Amplified ClassicsAmplified Classics
Literature MattersLife IndexEducators
Sign inSign up
A Tale of Two Cities - The Final Confrontation

Charles Dickens

A Tale of Two Cities

The Final Confrontation

Home›Books›A Tale of Two Cities›Chapter 44
Previous
44 of 45
Next

Summary

The Final Confrontation

A Tale of Two Cities by Charles Dickens

0:000:00
Listen to Next Chapter

Madame Defarge's bloodlust reaches its peak as she plots the destruction of the entire Darnay family, including innocent Lucie and her child. Her husband's mercy toward Dr. Manette disgusts her—she sees it as weakness that threatens her mission of total revenge. Armed with pistol and dagger, she heads to the Manette lodgings to ensure no Evrémonde escapes the guillotine. Meanwhile, Miss Pross and Jerry Cruncher frantically prepare to follow the escaped family's coach. When Madame Defarge arrives demanding to see Lucie, Miss Pross realizes the doors are open, revealing signs of flight. In broken French and English, neither woman understanding the other's words, they square off in a battle of wills. Miss Pross, the plain English governess, faces down the revolutionary fury with nothing but fierce protective love for her 'Ladybird.' Their physical struggle ends when Madame Defarge's own pistol discharges, killing her instantly and leaving Miss Pross permanently deaf. This climactic confrontation represents the collision between personal devotion and political fanaticism. Dickens shows how love—even from an unlikely hero like Miss Pross—can triumph over hatred when it fights to protect the innocent. The scene also demonstrates how revolutions can create monsters who lose all humanity in their quest for vengeance, ultimately destroying themselves.

Coming Up in Chapter 45

The final chapter reveals the fates of all our characters as the story reaches its powerful conclusion. What becomes of those who escaped, and how does Carton's sacrifice transform the lives it touched?

Share it with friends

Previous ChapterNext Chapter
GO ADS FREE — JOIN US

An excerpt from the original text.(complete · 4631 words)

T

he Knitting Done

In that same juncture of time when the Fifty-Two awaited their fate
Madame Defarge held darkly ominous council with The Vengeance and
Jacques Three of the Revolutionary Jury. Not in the wine-shop did Madame
Defarge confer with these ministers, but in the shed of the wood-sawyer,
erst a mender of roads. The sawyer himself did not participate in the
conference, but abided at a little distance, like an outer satellite who
was not to speak until required, or to offer an opinion until invited.

“But our Defarge,” said Jacques Three, “is undoubtedly a good
Republican? Eh?”

“There is no better,” the voluble Vengeance protested in her shrill
notes, “in France.”

“Peace, little Vengeance,” said Madame Defarge, laying her hand with
a slight frown on her lieutenant’s lips, “hear me speak. My husband,
fellow-citizen, is a good Republican and a bold man; he has deserved
well of the Republic, and possesses its confidence. But my husband has
his weaknesses, and he is so weak as to relent towards this Doctor.”

“It is a great pity,” croaked Jacques Three, dubiously shaking his head,
with his cruel fingers at his hungry mouth; “it is not quite like a good
citizen; it is a thing to regret.”

“See you,” said madame, “I care nothing for this Doctor, I. He may wear
his head or lose it, for any interest I have in him; it is all one to
me. But, the Evrémonde people are to be exterminated, and the wife and
child must follow the husband and father.”

“She has a fine head for it,” croaked Jacques Three. “I have seen blue
eyes and golden hair there, and they looked charming when Samson held
them up.” Ogre that he was, he spoke like an epicure.

Madame Defarge cast down her eyes, and reflected a little.

“The child also,” observed Jacques Three, with a meditative enjoyment
of his words, “has golden hair and blue eyes. And we seldom have a child
there. It is a pretty sight!”

“In a word,” said Madame Defarge, coming out of her short abstraction,
“I cannot trust my husband in this matter. Not only do I feel, since
last night, that I dare not confide to him the details of my projects;
but also I feel that if I delay, there is danger of his giving warning,
and then they might escape.”

“That must never be,” croaked Jacques Three; “no one must escape. We
have not half enough as it is. We ought to have six score a day.”

“In a word,” Madame Defarge went on, “my husband has not my reason for
pursuing this family to annihilation, and I have not his reason for
regarding this Doctor with any sensibility. I must act for myself,
therefore. Come hither, little citizen.”

The wood-sawyer, who held her in the respect, and himself in the
submission, of mortal fear, advanced with his hand to his red cap.

