An excerpt from the original text.(complete · 732 words)
LIX
The city of Wintoncester, that fine old city, aforetime capital of
Wessex, lay amidst its convex and concave downlands in all the
brightness and warmth of a July morning. The gabled brick, tile, and
freestone houses had almost dried off for the season their integument
of lichen, the streams in the meadows were low, and in the sloping High
Street, from the West Gateway to the mediæval cross, and from the
mediæval cross to the bridge, that leisurely dusting and sweeping was
in progress which usually ushers in an old-fashioned market-day.
From the western gate aforesaid the highway, as every Wintoncestrian
knows, ascends a long and regular incline of the exact length of a
measured mile, leaving the houses gradually behind. Up this road from
the precincts of the city two persons were walking rapidly, as if
unconscious of the trying ascent—unconscious through preoccupation and
not through buoyancy. They had emerged upon this road through a narrow,
barred wicket in a high wall a little lower down. They seemed anxious
to get out of the sight of the houses and of their kind, and this road
appeared to offer the quickest means of doing so. Though they were
young, they walked with bowed heads, which gait of grief the sun’s rays
smiled on pitilessly.
One of the pair was Angel Clare, the other a tall budding creature—half
girl, half woman—a spiritualized image of Tess, slighter than she, but
with the same beautiful eyes—Clare’s sister-in-law, ’Liza-Lu. Their
pale faces seemed to have shrunk to half their natural size. They moved
on hand in hand, and never spoke a word, the drooping of their heads
being that of Giotto’s “Two Apostles”.
When they had nearly reached the top of the great West Hill the clocks
in the town struck eight. Each gave a start at the notes, and, walking
onward yet a few steps, they reached the first milestone, standing
whitely on the green margin of the grass, and backed by the down, which
here was open to the road. They entered upon the turf, and, impelled by
a force that seemed to overrule their will, suddenly stood still,
turned, and waited in paralyzed suspense beside the stone.
The prospect from this summit was almost unlimited. In the valley
beneath lay the city they had just left, its more prominent buildings
showing as in an isometric drawing—among them the broad cathedral
tower, with its Norman windows and immense length of aisle and nave,
the spires of St Thomas’s, the pinnacled tower of the College, and,
more to the right, the tower and gables of the ancient hospice, where
to this day the pilgrim may receive his dole of bread and ale. Behind
the city swept the rotund upland of St Catherine’s Hill; further off,
landscape beyond landscape, till the horizon was lost in the radiance
of the sun hanging above it.
Against these far stretches of country rose, in front of the other city
edifices, a large red-brick building, with level gray roofs, and rows
of short barred windows bespeaking captivity, the whole contrasting
greatly by its formalism with the quaint irregularities of the Gothic
erections. It was somewhat disguised from the road in passing it by
yews and evergreen oaks, but it was visible enough up here. The wicket
from which the pair had lately emerged was in the wall of this
structure. From the middle of the building an ugly flat-topped
octagonal tower ascended against the east horizon, and viewed from this
spot, on its shady side and against the light, it seemed the one blot
on the city’s beauty. Yet it was with this blot, and not with the
beauty, that the two gazers were concerned.
Upon the cornice of the tower a tall staff was fixed. Their eyes were
riveted on it. A few minutes after the hour had struck something moved
slowly up the staff, and extended itself upon the breeze. It was a
black flag.
“Justice” was done, and the President of the Immortals, in Æschylean
phrase, had ended his sport with Tess. And the d’Urberville knights and
dames slept on in their tombs unknowing. The two speechless gazers bent
themselves down to the earth, as if in prayer, and remained thus a long
time, absolutely motionless: the flag continued to wave silently. As
soon as they had strength, they arose, joined hands again, and went on.
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Let's Analyse the Pattern
Systems that sacrifice the vulnerable to maintain the illusion of fairness while protecting those with real power.
Why This Matters
Connect literature to life
This chapter teaches how to identify when systems blame individuals to avoid examining root causes.
