Summary
Mr. Stryver, the bombastic lawyer, has decided he's ready to bestow the great honor of marriage upon Lucie Manette. In his mind, it's an open-and-shut case—he's successful, prosperous, and advancing in his career. What woman wouldn't want him? But when he stops by Tellson's Bank to share his grand plan with Mr. Lorry, he gets a reality check he never saw coming. Mr. Lorry, who knows the Manette family intimately, gently but firmly suggests that Stryver might not receive the welcome he expects. The conversation is a masterclass in diplomatic truth-telling, as Lorry navigates between his business obligations and his personal loyalty to Lucie. Stryver's reaction reveals the fragility beneath his bluster—first incredulous, then defensive, demanding to know why he wouldn't be accepted. When Lorry offers to discreetly sound out the situation first, Stryver reluctantly agrees, his confidence shaken but his pride intact. By evening, when Lorry returns with confirmation that his advice was sound, Stryver has already rewritten the narrative in his head. He transforms potential rejection into magnanimous withdrawal, claiming he's doing everyone a favor by not pursuing someone so beneath his station. This chapter brilliantly exposes how people protect their egos when reality threatens their self-image, and shows the delicate dance between those who must deliver unwelcome truths and those who must receive them.
Coming Up in Chapter 19
While Stryver retreats with his dignity carefully reconstructed, another man approaches the Manette household with very different intentions. His methods will prove far less delicate than Stryver's abandoned courtship.
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An excerpt from the original text.(~500 words)
The Fellow of Delicacy Mr. Stryver having made up his mind to that magnanimous bestowal of good fortune on the Doctor’s daughter, resolved to make her happiness known to her before he left town for the Long Vacation. After some mental debating of the point, he came to the conclusion that it would be as well to get all the preliminaries done with, and they could then arrange at their leisure whether he should give her his hand a week or two before Michaelmas Term, or in the little Christmas vacation between it and Hilary. As to the strength of his case, he had not a doubt about it, but clearly saw his way to the verdict. Argued with the jury on substantial worldly grounds--the only grounds ever worth taking into account--it was a plain case, and had not a weak spot in it. He called himself for the plaintiff, there was no getting over his evidence, the counsel for the defendant threw up his brief, and the jury did not even turn to consider. After trying it, Stryver, C. J., was satisfied that no plainer case could be. Accordingly, Mr. Stryver inaugurated the Long Vacation with a formal proposal to take Miss Manette to Vauxhall Gardens; that failing, to Ranelagh; that unaccountably failing too, it behoved him to present himself in Soho, and there declare his noble mind. Towards Soho, therefore, Mr. Stryver shouldered his way from the Temple, while the bloom of the Long Vacation’s infancy was still upon it. Anybody who had seen him projecting himself into Soho while he was yet on Saint Dunstan’s side of Temple Bar, bursting in his full-blown way along the pavement, to the jostlement of all weaker people, might have seen how safe and strong he was. His way taking him past Tellson’s, and he both banking at Tellson’s and knowing Mr. Lorry as the intimate friend of the Manettes, it entered Mr. Stryver’s mind to enter the bank, and reveal to Mr. Lorry the brightness of the Soho horizon. So, he pushed open the door with the weak rattle in its throat, stumbled down the two steps, got past the two ancient cashiers, and shouldered himself into the musty back closet where Mr. Lorry sat at great books ruled for figures, with perpendicular iron bars to his window as if that were ruled for figures too, and everything under the clouds were a sum. “Halloa!” said Mr. Stryver. “How do you do? I hope you are well!” It was Stryver’s grand peculiarity that he always seemed too big for any place, or space. He was so much too big for Tellson’s, that old clerks in distant corners looked up with looks of remonstrance, as though he squeezed them against the wall. The House itself, magnificently reading the paper quite in the far-off perspective, lowered displeased, as if the Stryver head had been butted into its responsible waistcoat. The discreet Mr. Lorry said, in a sample tone of the voice he...
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Intelligence Amplifier™ Analysis
The Road of Ego Protection - When Pride Rewrites Reality
When reality threatens our self-image, we don't change our self-perception—we change our story about what reality means.
Why This Matters
Connect literature to life
This chapter teaches how to recognize when someone transforms potential rejection into perceived superiority to protect their self-image.
Practice This Today
This week, notice when someone gets corrected or rejected—watch for the story flip where they suddenly 'didn't want it anyway.'
Now let's explore the literary elements.
Terms to Know
Long Vacation
The extended summer break when British courts and universities closed, typically lasting from July to October. For lawyers like Stryver, this was when they'd handle personal business or take leisure time.
Modern Usage:
Like when teachers get summer break or corporate workers take extended vacation time to handle major life decisions.
Magnanimous bestowal
Stryver's pompous way of describing his marriage proposal - as if he's generously granting Lucie a tremendous favor. It reveals his inflated sense of self-worth and entitlement.
Modern Usage:
When someone acts like they're doing you a huge favor by dating you, as if you should be grateful for their attention.
Vauxhall Gardens
A popular London pleasure garden where the upper classes went for entertainment, dining, and socializing. Stryver suggesting it shows he's trying to impress Lucie with fashionable venues.
Modern Usage:
Like taking someone to an expensive restaurant or exclusive event to show off your status and wealth.
Delicacy of feeling
The social skill of handling sensitive situations with tact and consideration for others' emotions. Mr. Lorry demonstrates this; Stryver completely lacks it.
Modern Usage:
Emotional intelligence - knowing how to read the room and handle awkward conversations without making things worse.
