An excerpt from the original text.(complete · 1644 words)
n the morning appointed for her departure Tess was awake before
dawn—at the marginal minute of the dark when the grove is still mute,
save for one prophetic bird who sings with a clear-voiced conviction
that he at least knows the correct time of day, the rest preserving
silence as if equally convinced that he is mistaken. She remained
upstairs packing till breakfast-time, and then came down in her
ordinary week-day clothes, her Sunday apparel being carefully folded in
her box.
Her mother expostulated. “You will never set out to see your folks
without dressing up more the dand than that?”
“But I am going to work!” said Tess.
“Well, yes,” said Mrs Durbeyfield; and in a private tone, “at first
there mid be a little pretence o’t.... But I think it will be wiser of
’ee to put your best side outward,” she added.
“Very well; I suppose you know best,” replied Tess with calm
abandonment.
And to please her parent the girl put herself quite in Joan’s hands,
saying serenely—“Do what you like with me, mother.”
Mrs Durbeyfield was only too delighted at this tractability. First she
fetched a great basin, and washed Tess’s hair with such thoroughness
that when dried and brushed it looked twice as much as at other times.
She tied it with a broader pink ribbon than usual. Then she put upon
her the white frock that Tess had worn at the club-walking, the airy
fulness of which, supplementing her enlarged coiffure, imparted to
her developing figure an amplitude which belied her age, and might
cause her to be estimated as a woman when she was not much more than a
child.
“I declare there’s a hole in my stocking-heel!” said Tess.
“Never mind holes in your stockings—they don’t speak! When I was a
maid, so long as I had a pretty bonnet the devil might ha’ found me in
heels.”
Her mother’s pride in the girl’s appearance led her to step back, like
a painter from his easel, and survey her work as a whole.
“You must zee yourself!” she cried. “It is much better than you was
t’other day.”
As the looking-glass was only large enough to reflect a very small
portion of Tess’s person at one time, Mrs Durbeyfield hung a black
cloak outside the casement, and so made a large reflector of the panes,
as it is the wont of bedecking cottagers to do. After this she went
downstairs to her husband, who was sitting in the lower room.
“I’ll tell ’ee what ’tis, Durbeyfield,” said she exultingly; “he’ll
never have the heart not to love her. But whatever you do, don’t zay
too much to Tess of his fancy for her, and this chance she has got. She
is such an odd maid that it mid zet her against him, or against going
there, even now. If all goes well, I shall certainly be for making some
return to pa’son at Stagfoot Lane for telling us—dear, good man!”
However, as the moment for the girl’s setting out drew nigh, when the
first excitement of the dressing had passed off, a slight misgiving
found place in Joan Durbeyfield’s mind. It prompted the matron to say
that she would walk a little way—as far as to the point where the
acclivity from the valley began its first steep ascent to the outer
world. At the top Tess was going to be met with the spring-cart sent by
the Stoke-d’Urbervilles, and her box had already been wheeled ahead
towards this summit by a lad with trucks, to be in readiness.
Seeing their mother put on her bonnet, the younger children clamoured
to go with her.
“I do want to walk a little-ways wi’ Sissy, now she’s going to marry
our gentleman-cousin, and wear fine cloze!”
“Now,” said Tess, flushing and turning quickly, “I’ll hear no more o’
that! Mother, how could you ever put such stuff into their heads?”
“Going to work, my dears, for our rich relation, and help get enough
money for a new horse,” said Mrs Durbeyfield pacifically.
“Goodbye, father,” said Tess, with a lumpy throat.
“Goodbye, my maid,” said Sir John, raising his head from his breast as
he suspended his nap, induced by a slight excess this morning in honour
of the occasion. “Well, I hope my young friend will like such a comely
sample of his own blood. And tell’n, Tess, that being sunk, quite, from
our former grandeur, I’ll sell him the title—yes, sell it—and at no
onreasonable figure.”
“Not for less than a thousand pound!” cried Lady Durbeyfield.
“Tell’n—I’ll take a thousand pound. Well, I’ll take less, when I come
to think o’t. He’ll adorn it better than a poor lammicken feller like
myself can. Tell’n he shall hae it for a hundred. But I won’t stand
upon trifles—tell’n he shall hae it for fifty—for twenty pound! Yes,
twenty pound—that’s the lowest. Dammy, family honour is family honour,
and I won’t take a penny less!”
