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Tess of the d'Urbervilles - The Music and the Secret

Thomas Hardy

Tess of the d'Urbervilles

The Music and the Secret

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Summary

Angel Clare quietly arranges the easier cows for Tess to milk, a small kindness that reveals his growing feelings for her. When Tess discovers his thoughtfulness, she's both touched and embarrassed, worried he might misinterpret her gratitude. That evening, drawn by Angel's harp music in the garden, she hides among the overgrown weeds to listen. The music moves her deeply, and when Angel finds her there, they share an unexpectedly intimate conversation about their fears of life itself. Tess reveals her poetic but troubled view of the world—seeing menacing tomorrows lined up like threats, feeling watched by inquisitive trees. Angel is surprised by the depth of her melancholy, not knowing it stems from her traumatic past. Their conversation reveals a mutual attraction but also a growing problem: Tess feels intellectually inferior to Angel's education and worldly knowledge. When he offers to teach her history, she responds with surprising wisdom, saying she doesn't want to learn she's just 'one of a long row' of people who've lived the same patterns. She'd rather understand why 'the sun shines on the just and unjust alike'—a question that reveals her moral struggle. Feeling foolish after their talk, Tess considers revealing her noble d'Urberville heritage to impress him, but when she asks the dairyman about Angel's views on old families, she learns he despises aristocratic bloodlines. This chapter shows how genuine connection can bloom between two people from different worlds, but also how secrets and insecurities threaten to undermine what could be beautiful.

Coming Up in Chapter 20

As summer deepens at the dairy, the attraction between Tess and Angel grows stronger, but so do the complications. Other dairy maids have also noticed Angel's charms, setting up romantic rivalries that will test friendships and loyalties.

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An excerpt from the original text.(complete · 2773 words)

I

n general the cows were milked as they presented themselves, without
fancy or choice. But certain cows will show a fondness for a particular
pair of hands, sometimes carrying this predilection so far as to refuse
to stand at all except to their favourite, the pail of a stranger being
unceremoniously kicked over.

It was Dairyman Crick’s rule to insist on breaking down these
partialities and aversions by constant interchange, since otherwise, in
the event of a milkman or maid going away from the dairy, he was placed
in a difficulty. The maids’ private aims, however, were the reverse of
the dairyman’s rule, the daily selection by each damsel of the eight or
ten cows to which she had grown accustomed rendering the operation on
their willing udders surprisingly easy and effortless.

Tess, like her compeers, soon discovered which of the cows had a
preference for her style of manipulation, and her fingers having become
delicate from the long domiciliary imprisonments to which she had
subjected herself at intervals during the last two or three years, she
would have been glad to meet the milchers’ views in this respect. Out
of the whole ninety-five there were eight in particular—Dumpling,
Fancy, Lofty, Mist, Old Pretty, Young Pretty, Tidy, and Loud—who,
though the teats of one or two were as hard as carrots, gave down to
her with a readiness that made her work on them a mere touch of the
fingers. Knowing, however, the dairyman’s wish, she endeavoured
conscientiously to take the animals just as they came, excepting the
very hard yielders which she could not yet manage.

But she soon found a curious correspondence between the ostensibly
chance position of the cows and her wishes in this matter, till she
felt that their order could not be the result of accident. The
dairyman’s pupil had lent a hand in getting the cows together of late,
and at the fifth or sixth time she turned her eyes, as she rested
against the cow, full of sly inquiry upon him.

“Mr Clare, you have ranged the cows!” she said, blushing; and in making
the accusation, symptoms of a smile gently lifted her upper lip in
spite of her, so as to show the tips of her teeth, the lower lip
remaining severely still.

“Well, it makes no difference,” said he. “You will always be here to
milk them.”

“Do you think so? I hope I shall! But I don’t know.”

She was angry with herself afterwards, thinking that he, unaware of her
grave reasons for liking this seclusion, might have mistaken her
meaning. She had spoken so earnestly to him, as if his presence were
somehow a factor in her wish. Her misgiving was such that at dusk, when
the milking was over, she walked in the garden alone, to continue her
regrets that she had disclosed to him her discovery of his
considerateness.

It was a typical summer evening in June, the atmosphere being in such
delicate equilibrium and so transmissive that inanimate objects seemed
endowed with two or three senses, if not five. There was no distinction
between the near and the far, and an auditor felt close to everything
within the horizon. The soundlessness impressed her as a positive
entity rather than as the mere negation of noise. It was broken by the
strumming of strings.

Tess had heard those notes in the attic above her head. Dim, flattened,
constrained by their confinement, they had never appealed to her as
now, when they wandered in the still air with a stark quality like that
of nudity. To speak absolutely, both instrument and execution were
poor; but the relative is all, and as she listened Tess, like a
fascinated bird, could not leave the spot. Far from leaving she drew up
towards the performer, keeping behind the hedge that he might not guess
her presence.

The outskirt of the garden in which Tess found herself had been left
uncultivated for some years, and was now damp and rank with juicy grass
which sent up mists of pollen at a touch; and with tall blooming weeds
emitting offensive smells—weeds whose red and yellow and purple hues
formed a polychrome as dazzling as that of cultivated flowers. She went
stealthily as a cat through this profusion of growth, gathering
cuckoo-spittle on her skirts, cracking snails that were underfoot,
staining her hands with thistle-milk and slug-slime, and rubbing off
upon her naked arms sticky blights which, though snow-white on the
apple-tree trunks, made madder stains on her skin; thus she drew quite
near to Clare, still unobserved of him.

