An excerpt from the original text.(complete · 3642 words)
HE LETTER.
When all was still in the house; when dinner was over and the noisy
recreation-hour past; when darkness had set in, and the quiet lamp of
study was lit in the refectory; when the externes were gone home, the
clashing door and clamorous bell hushed for the evening; when Madame
was safely settled in the salle-à-manger in company with her mother and
some friends; I then glided to the kitchen, begged a bougie for one
half-hour for a particular occasion, found acceptance of my petition at
the hands of my friend Goton, who answered, “Mais certainement,
chou-chou, vous en aurez deux, si vous voulez;” and, light in hand, I
mounted noiseless to the dormitory.
Great was my chagrin to find in that apartment a pupil gone to bed
indisposed,—greater when I recognised, amid the muslin nightcap
borders, the “figure chiffonnée” of Mistress Ginevra Fanshawe; supine
at this moment, it is true—but certain to wake and overwhelm me with
chatter when the interruption would be least acceptable: indeed, as I
watched her, a slight twinkling of the eyelids warned me that the
present appearance of repose might be but a ruse, assumed to cover sly
vigilance over “Timon’s” movements; she was not to be trusted. And I
had so wished to be alone, just to read my precious letter in peace.
Well, I must go to the classes. Having sought and found my prize in its
casket, I descended. Ill-luck pursued me. The classes were undergoing
sweeping and purification by candle-light, according to hebdomadal
custom: benches were piled on desks, the air was dim with dust, damp
coffee-grounds (used by Labassecourien housemaids instead of
tea-leaves) darkened the floor; all was hopeless confusion. Baffled,
but not beaten, I withdrew, bent as resolutely as ever on finding
solitude somewhere.
Taking a key whereof I knew the repository, I mounted three staircases
in succession, reached a dark, narrow, silent landing, opened a
worm-eaten door, and dived into the deep, black, cold garret. Here none
would follow me—none interrupt—not Madame herself. I shut the
garret-door; I placed my light on a doddered and mouldy chest of
drawers; I put on a shawl, for the air was ice-cold; I took my letter;
trembling with sweet impatience, I broke its seal.
“Will it be long—will it be short?” thought I, passing my hand across
my eyes to dissipate the silvery dimness of a suave, south-wind shower.
It was long.
“Will it be cool?—will it be kind?”
It was kind.
To my checked, bridled, disciplined expectation, it seemed very kind:
to my longing and famished thought it seemed, perhaps, kinder than it
was.
So little had I hoped, so much had I feared; there was a fulness of
delight in this taste of fruition—such, perhaps, as many a human being
passes through life without ever knowing. The poor English teacher in
the frosty garret, reading by a dim candle guttering in the wintry air,
a letter simply good-natured—nothing more; though that good-nature then
seemed to me godlike—was happier than most queens in palaces.
Of course, happiness of such shallow origin could be but brief; yet,
while it lasted it was genuine and exquisite: a bubble—but a sweet
bubble—of real honey-dew. Dr. John had written to me at length; he had
written to me with pleasure; he had written with benignant mood,
dwelling with sunny satisfaction on scenes that had passed before his
eyes and mine,—on places we had visited together—on conversations we
had held—on all the little subject-matter, in short, of the last few
halcyon weeks. But the cordial core of the delight was, a conviction
the blithe, genial language generously imparted, that it had been
poured out not merely to content me—but to gratify himself. A
gratification he might never more desire, never more seek—an hypothesis
in every point of view approaching the certain; but that concerned
the future. This present moment had no pain, no blot, no want; full,
pure, perfect, it deeply blessed me. A passing seraph seemed to have
rested beside me, leaned towards my heart, and reposed on its throb a
softening, cooling, healing, hallowing wing. Dr. John, you pained me
afterwards: forgiven be every ill—freely forgiven—for the sake of that
one dear remembered good!
Are there wicked things, not human, which envy human bliss? Are there
evil influences haunting the air, and poisoning it for man? What was
near me?
Something in that vast solitary garret sounded strangely. Most surely
and certainly I heard, as it seemed, a stealthy foot on that floor: a
sort of gliding out from the direction of the black recess haunted by
the malefactor cloaks. I turned: my light was dim; the room was
long—but as I live! I saw in the middle of that ghostly chamber a
figure all black and white; the skirts straight, narrow, black; the
head bandaged, veiled, white.
Say what you will, reader—tell me I was nervous or mad; affirm that I
was unsettled by the excitement of that letter; declare that I dreamed;
this I vow—I saw there—in that room—on that night—an image like—a NUN.
