.”
The king sassed back as much as was safe for him, and then swapped
around and lit into me again. He give me down the banks for not
coming and telling him I see the niggers come out of his room acting
that way—said any fool would a knowed something was up. And then
waltzed in and cussed himself awhile, and said it all come of him not
laying late and taking his natural rest that morning, and he’d be
blamed if he’d ever do it again. So they went off a-jawing; and I felt
dreadful glad I’d worked it all off on to the niggers, and yet hadn’t
done the niggers no harm by it.
Master this chapter. Complete your experience
Purchase the complete book to access all chapters and support classic literature
As an Amazon Associate, we earn a small commission from qualifying purchases at no additional cost to you.
Available in paperback, hardcover, and e-book formats
Let's Analyse the Pattern
Elaborate deceptions eventually collapse because lies require constant maintenance while truth simply exists.
Why This Matters
Connect literature to life
This chapter teaches how authentic expertise differs from performed expertise when tested with specific questions.
Practice This Today
Next time someone claims professional credentials, ask specific technical questions or request to see actual documentation—real experts welcome verification while frauds get defensive.
Now let's explore the literary elements.
Key Quotes & Analysis
"Here was a question that was just the thing to settle the matter one way or the other."
Context: When the real Harvey suggests digging up the coffin to check for the tattoo
This moment represents how truth eventually surfaces no matter how elaborate the lies. The con men can fake accents and stories, but they can't fake physical evidence that only real family would know.
In Today's Words:
Finally, here was a test that would cut through all the BS and show who was telling the truth.
"I see I was up a stump - and up it good."
Context: When Huck realizes the situation is completely out of control
Huck recognizes that events have spiraled beyond anyone's ability to manage through lies or quick thinking. Sometimes situations reach a point where only truth can resolve them.
In Today's Words:
I was completely stuck with no way out of this mess.
"Gentlemen, I wish the money was there, for I ain't got no disposition to throw anything in the way of a fair, square investigation."
Context: When the king tries to sound cooperative while panicking internally
The king is using fancy language to hide his desperation. He's trying to sound reasonable and helpful while knowing he's about to be completely exposed as a fraud.
In Today's Words:
Look, I want to be totally transparent here because I've got nothing to hide.
Thematic Threads
Authenticity
In This Chapter
The stark contrast between the real Harvey's genuine knowledge and the king's desperate performance
Development
Evolved from Huck's internal struggles with honesty to this external showdown between real and fake
In Your Life:
You might recognize this when someone's stories don't quite add up or when you're tempted to embellish your own qualifications.
Class
In This Chapter
The townspeople's confusion about who deserves the inheritance reveals how class markers can be faked
Development
Continued exploration of how social status can be performed rather than earned
In Your Life:
You see this when people use expensive items or fake credentials to appear more successful than they are.
Justice
In This Chapter
The demand for proof and the graveyard test represent community justice in action
Development
Building from earlier chapters where Huck wrestled with moral decisions to collective action for truth
In Your Life:
You might experience this when a workplace finally investigates a problematic manager or when family confronts a dishonest relative.
Escape
In This Chapter
Huck sees the chaos as his potential opportunity to break free from the king and duke
Development
Continuation of Huck's recurring desire for freedom, now with a concrete chance
In Your Life:
You recognize this when dramatic events create opportunities to leave toxic situations you've been stuck in.
Trust
In This Chapter
Mary Jane's earlier trust in Huck is validated as the real brothers prove authenticity matters
Development
Developed from Huck's struggle to be worthy of trust to others recognizing genuine character
In Your Life:
You see this when your gut feelings about people prove correct over time, even when others were fooled.
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
What happens when the real Harvey and William Wilks arrive at the house, and how does the crowd react to having two sets of 'brothers'?
analysis • surface - 2
Why does the real Harvey's suggestion to dig up Peter Wilks's coffin create such a crisis for the king and duke?
analysis • medium - 3
Think about workplace situations or family dynamics you've witnessed - where have you seen someone's lies or false claims eventually get exposed by someone who knew the real facts?
application • medium - 4
If you were in a situation where someone was deceiving others around you, what specific strategies would you use to reveal the truth without putting yourself at risk?
application • deep - 5
What does this chapter reveal about the difference between performing authenticity and actually being authentic, and why do people eventually see through performances?
reflection • deep
Critical Thinking Exercise
Spot the Performance vs. Authenticity
Think of three people in your current life - at work, in your family, or in your community. For each person, write down specific behaviors or words that make you feel they're being genuine versus times when something felt 'performed' or fake. What concrete details tipped you off to the difference?
Consider:
- •Notice the difference between someone sharing personal struggles versus someone always having perfect answers
- •Pay attention to whether someone's actions match their words consistently over time
- •Consider how comfortable someone seems when caught off-guard versus when they've had time to prepare their response
Journaling Prompt
Write about a time when you caught someone in a lie or deception. What specific moment made you realize the truth? How did you handle the situation, and what would you do differently now?
Coming Up Next...
Chapter 28
The graveyard scene promises to expose everything as the townspeople dig up Peter Wilks's coffin. But when they open the grave, they discover something unexpected that changes everything and gives Huck the chance he's been waiting for.