Practice This Today
This week, notice when bad outcomes get blamed on the person with least power instead of the policies or people who created the conditions.
Now let's explore the literary elements.
Key Quotes & Analysis
"Justice was done, and the President of the Immortals, in Aeschylean phrase, had ended his sport with Tess."
Context: After the black flag is raised, signaling Tess's execution
Hardy's most bitter statement in the entire novel. By putting 'Justice' in quotes and comparing God to someone playing a cruel game, he shows this isn't real justice at all. The reference to Greek tragedy emphasizes how Tess was doomed from the start.
In Today's Words:
So they called it justice, but really the powers that be were just done messing with Tess's life
"They seemed anxious to get out of the sight of the houses and of their kind, and this road appeared to offer the quickest means of doing so."
Context: Describing Angel and 'Liza-Lu fleeing the city
Shows how shame and grief make them want to hide from society. They can't bear to be around other people after witnessing this injustice. The isolation reflects how trauma separates us from normal life.
In Today's Words:
They just wanted to get away from everyone and everything as fast as possible
"Their pale faces seemed to have shrunk to half their natural size."
Context: Describing Angel and 'Liza-Lu after witnessing the execution
Physical description shows how trauma literally changes people. They're diminished, aged, and hollowed out by what they've witnessed. Grief has made them smaller versions of themselves.
In Today's Words:
They looked like ghosts of themselves, completely drained and broken
Thematic Threads
Class
In This Chapter
The d'Urberville name dies with Tess while the systems that destroyed her family continue unchanged
Development
Completes the arc—class pretensions led to tragedy, and class divisions ensure no real accountability
In Your Life:
You might see this when working-class people face harsher consequences for the same mistakes that privileged people walk away from
Justice
In This Chapter
Hardy puts 'Justice' in quotation marks, highlighting how legal justice can be morally hollow
Development
Introduced here as the novel's final judgment on society's moral failures
In Your Life:
You might encounter this when formal procedures claim to be fair but consistently favor those with more resources or connections
Powerlessness
In This Chapter
Angel and Liza-Lu can only watch helplessly as the system destroys someone they love
Development
Culminates the theme—even those who care are ultimately powerless against institutional force
In Your Life:
You might feel this when watching a loved one get crushed by bureaucracy, illness, or other systems beyond your control
Survival
In This Chapter
Angel and Liza-Lu must somehow continue living and walking forward despite devastating loss
Development
Transforms from Tess's struggle to survive into others' struggle to survive her loss
In Your Life:
You might face this when trying to rebuild your life after witnessing or experiencing profound injustice
Legacy
In This Chapter
The ancient d'Urberville line ends not with honor but on a scaffold, while the forces that destroyed it continue
Development
Completes the irony—the noble name Tess sought to restore dies with her execution
In Your Life:
You might see this when family dreams and aspirations end not through failure but through systemic destruction
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
What actually happens to Tess at the end of the novel, and how do Angel and 'Liza-Lu find out?
analysis • surface - 2
Why does Hardy put the word 'Justice' in quotation marks when describing Tess's execution?
analysis • medium - 3
Think about situations where someone gets blamed for problems they didn't create. What makes a person an easy scapegoat?
application • medium - 4
When you see someone being unfairly blamed at work, school, or in your community, what can you actually do to help?
application • deep - 5
What does Tess's story reveal about how society treats people who don't fit perfectly into expected roles?
reflection • deep
Critical Thinking Exercise
Map the Real Power Players
Think of a recent situation where someone got blamed or punished for a problem. Draw three columns: 'Who Got Blamed', 'Who Had Real Power', and 'What Didn't Get Fixed'. Fill in each column, then look for patterns. Often the person who gets blamed has the least power to change the system that created the problem.
Consider:
- •Look at who benefits from keeping the focus on individual blame rather than system change
- •Notice how quickly people accept simple explanations that protect those in charge
- •Pay attention to who gets to define what counts as 'justice' in each situation
Journaling Prompt
Write about a time when you were blamed for something that wasn't entirely your fault. What would real justice have looked like in that situation?