I cried out; I sickened. Had the shape approached me I might have
swooned. It receded: I made for the door. How I descended all the
stairs I know not. By instinct I shunned the refectory, and shaped my
course to Madame’s sitting-room: I burst in. I said—
“There is something in the grenier; I have been there: I saw something.
Go and look at it, all of you!”
I said, “All of you;” for the room seemed to me full of people, though
in truth there were but four present: Madame Beck; her mother, Madame
Kint, who was out of health, and now staying with her on a visit; her
brother, M. Victor Kint, and another gentleman, who, when I entered the
room, was conversing with the old lady, and had his back towards the
door.
My mortal fear and faintness must have made me deadly pale. I felt cold
and shaking. They all rose in consternation; they surrounded me. I
urged them to go to the grenier; the sight of the gentlemen did me good
and gave me courage: it seemed as if there were some help and hope,
with men at hand. I turned to the door, beckoning them to follow. They
wanted to stop me, but I said they must come this way: they must see
what I had seen—something strange, standing in the middle of the
garret. And, now, I remembered my letter, left on the drawers with the
light. This precious letter! Flesh or spirit must be defied for its
sake. I flew up-stairs, hastening the faster as I knew I was followed:
they were obliged to come.
Lo! when I reached the garret-door, all within was dark as a pit: the
light was out. Happily some one—Madame, I think, with her usual calm
sense—had brought a lamp from the room; speedily, therefore, as they
came up, a ray pierced the opaque blackness. There stood the bougie
quenched on the drawers; but where was the letter? And I looked for
that now, and not for the nun.
“My letter! my letter!” I panted and plained, almost beside myself. I
groped on the floor, wringing my hands wildly. Cruel, cruel doom! To
have my bit of comfort preternaturally snatched from me, ere I had well
tasted its virtue!
I don’t know what the others were doing; I could not watch them: they
asked me questions I did not answer; they ransacked all corners; they
prattled about this and that disarrangement of cloaks, a breach or
crack in the sky-light—I know not what. “Something or somebody has been
here,” was sagely averred.
“Oh! they have taken my letter!” cried the grovelling, groping,
monomaniac.
“What letter, Lucy? My dear girl, what letter?” asked a known voice in
my ear. Could I believe that ear? No: and I looked up. Could I trust my
eyes? Had I recognised the tone? Did I now look on the face of the
writer of that very letter? Was this gentleman near me in this dim
garret, John Graham—Dr. Bretton himself?
Yes: it was. He had been called in that very evening to prescribe for
some access of illness in old Madame Kint; he was the second gentleman
present in the salle-à-manger when I entered.
“Was it my letter, Lucy?”
“Your own: yours—the letter you wrote to me. I had come here to read it
quietly. I could not find another spot where it was possible to have it
to myself. I had saved it all day—never opened it till this evening: it
was scarcely glanced over: I cannot bear to lose it. Oh, my letter!”
“Hush! don’t cry and distress yourself so cruelly. What is it worth?
Hush! Come out of this cold room; they are going to send for the police
now to examine further: we need not stay here—come, we will go down.”
A warm hand, taking my cold fingers, led me down to a room where there
was a fire. Dr. John and I sat before the stove. He talked to me and
soothed me with unutterable goodness, promising me twenty letters for
the one lost. If there are words and wrongs like knives, whose
deep-inflicted lacerations never heal—cutting injuries and insults of
serrated and poison-dripping edge—so, too, there are consolations of
tone too fine for the ear not fondly and for ever to retain their echo:
caressing kindnesses—loved, lingered over through a whole life,
recalled with unfaded tenderness, and answering the call with undimmed
shine, out of that raven cloud foreshadowing Death himself. I have been
told since that Dr. Bretton was not nearly so perfect as I thought him:
that his actual character lacked the depth, height, compass, and
endurance it possessed in my creed. I don’t know: he was as good to me
as the well is to the parched wayfarer—as the sun to the shivering
jailbird. I remember him heroic. Heroic at this moment will I hold him
to be.
He asked me, smiling, why I cared for his letter so very much. I
thought, but did not say, that I prized it like the blood in my veins.
I only answered that I had so few letters to care for.
“I am sure you did not read it,” said he; “or you would think nothing
of it!”
“I read it, but only once. I want to read it again. I am sorry it is
lost.” And I could not help weeping afresh.
“Lucy, Lucy, my poor little god-sister (if there be such a
relationship), here—here is your letter. Why is it not better worth
such tears, and such tenderly exaggerating faith?”
Curious, characteristic manœuvre! His quick eye had seen the letter on
the floor where I sought it; his hand, as quick, had snatched it up. He
had hidden it in his waistcoat pocket. If my trouble had wrought with a
whit less stress and reality, I doubt whether he would ever have
acknowledged or restored it. Tears of temperature one degree cooler
than those I shed would only have amused Dr. John.