“Touching those signals, little citizen,” said Madame Defarge, sternly,
“that she made to the prisoners; you are ready to bear witness to them
this very day?”

“Ay, ay, why not!” cried the sawyer. “Every day, in all weathers, from
two to four, always signalling, sometimes with the little one, sometimes
without. I know what I know. I have seen with my eyes.”

He made all manner of gestures while he spoke, as if in incidental
imitation of some few of the great diversity of signals that he had
never seen.

“Clearly plots,” said Jacques Three. “Transparently!”

“There is no doubt of the Jury?” inquired Madame Defarge, letting her
eyes turn to him with a gloomy smile.

“Rely upon the patriotic Jury, dear citizeness. I answer for my
fellow-Jurymen.”

“Now, let me see,” said Madame Defarge, pondering again. “Yet once more!
Can I spare this Doctor to my husband? I have no feeling either way. Can
I spare him?”

“He would count as one head,” observed Jacques Three, in a low voice.
“We really have not heads enough; it would be a pity, I think.”

“He was signalling with her when I saw her,” argued Madame Defarge; “I
cannot speak of one without the other; and I must not be silent, and
trust the case wholly to him, this little citizen here. For, I am not a
bad witness.”

The Vengeance and Jacques Three vied with each other in their fervent
protestations that she was the most admirable and marvellous of
witnesses. The little citizen, not to be outdone, declared her to be a
celestial witness.

“He must take his chance,” said Madame Defarge. “No, I cannot spare
him! You are engaged at three o’clock; you are going to see the batch of
to-day executed.--You?”

The question was addressed to the wood-sawyer, who hurriedly replied in
the affirmative: seizing the occasion to add that he was the most ardent
of Republicans, and that he would be in effect the most desolate of
Republicans, if anything prevented him from enjoying the pleasure of
smoking his afternoon pipe in the contemplation of the droll national
barber. He was so very demonstrative herein, that he might have been
suspected (perhaps was, by the dark eyes that looked contemptuously at
him out of Madame Defarge’s head)
of having his small individual fears
for his own personal safety, every hour in the day.

“I,” said madame, “am equally engaged at the same place. After it is
over--say at eight to-night--come you to me, in Saint Antoine, and we
will give information against these people at my Section.”

The wood-sawyer said he would be proud and flattered to attend the
citizeness. The citizeness looking at him, he became embarrassed, evaded
her glance as a small dog would have done, retreated among his wood, and
hid his confusion over the handle of his saw.

Madame Defarge beckoned the Juryman and The Vengeance a little nearer to
the door, and there expounded her further views to them thus:

“She will now be at home, awaiting the moment of his death. She will
be mourning and grieving. She will be in a state of mind to impeach the
justice of the Republic. She will be full of sympathy with its enemies.
I will go to her.”

“What an admirable woman; what an adorable woman!” exclaimed Jacques
Three, rapturously. “Ah, my cherished!” cried The Vengeance; and
embraced her.

“Take you my knitting,” said Madame Defarge, placing it in her
lieutenant’s hands, “and have it ready for me in my usual seat. Keep
me my usual chair. Go you there, straight, for there will probably be a
greater concourse than usual, to-day.”

“I willingly obey the orders of my Chief,” said The Vengeance with
alacrity, and kissing her cheek. “You will not be late?”

“I shall be there before the commencement.”

“And before the tumbrils arrive. Be sure you are there, my soul,” said
The Vengeance, calling after her, for she had already turned into the
street, “before the tumbrils arrive!”

Madame Defarge slightly waved her hand, to imply that she heard, and
might be relied upon to arrive in good time, and so went through the
mud, and round the corner of the prison wall. The Vengeance and the
Juryman, looking after her as she walked away, were highly appreciative
of her fine figure, and her superb moral endowments.

There were many women at that time, upon whom the time laid a dreadfully
disfiguring hand; but, there was not one among them more to be dreaded
than this ruthless woman, now taking her way along the streets. Of a
strong and fearless character, of shrewd sense and readiness, of great
determination, of that kind of beauty which not only seems to impart
to its possessor firmness and animosity, but to strike into others an
instinctive recognition of those qualities; the troubled time would have
heaved her up, under any circumstances. But, imbued from her childhood
with a brooding sense of wrong, and an inveterate hatred of a class,
opportunity had developed her into a tigress. She was absolutely without
pity. If she had ever had the virtue in her, it had quite gone out of
her.