Substantial worldly grounds
Stryver's belief that marriage should be based on practical considerations like money, status, and career prospects rather than love or compatibility.
Modern Usage:
When people choose partners based on their job, income, or social media following rather than actual connection.
Threw up his brief
Legal terminology meaning to abandon a case because it's hopeless. Stryver uses this metaphor to convince himself that any opposition to his proposal would be pointless.
Modern Usage:
When someone gives up on an argument because they know they can't win - like conceding defeat before the fight starts.
Characters in This Chapter
Mr. Stryver
Delusional suitor
Shows breathtaking arrogance as he assumes Lucie will be thrilled by his proposal. When reality threatens his ego, he quickly rewrites the story to protect his pride.
Modern Equivalent:
The guy who thinks he's God's gift to women and can't handle rejection
Mr. Lorry
Diplomatic truth-teller
Masterfully handles the delicate task of crushing Stryver's delusions without causing a complete meltdown. Shows real emotional intelligence and loyalty to the Manettes.
Modern Equivalent:
The friend who has to tell you your crush isn't interested without destroying your self-esteem
Lucie Manette
Unwitting object of misguided affection
Though barely present, her situation drives the entire chapter. She's completely unaware of Stryver's intentions, highlighting how he never considered her feelings.
Modern Equivalent:
The person everyone's talking about who has no idea someone has a crush on them
Key Quotes & Analysis
"As to the strength of his case, he had not a doubt about it, but clearly saw his way to the verdict."
Context: Describing Stryver's absolute confidence that Lucie will accept his proposal
Dickens uses legal metaphors to show how Stryver treats love like a court case he's already won. The irony is thick - he's so sure of success that he can't imagine failure.
In Today's Words:
He was totally convinced she'd say yes - like, not even a question in his mind.
"I wouldn't go on such a matter without having it brought to a conclusion."
Context: Diplomatically suggesting he should test the waters before Stryver proposes
Lorry's careful language shows his skill at delivering bad news gently. He's essentially saying 'let me save you from embarrassing yourself' without crushing Stryver's ego completely.
In Today's Words:
Maybe we should make sure she's actually interested before you put yourself out there.
"You have been so good as to mention that you are not advising me to go on."
Context: When Stryver finally grasps that Lorry is warning him off
His formal, stiff language reveals his wounded pride and growing panic. He's trying to maintain dignity while processing that his 'sure thing' might not be so sure.
In Today's Words:
Wait, are you telling me I shouldn't do this?
Thematic Threads
Pride
In This Chapter
Stryver's wounded pride transforms potential rejection into magnanimous withdrawal, protecting his self-image
Development
Builds on Sydney's self-loathing by showing pride's opposite extreme—complete inability to accept criticism
In Your Life:
You might catch yourself doing this when a job interview goes badly and you suddenly decide the company 'wasn't a good fit anyway.'
Class
In This Chapter
Stryver uses class superiority as his final defense, claiming Lucie is beneath his station
Development
Continues the theme of class as both barrier and weapon, now used defensively rather than just socially
In Your Life:
You might see this when someone uses their education or income level to dismiss feedback from 'lesser' people.
Social Expectations
In This Chapter
The gap between Stryver's expectations of universal desirability and the reality of personal choice
Development
Develops from earlier chapters showing how social position doesn't guarantee personal acceptance
In Your Life:
You might experience this when your professional success doesn't translate to personal relationships the way you expected.
Truth-telling
In This Chapter
Mr. Lorry's diplomatic but firm delivery of unwelcome reality to someone who doesn't want to hear it
Development
Builds on Lorry's role as truth-teller, now showing the delicate art of delivering hard truths
In Your Life:
You might face this when you need to tell a friend their relationship is unhealthy or their job performance is slipping.
Self-Deception
In This Chapter
Stryver's complete rewriting of events to preserve his ego and avoid facing uncomfortable truths
Development
Introduced here as a major theme, showing how people protect themselves from reality
In Your Life:
You might recognize this in your own tendency to rationalize away feedback that challenges how you see yourself.
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
What was Stryver's original plan, and how did Mr. Lorry respond to it?
analysis • surface - 2
Why do you think Stryver was so confident Lucie would accept his proposal, and what does this reveal about how he sees himself?
analysis • medium - 3
By the end of the chapter, Stryver claims he's doing everyone a favor by not pursuing Lucie. Where have you seen people rewrite rejection stories like this in real life?
application • medium - 4
If you were in Mr. Lorry's position, having to deliver unwelcome news to someone like Stryver, how would you handle it?
application • deep - 5
What does Stryver's transformation from confident suitor to magnanimous withdrawer teach us about how people protect their self-image when reality doesn't match their expectations?
reflection • deep
Critical Thinking Exercise
Catch Your Own Story Rewrites
Think of a recent disappointment, rejection, or setback in your life. Write down what actually happened in simple facts, then write down the story you've been telling yourself about it. Look for places where you might have unconsciously reframed the situation to protect your ego, similar to how Stryver transformed potential rejection into magnanimous withdrawal.
Consider:
- •Notice the difference between facts and the narrative you've created around those facts
- •Pay attention to language that makes you the hero or victim rather than simply someone who experienced something
- •Consider what you might learn if you sat with the original disappointment instead of the rewritten version
Journaling Prompt
Write about a time when someone gave you feedback or correction that initially made you defensive. How did you handle it then, and how might you handle it differently now?
Coming Up Next...
Chapter 19: Sydney Carton's Confession
Moving forward, we'll examine to recognize when someone is crying out for help behind harsh words, and understand honest vulnerability can be both painful and healing. These insights bridge the gap between classic literature and modern experience.