Pleasure at regaining made me forget merited reproach for the teasing
torment; my joy was great; it could not be concealed: yet I think it
broke out more in countenance than language. I said little.
“Are you satisfied now?” asked Dr. John.
I replied that I was—satisfied and happy.
“Well then,” he proceeded, “how do you feel physically? Are you growing
calmer? Not much: for you tremble like a leaf still.”
It seemed to me, however, that I was sufficiently calm: at least I felt
no longer terrified. I expressed myself composed.
“You are able, consequently, to tell me what you saw? Your account was
quite vague, do you know? You looked white as the wall; but you only
spoke of ‘something,’ not defining what. Was it a man? Was it an
animal? What was it?”
“I never will tell exactly what I saw,” said I, “unless some one else
sees it too, and then I will give corroborative testimony; but
otherwise, I shall be discredited and accused of dreaming.”
“Tell me,” said Dr. Bretton; “I will hear it in my professional
character: I look on you now from a professional point of view, and I
read, perhaps, all you would conceal—in your eye, which is curiously
vivid and restless: in your cheek, which the blood has forsaken; in
your hand, which you cannot steady. Come, Lucy, speak and tell me.”
“You would laugh—?”
“If you don’t tell me you shall have no more letters.”
“You are laughing now.”
“I will again take away that single epistle: being mine, I think I have
a right to reclaim it.”
I felt raillery in his words: it made me grave and quiet; but I folded
up the letter and covered it from sight.
“You may hide it, but I can possess it any moment I choose. You don’t
know my skill in sleight of hand; I might practise as a conjuror if I
liked. Mamma says sometimes, too, that I have a harmonizing property of
tongue and eye; but you never saw that in me—did you, Lucy?”
“Indeed—indeed—when you were a mere boy I used to see both: far more
then than now—for now you are strong, and strength dispenses with
subtlety. But still,—Dr. John, you have what they call in this country
‘un air fin,’ that nobody can mistake. Madame Beck saw it, and—”
“And liked it,” said he, laughing, “because she has it herself. But,
Lucy, give me that letter—you don’t really care for it.”
To this provocative speech I made no answer. Graham in mirthful mood
must not be humoured too far. Just now there was a new sort of smile
playing about his lips—very sweet, but it grieved me somehow—a new sort
of light sparkling in his eyes: not hostile, but not reassuring. I rose
to go—I bid him good-night a little sadly.
His sensitiveness—that peculiar, apprehensive, detective faculty of
his—felt in a moment the unspoken complaint—the scarce-thought
reproach. He asked quietly if I was offended. I shook my head as
implying a negative.
“Permit me, then, to speak a little seriously to you before you go. You
are in a highly nervous state. I feel sure from what is apparent in
your look and manner, however well controlled, that whilst alone this
evening in that dismal, perishing sepulchral garret—that dungeon under
the leads, smelling of damp and mould, rank with phthisis and catarrh:
a place you never ought to enter—that you saw, or thought you saw,
some appearance peculiarly calculated to impress the imagination. I
know that you are not, nor ever were, subject to material terrors,
fears of robbers, &c.—I am not so sure that a visitation, bearing a
spectral character, would not shake your very mind. Be calm now. This
is all a matter of the nerves, I see: but just specify the vision.”
“You will tell nobody?”
“Nobody—most certainly. You may trust me as implicitly as you did Père
Silas. Indeed, the doctor is perhaps the safer confessor of the two,
though he has not grey hair.”
“You will not laugh?”
“Perhaps I may, to do you good: but not in scorn. Lucy, I feel as a
friend towards you, though your timid nature is slow to trust.”
He now looked like a friend: that indescribable smile and sparkle were
gone; those formidable arched curves of lip, nostril, eyebrow, were
depressed; repose marked his attitude—attention sobered his aspect. Won
to confidence, I told him exactly what I had seen: ere now I had
narrated to him the legend of the house—whiling away with that
narrative an hour of a certain mild October afternoon, when he and I
rode through Bois l’Etang.
He sat and thought, and while he thought, we heard them all coming
down-stairs.
“Are they going to interrupt?” said he, glancing at the door with an
annoyed expression.
“They will not come here,” I answered; for we were in the little salon
where Madame never sat in the evening, and where it was by mere chance
that heat was still lingering in the stove. They passed the door and
went on to the salle-à-manger.
“Now,” he pursued, “they will talk about thieves, burglars, and so on:
let them do so—mind you say nothing, and keep your resolution of
describing your nun to nobody. She may appear to you again: don’t
start.”