It was nothing to her, that an innocent man was to die for the sins of
his forefathers; she saw, not him, but them. It was nothing to her, that
his wife was to be made a widow and his daughter an orphan; that was
insufficient punishment, because they were her natural enemies and
her prey, and as such had no right to live. To appeal to her, was made
hopeless by her having no sense of pity, even for herself. If she had
been laid low in the streets, in any of the many encounters in which
she had been engaged, she would not have pitied herself; nor, if she had
been ordered to the axe to-morrow, would she have gone to it with any
softer feeling than a fierce desire to change places with the man who
sent her there.

Such a heart Madame Defarge carried under her rough robe. Carelessly
worn, it was a becoming robe enough, in a certain weird way, and her
dark hair looked rich under her coarse red cap. Lying hidden in her
bosom, was a loaded pistol. Lying hidden at her waist, was a sharpened
dagger. Thus accoutred, and walking with the confident tread of such
a character, and with the supple freedom of a woman who had habitually
walked in her girlhood, bare-foot and bare-legged, on the brown
sea-sand, Madame Defarge took her way along the streets.

Now, when the journey of the travelling coach, at that very moment
waiting for the completion of its load, had been planned out last night,
the difficulty of taking Miss Pross in it had much engaged Mr. Lorry’s
attention. It was not merely desirable to avoid overloading the coach,
but it was of the highest importance that the time occupied in examining
it and its passengers, should be reduced to the utmost; since their
escape might depend on the saving of only a few seconds here and there.
Finally, he had proposed, after anxious consideration, that Miss Pross
and Jerry, who were at liberty to leave the city, should leave it at
three o’clock in the lightest-wheeled conveyance known to that period.
Unencumbered with luggage, they would soon overtake the coach, and,
passing it and preceding it on the road, would order its horses in
advance, and greatly facilitate its progress during the precious hours
of the night, when delay was the most to be dreaded.

Seeing in this arrangement the hope of rendering real service in that
pressing emergency, Miss Pross hailed it with joy. She and Jerry had
beheld the coach start, had known who it was that Solomon brought, had
passed some ten minutes in tortures of suspense, and were now concluding
their arrangements to follow the coach, even as Madame Defarge,
taking her way through the streets, now drew nearer and nearer to the
else-deserted lodging in which they held their consultation.

“Now what do you think, Mr. Cruncher,” said Miss Pross, whose agitation
was so great that she could hardly speak, or stand, or move, or live:
“what do you think of our not starting from this courtyard? Another
carriage having already gone from here to-day, it might awaken
suspicion.”

“My opinion, miss,” returned Mr. Cruncher, “is as you’re right. Likewise
wot I’ll stand by you, right or wrong.”

“I am so distracted with fear and hope for our precious creatures,” said
Miss Pross, wildly crying, “that I am incapable of forming any plan. Are
you capable of forming any plan, my dear good Mr. Cruncher?”

“Respectin’ a future spear o’ life, miss,” returned Mr. Cruncher, “I
hope so. Respectin’ any present use o’ this here blessed old head o’
mine, I think not. Would you do me the favour, miss, to take notice o’
two promises and wows wot it is my wishes fur to record in this here
crisis?”

“Oh, for gracious sake!” cried Miss Pross, still wildly crying, “record
them at once, and get them out of the way, like an excellent man.”

“First,” said Mr. Cruncher, who was all in a tremble, and who spoke with
an ashy and solemn visage, “them poor things well out o’ this, never no
more will I do it, never no more!”

“I am quite sure, Mr. Cruncher,” returned Miss Pross, “that you
never will do it again, whatever it is, and I beg you not to think it
necessary to mention more particularly what it is.”

“No, miss,” returned Jerry, “it shall not be named to you. Second: them
poor things well out o’ this, and never no more will I interfere with
Mrs. Cruncher’s flopping, never no more!”

“Whatever housekeeping arrangement that may be,” said Miss Pross,
striving to dry her eyes and compose herself, “I have no doubt it
is best that Mrs. Cruncher should have it entirely under her own
superintendence.--O my poor darlings!”

“I go so far as to say, miss, moreover,” proceeded Mr. Cruncher, with a
most alarming tendency to hold forth as from a pulpit--“and let my words
be took down and took to Mrs. Cruncher through yourself--that wot my
opinions respectin’ flopping has undergone a change, and that wot I only
hope with all my heart as Mrs. Cruncher may be a flopping at the present
time.”

