An excerpt from the original text.(~500 words)
he Fellow of Delicacy Mr. Stryver having made up his mind to that magnanimous bestowal of good fortune on the Doctor’s daughter, resolved to make her happiness known to her before he left town for the Long Vacation. After some mental debating of the point, he came to the conclusion that it would be as well to get all the preliminaries done with, and they could then arrange at their leisure whether he should give her his hand a week or two before Michaelmas Term, or in the little Christmas vacation between it and Hilary. As to the strength of his case, he had not a doubt about it, but clearly saw his way to the verdict. Argued with the jury on substantial worldly grounds--the only grounds ever worth taking into account--it was a plain case, and had not a weak spot in it. He called himself for the plaintiff, there was no getting over his evidence, the counsel for the defendant threw up his brief, and the jury did not even turn to consider. After trying it, Stryver, C. J., was satisfied that no plainer case could be. Accordingly, Mr. Stryver inaugurated the Long Vacation with a formal proposal to take Miss Manette to Vauxhall Gardens; that failing, to Ranelagh; that unaccountably failing too, it behoved him to present himself in Soho, and there declare his noble mind. Towards Soho, therefore, Mr. Stryver shouldered his way from the Temple, while the bloom of the Long Vacation’s infancy was still upon it. Anybody who had seen him projecting himself into Soho while he was yet on Saint Dunstan’s side of Temple Bar, bursting in his full-blown way along the pavement, to the jostlement of all weaker people, might have seen how safe and strong he was. His way taking him past Tellson’s, and he both banking at Tellson’s and knowing Mr. Lorry as the intimate friend of the Manettes, it entered Mr. Stryver’s mind to enter the bank, and reveal to Mr. Lorry the brightness of the Soho horizon. So, he pushed open the door with the weak rattle in its throat, stumbled down the two steps, got past the two ancient cashiers, and shouldered himself into the musty back closet where Mr. Lorry sat at great books ruled for figures, with perpendicular iron bars to his window as if that were ruled for figures too, and everything under the clouds were a sum. “Halloa!” said Mr. Stryver. “How do you do? I hope you are well!” It was Stryver’s grand peculiarity that he always seemed too big for any place, or space. He was so much too big for Tellson’s, that old clerks in distant corners looked up with looks of remonstrance, as though he squeezed them against the wall. The House itself, magnificently reading the paper quite in the far-off perspective, lowered displeased, as if the Stryver head had been butted into its responsible waistcoat. The discreet Mr. Lorry said, in a sample tone of the voice he...
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Let's Analyse the Pattern
The Road of Ego Protection - When Pride Rewrites Reality
When reality threatens our self-image, we don't change our self-perception—we change our story about what reality means.
Why This Matters
Connect literature to life
This chapter teaches how to recognize when someone transforms potential rejection into perceived superiority to protect their self-image.
Practice This Today
This week, notice when someone gets corrected or rejected—watch for the story flip where they suddenly 'didn't want it anyway.'
Now let's explore the literary elements.
Key Quotes & Analysis
"As to the strength of his case, he had not a doubt about it, but clearly saw his way to the verdict."
Context: Describing Stryver's absolute confidence that Lucie will accept his proposal
Dickens uses legal metaphors to show how Stryver treats love like a court case he's already won. The irony is thick - he's so sure of success that he can't imagine failure.
In Today's Words:
He was totally convinced she'd say yes - like, not even a question in his mind.
"I wouldn't go on such a matter without having it brought to a conclusion."
Context: Diplomatically suggesting he should test the waters before Stryver proposes
Lorry's careful language shows his skill at delivering bad news gently. He's essentially saying 'let me save you from embarrassing yourself' without crushing Stryver's ego completely.
In Today's Words:
Maybe we should make sure she's actually interested before you put yourself out there.
"You have been so good as to mention that you are not advising me to go on."
Context: When Stryver finally grasps that Lorry is warning him off
His formal, stiff language reveals his wounded pride and growing panic. He's trying to maintain dignity while processing that his 'sure thing' might not be so sure.
In Today's Words:
Wait, are you telling me I shouldn't do this?
Thematic Threads
Pride
In This Chapter
Stryver's wounded pride transforms potential rejection into magnanimous withdrawal, protecting his self-image
Development
Builds on Sydney's self-loathing by showing pride's opposite extreme—complete inability to accept criticism
In Your Life:
You might catch yourself doing this when a job interview goes badly and you suddenly decide the company 'wasn't a good fit anyway.'
Class
In This Chapter
Stryver uses class superiority as his final defense, claiming Lucie is beneath his station
Development
Continues the theme of class as both barrier and weapon, now used defensively rather than just socially
In Your Life:
You might see this when someone uses their education or income level to dismiss feedback from 'lesser' people.
Social Expectations
In This Chapter
The gap between Stryver's expectations of universal desirability and the reality of personal choice
Development
Develops from earlier chapters showing how social position doesn't guarantee personal acceptance
In Your Life:
You might experience this when your professional success doesn't translate to personal relationships the way you expected.
Truth-telling
In This Chapter
Mr. Lorry's diplomatic but firm delivery of unwelcome reality to someone who doesn't want to hear it
Development
Builds on Lorry's role as truth-teller, now showing the delicate art of delivering hard truths
In Your Life:
You might face this when you need to tell a friend their relationship is unhealthy or their job performance is slipping.
Self-Deception
In This Chapter
Stryver's complete rewriting of events to preserve his ego and avoid facing uncomfortable truths
Development
Introduced here as a major theme, showing how people protect themselves from reality
In Your Life:
You might recognize this in your own tendency to rationalize away feedback that challenges how you see yourself.
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
What was Stryver's original plan, and how did Mr. Lorry respond to it?
analysis • surface - 2
Why do you think Stryver was so confident Lucie would accept his proposal, and what does this reveal about how he sees himself?
analysis • medium - 3
By the end of the chapter, Stryver claims he's doing everyone a favor by not pursuing Lucie. Where have you seen people rewrite rejection stories like this in real life?
application • medium - 4
If you were in Mr. Lorry's position, having to deliver unwelcome news to someone like Stryver, how would you handle it?
application • deep - 5
What does Stryver's transformation from confident suitor to magnanimous withdrawer teach us about how people protect their self-image when reality doesn't match their expectations?
reflection • deep
Critical Thinking Exercise
Catch Your Own Story Rewrites
Think of a recent disappointment, rejection, or setback in your life. Write down what actually happened in simple facts, then write down the story you've been telling yourself about it. Look for places where you might have unconsciously reframed the situation to protect your ego, similar to how Stryver transformed potential rejection into magnanimous withdrawal.
Consider:
- •Notice the difference between facts and the narrative you've created around those facts
- •Pay attention to language that makes you the hero or victim rather than simply someone who experienced something
- •Consider what you might learn if you sat with the original disappointment instead of the rewritten version
Journaling Prompt
Write about a time when someone gave you feedback or correction that initially made you defensive. How did you handle it then, and how might you handle it differently now?
Coming Up Next...
Chapter 19: Sydney Carton's Confession
While Stryver retreats with his dignity carefully reconstructed, another man approaches the Manette household with very different intentions. His methods will prove far less delicate than Stryver's abandoned courtship.