Tess’s eyes were too full and her voice too choked to utter the
sentiments that were in her. She turned quickly, and went out.
So the girls and their mother all walked together, a child on each side
of Tess, holding her hand and looking at her meditatively from time to
time, as at one who was about to do great things; her mother just
behind with the smallest; the group forming a picture of honest beauty
flanked by innocence, and backed by simple-souled vanity. They followed
the way till they reached the beginning of the ascent, on the crest of
which the vehicle from Trantridge was to receive her, this limit having
been fixed to save the horse the labour of the last slope. Far away
behind the first hills the cliff-like dwellings of Shaston broke the
line of the ridge. Nobody was visible in the elevated road which
skirted the ascent save the lad whom they had sent on before them,
sitting on the handle of the barrow that contained all Tess’s worldly
possessions.
“Bide here a bit, and the cart will soon come, no doubt,” said Mrs
Durbeyfield. “Yes, I see it yonder!”
It had come—appearing suddenly from behind the forehead of the nearest
upland, and stopping beside the boy with the barrow. Her mother and the
children thereupon decided to go no farther, and bidding them a hasty
goodbye, Tess bent her steps up the hill.
They saw her white shape draw near to the spring-cart, on which her box
was already placed. But before she had quite reached it another vehicle
shot out from a clump of trees on the summit, came round the bend of
the road there, passed the luggage-cart, and halted beside Tess, who
looked up as if in great surprise.
Her mother perceived, for the first time, that the second vehicle was
not a humble conveyance like the first, but a spick-and-span gig or
dog-cart, highly varnished and equipped. The driver was a young man of
three- or four-and-twenty, with a cigar between his teeth; wearing a
dandy cap, drab jacket, breeches of the same hue, white neckcloth,
stick-up collar, and brown driving-gloves—in short, he was the
handsome, horsey young buck who had visited Joan a week or two before
to get her answer about Tess.
Mrs Durbeyfield clapped her hands like a child. Then she looked down,
then stared again. Could she be deceived as to the meaning of this?
“Is dat the gentleman-kinsman who’ll make Sissy a lady?” asked the
youngest child.
Meanwhile the muslined form of Tess could be seen standing still,
undecided, beside this turn-out, whose owner was talking to her. Her
seeming indecision was, in fact, more than indecision: it was
misgiving. She would have preferred the humble cart. The young man
dismounted, and appeared to urge her to ascend. She turned her face
down the hill to her relatives, and regarded the little group.
Something seemed to quicken her to a determination; possibly the
thought that she had killed Prince. She suddenly stepped up; he mounted
beside her, and immediately whipped on the horse. In a moment they had
passed the slow cart with the box, and disappeared behind the shoulder
of the hill.
Directly Tess was out of sight, and the interest of the matter as a
drama was at an end, the little ones’ eyes filled with tears. The
youngest child said, “I wish poor, poor Tess wasn’t gone away to be a
lady!” and, lowering the corners of his lips, burst out crying. The new
point of view was infectious, and the next child did likewise, and then
the next, till the whole three of them wailed loud.
There were tears also in Joan Durbeyfield’s eyes as she turned to go
home. But by the time she had got back to the village she was passively
trusting to the favour of accident. However, in bed that night she
sighed, and her husband asked her what was the matter.
“Oh, I don’t know exactly,” she said. “I was thinking that perhaps it
would ha’ been better if Tess had not gone.”
“Oughtn’t ye to have thought of that before?”
“Well, ’tis a chance for the maid—Still, if ’twere the doing again, I
wouldn’t let her go till I had found out whether the gentleman is
really a good-hearted young man and choice over her as his kinswoman.”
“Yes, you ought, perhaps, to ha’ done that,” snored Sir John.
Joan Durbeyfield always managed to find consolation somewhere: “Well,
as one of the genuine stock, she ought to make her way with ’en, if she
plays her trump card aright. And if he don’t marry her afore he will
after. For that he’s all afire wi’ love for her any eye can see.”
“What’s her trump card? Her d’Urberville blood, you mean?”
“No, stupid; her face—as ’twas mine.”
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Let's Analyse the Pattern
When exploitation gets wrapped in love, opportunity, or family loyalty to make it seem like a gift rather than a sacrifice.
Why This Matters
Connect literature to life
This chapter teaches how to recognize when exploitation gets wrapped in the language of love, opportunity, or family loyalty.