“You think then,” I said, with secret horror, “she came out of my
brain, and is now gone in there, and may glide out again at an hour and
a day when I look not for her?”
“I think it a case of spectral illusion: I fear, following on and
resulting from long-continued mental conflict.”
“Oh, Doctor John—I shudder at the thought of being liable to such an
illusion! It seemed so real. Is there no cure?—no preventive?”
“Happiness is the cure—a cheerful mind the preventive: cultivate both.”
No mockery in this world ever sounds to me so hollow as that of being
told to cultivate happiness. What does such advice mean? Happiness is
not a potato, to be planted in mould, and tilled with manure. Happiness
is a glory shining far down upon us out of Heaven. She is a divine dew
which the soul, on certain of its summer mornings, feels dropping upon
it from the amaranth bloom and golden fruitage of Paradise.
“Cultivate happiness!” I said briefly to the doctor: “do you
cultivate happiness? How do you manage?”
“I am a cheerful fellow by nature: and then ill-luck has never dogged
me. Adversity gave me and my mother one passing scowl and brush, but we
defied her, or rather laughed at her, and she went by.”.
“There is no cultivation in all this.”
“I do not give way to melancholy.”
“Yes: I have seen you subdued by that feeling.”
“About Ginevra Fanshawe—eh?”
“Did she not sometimes make you miserable?”
“Pooh! stuff! nonsense! You see I am better now.”
If a laughing eye with a lively light, and a face bright with beaming
and healthy energy, could attest that he was better, better he
certainly was.
“You do not look much amiss, or greatly out of condition,” I allowed.
“And why, Lucy, can’t you look and feel as I do—buoyant, courageous,
and fit to defy all the nuns and flirts in Christendom? I would give
gold on the spot just to see you snap your fingers. Try the manœuvre.”
“If I were to bring Miss Fanshawe into your presence just now?”
“I vow, Lucy, she should not move me: or, she should move me but by one
thing—true, yes, and passionate love. I would accord forgiveness at no
less a price.”
“Indeed! a smile of hers would have been a fortune to you a while
since.”
“Transformed, Lucy: transformed! Remember, you once called me a slave!
but I am a free man now!”
He stood up: in the port of his head, the carriage of his figure, in
his beaming eye and mien, there revealed itself a liberty which was
more than ease—a mood which was disdain of his past bondage.
“Miss Fanshawe,” he pursued, “has led me through a phase of feeling
which is over: I have entered another condition, and am now much
disposed to exact love for love—passion for passion—and good measure of
it, too.”
“Ah, Doctor! Doctor! you said it was your nature to pursue Love under
difficulties—to be charmed by a proud insensibility!”.
He laughed, and answered, “My nature varies: the mood of one hour is
sometimes the mockery of the next. Well, Lucy” (drawing on his gloves),
“will the Nun come again to-night, think you?”
“I don’t think she will.”
“Give her my compliments, if she does—Dr. John’s compliments—and
entreat her to have the goodness to wait a visit from him. Lucy, was
she a pretty nun? Had she a pretty face? You have not told me that yet;
and that is the really important point.”
“She had a white cloth over her face,” said I, “but her eyes
glittered.”
“Confusion to her goblin trappings!” cried he, irreverently: “but at
least she had handsome eyes—bright and soft.”
“Cold and fixed,” was the reply.
“No, no, we’ll none of her: she shall not haunt you, Lucy. Give her
that shake of the hand, if she comes again. Will she stand that, do
you think?”
I thought it too kind and cordial for a ghost to stand: and so was the
smile which matched it, and accompanied his “Good-night.”
And had there been anything in the garret? What did they discover? I
believe, on the closest examination, their discoveries amounted to very
little. They talked, at first, of the cloaks being disturbed; but
Madame Beck told me afterwards she thought they hung much as usual: and
as for the broken pane in the skylight, she affirmed that aperture was
rarely without one or more panes broken or cracked: and besides, a
heavy hail-storm had fallen a few days ago. Madame questioned me very
closely as to what I had seen, but I only described an obscure figure
clothed in black: I took care not to breathe the word “nun,” certain
that this word would at once suggest to her mind an idea of romance and
unreality. She charged me to say nothing on the subject to any servant,
pupil, or teacher, and highly commended my discretion in coming to her
private salle-à-manger, instead of carrying the tale of horror to the
school refectory. Thus the subject dropped. I was left secretly and
sadly to wonder, in my own mind, whether that strange thing was of this
world, or of a realm beyond the grave; or whether indeed it was only
the child of malady, and I of that malady the prey.