“There, there, there! I hope she is, my dear man,” cried the distracted
Miss Pross, “and I hope she finds it answering her expectations.”

“Forbid it,” proceeded Mr. Cruncher, with additional solemnity,
additional slowness, and additional tendency to hold forth and hold
out, “as anything wot I have ever said or done should be wisited on my
earnest wishes for them poor creeturs now! Forbid it as we shouldn’t all
flop (if it was anyways conwenient) to get ’em out o’ this here dismal
risk! Forbid it, miss! Wot I say, for-bid it!” This was Mr. Cruncher’s
conclusion after a protracted but vain endeavour to find a better one.

And still Madame Defarge, pursuing her way along the streets, came
nearer and nearer.

“If we ever get back to our native land,” said Miss Pross, “you may rely
upon my telling Mrs. Cruncher as much as I may be able to remember and
understand of what you have so impressively said; and at all events
you may be sure that I shall bear witness to your being thoroughly in
earnest at this dreadful time. Now, pray let us think! My esteemed Mr.
Cruncher, let us think!”

Still, Madame Defarge, pursuing her way along the streets, came nearer
and nearer.

“If you were to go before,” said Miss Pross, “and stop the vehicle and
horses from coming here, and were to wait somewhere for me; wouldn’t
that be best?”

Mr. Cruncher thought it might be best.

“Where could you wait for me?” asked Miss Pross.

Mr. Cruncher was so bewildered that he could think of no locality but
Temple Bar. Alas! Temple Bar was hundreds of miles away, and Madame
Defarge was drawing very near indeed.

“By the cathedral door,” said Miss Pross. “Would it be much out of
the way, to take me in, near the great cathedral door between the two
towers?”

“No, miss,” answered Mr. Cruncher.

“Then, like the best of men,” said Miss Pross, “go to the posting-house
straight, and make that change.”

“I am doubtful,” said Mr. Cruncher, hesitating and shaking his head,
“about leaving of you, you see. We don’t know what may happen.”

“Heaven knows we don’t,” returned Miss Pross, “but have no fear for me.
Take me in at the cathedral, at Three o’Clock, or as near it as you can,
and I am sure it will be better than our going from here. I feel certain
of it. There! Bless you, Mr. Cruncher! Think-not of me, but of the lives
that may depend on both of us!”

This exordium, and Miss Pross’s two hands in quite agonised entreaty
clasping his, decided Mr. Cruncher. With an encouraging nod or two, he
immediately went out to alter the arrangements, and left her by herself
to follow as she had proposed.

The having originated a precaution which was already in course of
execution, was a great relief to Miss Pross. The necessity of composing
her appearance so that it should attract no special notice in the
streets, was another relief. She looked at her watch, and it was twenty
minutes past two. She had no time to lose, but must get ready at once.

Afraid, in her extreme perturbation, of the loneliness of the deserted
rooms, and of half-imagined faces peeping from behind every open door
in them, Miss Pross got a basin of cold water and began laving her eyes,
which were swollen and red. Haunted by her feverish apprehensions, she
could not bear to have her sight obscured for a minute at a time by the
dripping water, but constantly paused and looked round to see that there
was no one watching her. In one of those pauses she recoiled and cried
out, for she saw a figure standing in the room.

The basin fell to the ground broken, and the water flowed to the feet of
Madame Defarge. By strange stern ways, and through much staining blood,
those feet had come to meet that water.

Madame Defarge looked coldly at her, and said, “The wife of Evrémonde;
where is she?”

It flashed upon Miss Pross’s mind that the doors were all standing open,
and would suggest the flight. Her first act was to shut them. There were
four in the room, and she shut them all. She then placed herself before
the door of the chamber which Lucie had occupied.

Madame Defarge’s dark eyes followed her through this rapid movement,
and rested on her when it was finished. Miss Pross had nothing beautiful
about her; years had not tamed the wildness, or softened the grimness,
of her appearance; but, she too was a determined woman in her different
way, and she measured Madame Defarge with her eyes, every inch.

“You might, from your appearance, be the wife of Lucifer,” said Miss
Pross, in her breathing. “Nevertheless, you shall not get the better of
me. I am an Englishwoman.”

Madame Defarge looked at her scornfully, but still with something of
Miss Pross’s own perception that they two were at bay. She saw a tight,
hard, wiry woman before her, as Mr. Lorry had seen in the same figure a
woman with a strong hand, in the years gone by. She knew full well that
Miss Pross was the family’s devoted friend; Miss Pross knew full well
that Madame Defarge was the family’s malevolent enemy.