Practice This Today
This week, notice when someone asks you to ignore your gut feelings for the 'greater good'—that's your cue to step back and ask who really benefits.
Now let's explore the literary elements.
Key Quotes & Analysis
"But I am going to work!"
Context: When her mother insists she dress up fancy instead of wearing work clothes
This shows Tess has a clear understanding of what she thinks she's doing - honest labor. Her mother's response reveals the family's real agenda isn't about work at all.
In Today's Words:
I'm going there to do a job, not to impress anyone!
"Do what you like with me, mother."
Context: When she gives up arguing about the fancy clothes and lets her mother take control
This moment of surrender is crucial - it shows how Tess has been trained to be compliant and put others' wishes before her own safety and judgment.
In Today's Words:
Fine, whatever you think is best - I give up trying to argue with you.
"At first there mid be a little pretence o't."
Context: Admitting that the 'work' might be fake at first
Joan accidentally reveals that she knows this isn't really about employment - she's hoping Tess will catch the eye of their wealthy relative through deception.
In Today's Words:
Sure, maybe you'll have to pretend to work at first, but that's not really the point.
"Well - her trump card will be her beauty."
Context: Consoling herself after Tess leaves, despite having doubts
This reveals how Joan sees her daughter - not as a person with skills or intelligence, but as a beautiful object to be traded for the family's benefit.
In Today's Words:
If nothing else works out, at least she's pretty enough to get what we need.
Thematic Threads
Economic Desperation
In This Chapter
The family's poverty drives them to see Tess as their financial salvation rather than a person to protect
Development
Escalated from the horse accident - now they're willing to risk Tess's safety for money
In Your Life:
You might feel pressure to take dangerous jobs or relationships when bills are piling up
Parental Self-Deception
In This Chapter
Joan convinces herself she's helping Tess by dressing her up and sending her to wealthy relatives
Development
Introduced here as Joan's fantasy about their 'noble' connections becomes action
In Your Life:
You might recognize parents who push their kids into harmful situations while calling it love
Beauty as Currency
In This Chapter
Tess gets transformed from working girl to ornament, with her looks treated as the family's 'trump card'
Development
Introduced here - establishes how Tess's appearance will be weaponized against her
In Your Life:
You might see how society teaches women their value lies in how they look rather than what they can do
Intuitive Resistance
In This Chapter
Tess hesitates when she sees the fancy carriage, sensing this isn't the work arrangement she expected
Development
Introduced here - shows Tess has good instincts even when she doesn't follow them
In Your Life:
You might recognize that gut feeling when a situation doesn't match what you were promised
Class Performance
In This Chapter
The elaborate costume change transforms Tess from her authentic working-class self into a performance of refinement
Development
Builds on earlier class tensions - now Tess must literally wear a false identity
In Your Life:
You might feel pressure to act 'classier' or hide your background to fit into certain spaces
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
Why does Joan dress Tess up in fancy clothes when she's supposedly going to work? What does this tell us about Joan's real expectations?
analysis • surface - 2
How does the family's financial desperation change the way they see Tess? What role does the dead horse play in Tess's decision to go along with this plan?
analysis • medium - 3
Where do you see families today packaging risky situations as 'opportunities' for their children? Think about social media, sports, entertainment, or even career pressure.
application • medium - 4
Tess has a moment of doubt when she sees the fancy carriage but gets in anyway. What would you tell someone who's having that gut feeling that something isn't right?
application • deep - 5
Joan calls Tess's beauty her 'trump card.' What does this reveal about how families sometimes view their children when facing financial pressure?
reflection • deep
Critical Thinking Exercise
Decode the Family Sales Pitch
Think of a time when family members or authority figures presented something risky or uncomfortable as a great opportunity for you. Write down what they said versus what you felt. Then identify the real motivations behind their pitch - who stood to benefit most?
Consider:
- •Notice the difference between what people say and what they actually want
- •Pay attention to who takes the risks versus who gets the rewards
- •Trust your gut feelings even when everyone else seems excited
Journaling Prompt
Write about a situation where you ignored your instincts because others convinced you it was 'for your own good.' What would you do differently now?
Coming Up Next...
Chapter 8: The Dangerous Ride to Trantridge
Tess arrives at the d'Urberville estate and meets her supposed relatives. But the grand house and her new employers aren't quite what they seem, and Tess quickly discovers that her 'family connection' might be more fiction than fact.