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Let's Analyse the Pattern
The Emotional Extremes Trap
Isolation creates emotional starvation that makes us swing between dangerous highs and crushing lows, distorting our judgment and perception of reality.
Why This Matters
Connect literature to life
This chapter teaches how isolation creates dangerous emotional extremes that distort our perception of both opportunities and threats.
Practice This Today
This week, notice when you feel unusually high about small positive interactions—it might signal you need more consistent connection before the crash comes.
Now let's explore the literary elements.
Key Quotes & Analysis
"I was happier than most queens in their palace-homes"
Context: Lucy describes her overwhelming joy while reading Dr. John's letter
Shows how starved Lucy is for human connection that a simple letter feels like royal treatment. The contrast with 'palace-homes' emphasizes how little it takes to make her happy because she's had so little.
In Today's Words:
I felt richer than celebrities in their mansions just from getting a nice text
"Cultivate happiness, Lucy. Do not be afraid of the sunshine"
Context: His advice after Lucy's supernatural encounter and emotional breakdown
Reveals the gap between someone who's always had support telling someone who hasn't to just 'be happy.' His well-meaning but tone-deaf advice shows he doesn't understand depression or trauma.
In Today's Words:
Just think positive thoughts and everything will be fine
"I had so wished to be alone, just to read my precious letter in peace"
Context: Lucy's frustration at finding Ginevra in the dormitory when she wants privacy
Shows how even basic privacy is a luxury Lucy can't have. The word 'precious' reveals how much this letter means to her - it's not just correspondence, it's treasure.
In Today's Words:
I just wanted five minutes alone to obsess over this text without anyone watching
Thematic Threads
Isolation
In This Chapter
Lucy's solitude in the garret makes Dr. John's letter feel like divine intervention and her fears manifest as supernatural terror
Development
Deepening from earlier social awkwardness to dangerous psychological vulnerability
In Your Life:
You might recognize this when you overanalyze every text message or social interaction because you don't have enough regular human connection
Class
In This Chapter
Dr. John's casual advice to 'cultivate happiness' reveals the gap between those who've known consistent kindness and those who haven't
Development
Evolved from external class markers to internal emotional privilege and access to support
In Your Life:
You see this when well-meaning people give advice that only works if you already have resources, stability, or emotional support they take for granted
Perception
In This Chapter
Lucy's extreme emotional state distorts her reality—she may be hallucinating the nun figure due to stress and isolation
Development
Building from earlier moments of unclear boundaries between internal and external reality
In Your Life:
You might notice this when anxiety or extreme emotions make you misread situations or see threats that aren't really there
Connection
In This Chapter
A simple letter from Dr. John becomes overwhelmingly precious because Lucy is so starved for human warmth and attention
Development
Intensifying from Lucy's earlier desperate hunger for any form of recognition or care
In Your Life:
You experience this when you treasure small kindnesses from others far more than they probably intended because you don't get enough regular support
Fear
In This Chapter
The mysterious nun figure represents Lucy's internal fears and anxieties made manifest in her vulnerable state
Development
Escalating from general social anxiety to psychological manifestations that feel supernatural
In Your Life:
You might recognize this when your worst fears seem to come alive during times of stress, isolation, or emotional overwhelm
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
Why does Lucy feel 'happier than queens in palaces' from just reading Dr. John's letter, and what does this extreme reaction tell us about her emotional state?
analysis • surface - 2
How does Lucy's isolation make her vulnerable to both extreme joy and extreme fear in the same evening?
analysis • medium - 3
Where do you see this pattern of emotional extremes in modern life - people swinging from euphoria to panic when they're starved for connection?
application • medium - 4
If you were Lucy's friend, what practical advice would you give her to avoid these dangerous emotional swings?
application • deep - 5
What does this chapter reveal about how loneliness affects our ability to judge reality and regulate our emotions?
reflection • deep
Critical Thinking Exercise
Map Your Emotional Extremes
Think of a time when you felt unusually high or low about something that, looking back, wasn't that significant. Map out what was happening in your life at the time - were you isolated, stressed, or starved for a particular kind of attention? Then identify what emotional need was driving the extreme reaction.
Consider:
- •Were you getting enough regular connection and validation from multiple sources?
- •What made this particular interaction or event carry so much emotional weight?
- •How might you have responded differently if your emotional needs were being met consistently?
Journaling Prompt
Write about how you can recognize when you're emotionally starved and create buffers before small events become everything to you.
Coming Up Next...
Chapter 23: The Performance That Changes Everything
The mysterious 'Vashti' arrives, promising to shake Lucy's world in ways she never expected. Dr. John's presence continues to complicate her emotional landscape as new revelations emerge.