“On my way yonder,” said Madame Defarge, with a slight movement of
her hand towards the fatal spot, “where they reserve my chair and my
knitting for me, I am come to make my compliments to her in passing. I
wish to see her.”

“I know that your intentions are evil,” said Miss Pross, “and you may
depend upon it, I’ll hold my own against them.”

Each spoke in her own language; neither understood the other’s words;
both were very watchful, and intent to deduce from look and manner, what
the unintelligible words meant.

“It will do her no good to keep herself concealed from me at this
moment,” said Madame Defarge. “Good patriots will know what that means.
Let me see her. Go tell her that I wish to see her. Do you hear?”

“If those eyes of yours were bed-winches,” returned Miss Pross, “and I
was an English four-poster, they shouldn’t loose a splinter of me. No,
you wicked foreign woman; I am your match.”

Madame Defarge was not likely to follow these idiomatic remarks in
detail; but, she so far understood them as to perceive that she was set
at naught.

“Woman imbecile and pig-like!” said Madame Defarge, frowning. “I take no
answer from you. I demand to see her. Either tell her that I demand
to see her, or stand out of the way of the door and let me go to her!”
This, with an angry explanatory wave of her right arm.

“I little thought,” said Miss Pross, “that I should ever want to
understand your nonsensical language; but I would give all I have,
except the clothes I wear, to know whether you suspect the truth, or any
part of it.”

Neither of them for a single moment released the other’s eyes. Madame
Defarge had not moved from the spot where she stood when Miss Pross
first became aware of her; but, she now advanced one step.

“I am a Briton,” said Miss Pross, “I am desperate. I don’t care an
English Twopence for myself. I know that the longer I keep you here, the
greater hope there is for my Ladybird. I’ll not leave a handful of that
dark hair upon your head, if you lay a finger on me!”

Thus Miss Pross, with a shake of her head and a flash of her eyes
between every rapid sentence, and every rapid sentence a whole breath.
Thus Miss Pross, who had never struck a blow in her life.

But, her courage was of that emotional nature that it brought the
irrepressible tears into her eyes. This was a courage that Madame
Defarge so little comprehended as to mistake for weakness. “Ha, ha!” she
laughed, “you poor wretch! What are you worth! I address myself to that
Doctor.” Then she raised her voice and called out, “Citizen Doctor! Wife
of Evrémonde! Child of Evrémonde! Any person but this miserable fool,
answer the Citizeness Defarge!”

Perhaps the following silence, perhaps some latent disclosure in the
expression of Miss Pross’s face, perhaps a sudden misgiving apart from
either suggestion, whispered to Madame Defarge that they were gone.
Three of the doors she opened swiftly, and looked in.

“Those rooms are all in disorder, there has been hurried packing, there
are odds and ends upon the ground. There is no one in that room behind
you! Let me look.”

“Never!” said Miss Pross, who understood the request as perfectly as
Madame Defarge understood the answer.

“If they are not in that room, they are gone, and can be pursued and
brought back,” said Madame Defarge to herself.

“As long as you don’t know whether they are in that room or not, you are
uncertain what to do,” said Miss Pross to herself; “and you shall not
know that, if I can prevent your knowing it; and know that, or not know
that, you shall not leave here while I can hold you.”

“I have been in the streets from the first, nothing has stopped me,
I will tear you to pieces, but I will have you from that door,” said
Madame Defarge.

“We are alone at the top of a high house in a solitary courtyard, we are
not likely to be heard, and I pray for bodily strength to keep you here,
while every minute you are here is worth a hundred thousand guineas to
my darling,” said Miss Pross.

Madame Defarge made at the door. Miss Pross, on the instinct of the
moment, seized her round the waist in both her arms, and held her tight.
It was in vain for Madame Defarge to struggle and to strike; Miss Pross,
with the vigorous tenacity of love, always so much stronger than hate,
clasped her tight, and even lifted her from the floor in the struggle
that they had. The two hands of Madame Defarge buffeted and tore her
face; but, Miss Pross, with her head down, held her round the waist, and
clung to her with more than the hold of a drowning woman.

Soon, Madame Defarge’s hands ceased to strike, and felt at her encircled
waist. “It is under my arm,” said Miss Pross, in smothered tones, “you
shall not draw it. I am stronger than you, I bless Heaven for it. I hold
you till one or other of us faints or dies!”

Madame Defarge’s hands were at her bosom. Miss Pross looked up, saw
what it was, struck at it, struck out a flash and a crash, and stood
alone--blinded with smoke.

All this was in a second. As the smoke cleared, leaving an awful
stillness, it passed out on the air, like the soul of the furious woman
whose body lay lifeless on the ground.

In the first fright and horror of her situation, Miss Pross passed the
body as far from it as she could, and ran down the stairs to call for
fruitless help. Happily, she bethought herself of the consequences of
what she did, in time to check herself and go back. It was dreadful to
go in at the door again; but, she did go in, and even went near it, to
get the bonnet and other things that she must wear. These she put on,
out on the staircase, first shutting and locking the door and taking
away the key. She then sat down on the stairs a few moments to breathe
and to cry, and then got up and hurried away.

By good fortune she had a veil on her bonnet, or she could hardly have
gone along the streets without being stopped. By good fortune, too, she
was naturally so peculiar in appearance as not to show disfigurement
like any other woman. She needed both advantages, for the marks of
gripping fingers were deep in her face, and her hair was torn, and her
dress (hastily composed with unsteady hands) was clutched and dragged a
hundred ways.

In crossing the bridge, she dropped the door key in the river. Arriving
at the cathedral some few minutes before her escort, and waiting there,
she thought, what if the key were already taken in a net, what if
it were identified, what if the door were opened and the remains
discovered, what if she were stopped at the gate, sent to prison, and
charged with murder! In the midst of these fluttering thoughts, the
escort appeared, took her in, and took her away.

“Is there any noise in the streets?” she asked him.

“The usual noises,” Mr. Cruncher replied; and looked surprised by the
question and by her aspect.

“I don’t hear you,” said Miss Pross. “What do you say?”

It was in vain for Mr. Cruncher to repeat what he said; Miss Pross could
not hear him. “So I’ll nod my head,” thought Mr. Cruncher, amazed, “at
all events she’ll see that.” And she did.

“Is there any noise in the streets now?” asked Miss Pross again,
presently.

Again Mr. Cruncher nodded his head.

“I don’t hear it.”

“Gone deaf in an hour?” said Mr. Cruncher, ruminating, with his mind
much disturbed; “wot’s come to her?”

“I feel,” said Miss Pross, “as if there had been a flash and a crash,
and that crash was the last thing I should ever hear in this life.”

“Blest if she ain’t in a queer condition!” said Mr. Cruncher, more and
more disturbed. “Wot can she have been a takin’, to keep her courage up?
Hark! There’s the roll of them dreadful carts! You can hear that, miss?”

“I can hear,” said Miss Pross, seeing that he spoke to her, “nothing. O,
my good man, there was first a great crash, and then a great stillness,
and that stillness seems to be fixed and unchangeable, never to be
broken any more as long as my life lasts.”

“If she don’t hear the roll of those dreadful carts, now very nigh their
journey’s end,” said Mr. Cruncher, glancing over his shoulder, “it’s my
opinion that indeed she never will hear anything else in this world.”

And indeed she never did.

Master this chapter. Complete your experience

Purchase the complete book to access all chapters and support classic literature

Read Free on GutenbergBuy at Powell'sBuy on Amazon

As an Amazon Associate, we earn a small commission from qualifying purchases at no additional cost to you.

Available in paperback, hardcover, and e-book formats

GO ADS FREE — JOIN US

Let's Analyse the Pattern

Pattern: The Righteous Destruction Loop
Some people become so consumed by their cause that they lose all humanity in pursuing it. Madame Defarge represents the terrifying transformation that happens when someone decides their mission justifies any cruelty. She's not just fighting oppression anymore—she's become addicted to the power of destruction itself. This pattern operates through a dangerous escalation. It starts with legitimate grievance (the aristocracy really did abuse the poor), moves to justified action (revolution was necessary), then crosses into personal vendetta (all Evrémondes must die), and finally becomes pure bloodlust (even innocent children deserve death). Each step feels logical to the person taking it. Madame Defarge genuinely believes she's serving justice, but she's actually serving her own need to inflict pain. The cause becomes a mask for cruelty. You see this everywhere today. The workplace whistleblower who starts by reporting real problems but becomes obsessed with destroying anyone who ever disagreed with them. The parent who begins protecting their child from a bad teacher but escalates to trying to get every staff member fired. The activist who starts fighting genuine injustice but ends up attacking anyone who doesn't share their exact methods. The family member who initially calls out real dysfunction but becomes the person who brings poison to every gathering, claiming they're 'just being honest.' When you recognize this pattern—in others or yourself—step back and ask: 'Am I still serving my original purpose, or is my purpose now serving my anger?' Set specific boundaries: define what victory actually looks like, identify when you've gone too far, and choose trusted people who can call you back when you're losing perspective. Miss Pross shows the alternative—she fights fiercely but only to protect, never to destroy for its own sake. When you can spot the difference between protective action and destructive obsession, you can stay on the right side of that line. That's the kind of pattern recognition that keeps you human while still standing up for what matters.

When legitimate grievance transforms into an addiction to causing harm, justified by an increasingly distorted sense of righteousness.

Why This Matters

Connect literature to life

Skill: Detecting Mission Creep in Yourself

This chapter teaches how to recognize when your legitimate cause has transformed into personal vendetta disguised as righteousness.

Practice This Today

This week, notice when you feel righteous anger—ask yourself: 'Am I still serving my original purpose, or is my purpose now serving my anger?'

GO ADS FREE — JOIN US

Now let's explore the literary elements.

Key Quotes & Analysis

"It is a great pity, it is not quite like a good citizen; it is a thing to regret."

— Jacques Three

Context: He's criticizing Defarge for showing mercy toward Dr. Manette

This shows how revolutionary movements can become so extreme that basic human decency is seen as betrayal. Jacques Three thinks mercy is a character flaw that makes someone a bad citizen. It reveals how fanaticism turns normal moral instincts upside down.

In Today's Words:

That's too bad - a real team player wouldn't go soft like that.

"The Evrémonde people are to be exterminated, and the wife and child must follow the husband and father."

— Madame Defarge

Context: She's explaining why she must kill Lucie and her innocent child

This shows how completely Madame Defarge has dehumanized her enemies. She uses the word 'exterminated' like they're insects, not people. Her logic is purely tribal - guilt by association means even babies must die.

In Today's Words:

I'm going to destroy that whole family - the wife and kid have to pay for what their husband and father did.

"You might, from your appearance, be the wife of Lucifer, yet you shall not get the better of me. I am an Englishwoman."

— Miss Pross

Context: She's facing down Madame Defarge at the door

Miss Pross draws strength from her identity and values when facing ultimate evil. She sees Madame Defarge as literally demonic but refuses to be intimidated. Her Englishness represents her belief in decency and fair play against revolutionary extremism.

In Today's Words:

You look like the devil's wife, but you're not getting past me. I know who I am and what I stand for.

Thematic Threads

Protective Love

In This Chapter

Miss Pross faces down armed Madame Defarge with nothing but fierce devotion to Lucie

Development

Evolved from earlier themes of sacrifice—now showing love's power to overcome hatred

In Your Life:

The quiet strength you find when protecting someone you care about, even when you're outmatched.

Revolutionary Corruption

In This Chapter

Madame Defarge's bloodlust has consumed any original justice motives—she wants to kill children

Development

Culmination of themes showing how noble causes can create monsters

In Your Life:

When your anger at injustice starts making you cruel to innocent people.

Class Warfare

In This Chapter

Plain English governess defeats the symbol of revolutionary fury through simple human decency

Development

Subverts earlier class themes—showing character matters more than background

In Your Life:

How your values and actions define you more than your job title or social status.

Communication Barriers

In This Chapter

Neither woman understands the other's language, but their intentions are crystal clear

Development

New thread showing how conflict transcends words

In Your Life:

When you're in a confrontation where what's really being said goes deeper than the actual words.

Self-Destruction

In This Chapter

Madame Defarge dies from her own weapon while pursuing vengeance

Development

New thread demonstrating how hatred ultimately destroys the hater

In Your Life:

How carrying too much anger and resentment ends up hurting you more than your targets.

GO ADS FREE — JOIN US

You now have the context. Time to form your own thoughts.

Discussion Questions

  1. 1

    What drives Madame Defarge to hunt down Lucie and her child, even though they've never personally harmed her?

    analysis • surface
  2. 2

    Why does Miss Pross, who doesn't speak French and has no weapons training, choose to face down an armed revolutionary?

    analysis • medium
  3. 3

    Where have you seen someone start with a legitimate complaint but escalate until they became the problem themselves?

    application • medium
  4. 4

    How can you tell the difference between fighting to protect something you love versus fighting because you've become addicted to the conflict?

    application • deep
  5. 5

    What does this confrontation reveal about the different types of courage people can show when protecting others?

    reflection • deep

Critical Thinking Exercise

10 minutes

Track the Escalation Pattern

Think of a conflict you've witnessed or been part of that started small but grew out of control. Map out the stages: What was the original, legitimate concern? At what point did it shift from solving a problem to something else? What were the warning signs that the mission had become about the fight itself rather than the original goal?

Consider:

  • •Look for the moment when 'being right' became more important than fixing the actual problem
  • •Notice how each escalation probably felt justified to the person doing it
  • •Consider what boundaries or check-ins might have prevented the spiral

Journaling Prompt

Write about a time when you had to choose between escalating a conflict or protecting what actually mattered to you. What helped you make that choice?

GO ADS FREE — JOIN US

Coming Up Next...

Chapter 45: The Ultimate Sacrifice

The final chapter reveals the fates of all our characters as the story reaches its powerful conclusion. What becomes of those who escaped, and how does Carton's sacrifice transform the lives it touched?

Continue to Chapter 45
Previous
The Ultimate Sacrifice
Contents
Next
The Ultimate Sacrifice

Continue Exploring

A Tale of Two Cities Study GuideTeaching ResourcesEssential Life IndexBrowse by ThemeAll Books
Moral Dilemmas & EthicsSocial Class & StatusPower & Corruption

You Might Also Like

Great Expectations cover

Great Expectations

Charles Dickens

Also by Charles Dickens

Jane Eyre cover

Jane Eyre

Charlotte Brontë

Explores personal growth

The Strange Case of Dr Jekyll and Mr Hyde cover

The Strange Case of Dr Jekyll and Mr Hyde

Robert Louis Stevenson

Explores personal growth

Don Quixote cover

Don Quixote

Miguel de Cervantes Saavedra

Explores personal growth

Browse all 47+ books
GO ADS FREE — JOIN US

Share This Chapter

Know someone who'd enjoy this? Spread the wisdom!

TwitterFacebookLinkedInEmail

Read ad-free with Prestige

Get rid of ads, unlock study guides and downloads, and support free access for everyone.

Subscribe to PrestigeCreate free account
Intelligence Amplifier
Intelligence Amplifier™Powering Amplified Classics

Exploring human-AI collaboration through books, essays, and philosophical dialogues. Classic literature transformed into navigational maps for modern life.

2025 Books

→ The Amplified Human Spirit→ The Alarming Rise of Stupidity Amplified→ San Francisco: The AI Capital of the World
Visit intelligenceamplifier.org
hello@amplifiedclassics.com

AC Originals

→ The Last Chapter First→ You Are Not Lost→ The Lit of Love→ The Wealth Paradox
Arvintech
arvintechAmplify your Mind
Visit at arvintech.com

Navigate

  • Home
  • Library
  • Essential Life Index
  • How It Works
  • Subscribe
  • Account
  • About
  • Contact
  • Authors
  • Suggest a Book
  • Landings

Made For You

  • Students
  • Educators
  • Families
  • Readers
  • Literary Analysis
  • Finding Purpose
  • Letting Go
  • Recovering from a Breakup
  • Corruption
  • Gaslighting in the Classics

Newsletter

Weekly insights from the classics. Amplify Your Mind.

Legal

  • Privacy Policy
  • Terms of Service
  • Cookie Policy
  • Accessibility

Why Public Domain?

We focus on public domain classics because these timeless works belong to everyone. No paywalls, no restrictions—just wisdom that has stood the test of centuries, freely accessible to all readers.

Public domain books have shaped humanity's understanding of love, justice, ambition, and the human condition. By amplifying these works, we help preserve and share literature that truly belongs to the world.

© 2025 Amplified Classics™. All Rights Reserved.

Intelligence Amplifier™ and Amplified Classics™ are proprietary trademarks of Arvin Lioanag.

Copyright Protection: All original content, analyses, discussion questions, pedagogical frameworks, and methodology are protected by U.S. and international copyright law. Unauthorized reproduction, distribution, web scraping, or use for AI training is strictly prohibited. See our Copyright Notice for details.

Disclaimer: The information provided on this website is for general informational and educational purposes only and does not constitute professional, legal, financial, or technical advice. While we strive to ensure accuracy and relevance, we make no warranties regarding completeness, reliability, or suitability. Any reliance on such information is at your own risk. We are not liable for any losses or damages arising from use of this site. By using this site, you agree to these terms.