Tess was conscious of neither time nor space. The exaltation which she
had described as being producible at will by gazing at a star came now
without any determination of hers; she undulated upon the thin notes of
the second-hand harp, and their harmonies passed like breezes through
her, bringing tears into her eyes. The floating pollen seemed to be his
notes made visible, and the dampness of the garden the weeping of the
garden’s sensibility. Though near nightfall, the rank-smelling
weed-flowers glowed as if they would not close for intentness, and the
waves of colour mixed with the waves of sound.

The light which still shone was derived mainly from a large hole in the
western bank of cloud; it was like a piece of day left behind by
accident, dusk having closed in elsewhere. He concluded his plaintive
melody, a very simple performance, demanding no great skill; and she
waited, thinking another might be begun. But, tired of playing, he had
desultorily come round the fence, and was rambling up behind her. Tess,
her cheeks on fire, moved away furtively, as if hardly moving at all.

Angel, however, saw her light summer gown, and he spoke; his low tones
reaching her, though he was some distance off.

“What makes you draw off in that way, Tess?” said he. “Are you afraid?”

“Oh no, sir—not of outdoor things; especially just now when the
apple-blooth is falling, and everything is so green.”

“But you have your indoor fears—eh?”

“Well—yes, sir.”

“What of?”

“I couldn’t quite say.”

“The milk turning sour?”

“No.”

“Life in general?”

“Yes, sir.”

“Ah—so have I, very often. This hobble of being alive is rather
serious, don’t you think so?”

“It is—now you put it that way.”

“All the same, I shouldn’t have expected a young girl like you to see
it so just yet. How is it you do?”

She maintained a hesitating silence.

“Come, Tess, tell me in confidence.”

She thought that he meant what were the aspects of things to her, and
replied shyly—

“The trees have inquisitive eyes, haven’t they?—that is, seem as if
they had. And the river says,—‘Why do ye trouble me with your looks?’
And you seem to see numbers of to-morrows just all in a line, the first
of them the biggest and clearest, the others getting smaller and
smaller as they stand farther away; but they all seem very fierce and
cruel and as if they said, ‘I’m coming! Beware of me! Beware of me!’
... But you, sir, can raise up dreams with your music, and drive all
such horrid fancies away!”

He was surprised to find this young woman—who though but a milkmaid had
just that touch of rarity about her which might make her the envied of
her housemates—shaping such sad imaginings. She was expressing in her
own native phrases—assisted a little by her Sixth Standard
training—feelings which might almost have been called those of the
age—the ache of modernism. The perception arrested him less when he
reflected that what are called advanced ideas are really in great part
but the latest fashion in definition—a more accurate expression, by
words in logy and ism, of sensations which men and women have
vaguely grasped for centuries.

Still, it was strange that they should have come to her while yet so
young; more than strange; it was impressive, interesting, pathetic. Not
guessing the cause, there was nothing to remind him that experience is
as to intensity, and not as to duration. Tess’s passing corporeal
blight had been her mental harvest.

Tess, on her part, could not understand why a man of clerical family
and good education, and above physical want, should look upon it as a
mishap to be alive. For the unhappy pilgrim herself there was very good
reason. But how could this admirable and poetic man ever have descended
into the Valley of Humiliation, have felt with the man of Uz—as she
herself had felt two or three years ago—“My soul chooseth strangling
and death rather than my life. I loathe it; I would not live alway.”

It was true that he was at present out of his class. But she knew that
was only because, like Peter the Great in a shipwright’s yard, he was
studying what he wanted to know. He did not milk cows because he was
obliged to milk cows, but because he was learning to be a rich and
prosperous dairyman, landowner, agriculturist, and breeder of cattle.
He would become an American or Australian Abraham, commanding like a
monarch his flocks and his herds, his spotted and his ring-straked, his
men-servants and his maids. At times, nevertheless, it did seem
unaccountable to her that a decidedly bookish, musical, thinking young
man should have chosen deliberately to be a farmer, and not a
clergyman, like his father and brothers.

Thus, neither having the clue to the other’s secret, they were
respectively puzzled at what each revealed, and awaited new knowledge
of each other’s character and mood without attempting to pry into each
other’s history.

Every day, every hour, brought to him one more little stroke of her
nature, and to her one more of his. Tess was trying to lead a repressed
life, but she little divined the strength of her own vitality.

At first Tess seemed to regard Angel Clare as an intelligence rather
than as a man. As such she compared him with herself; and at every
discovery of the abundance of his illuminations, of the distance
between her own modest mental standpoint and the unmeasurable, Andean
altitude of his, she became quite dejected, disheartened from all
further effort on her own part whatever.

He observed her dejection one day, when he had casually mentioned
something to her about pastoral life in ancient Greece. She was
gathering the buds called “lords and ladies” from the bank while he
spoke.

“Why do you look so woebegone all of a sudden?” he asked.

“Oh, ’tis only—about my own self,” she said, with a frail laugh of
sadness, fitfully beginning to peel “a lady” meanwhile. “Just a sense
of what might have been with me! My life looks as if it had been wasted
for want of chances! When I see what you know, what you have read, and
seen, and thought, I feel what a nothing I am! I’m like the poor Queen
of Sheba who lived in the Bible. There is no more spirit in me.”

“Bless my soul, don’t go troubling about that! Why,” he said with some
enthusiasm, “I should be only too glad, my dear Tess, to help you to
anything in the way of history, or any line of reading you would like
to take up—”

“It is a lady again,” interrupted she, holding out the bud she had
peeled.

“What?”

“I meant that there are always more ladies than lords when you come to
peel them.”

“Never mind about the lords and ladies. Would you like to take up any
course of study—history, for example?”

“Sometimes I feel I don’t want to know anything more about it than I
know already.”

“Why not?”

“Because what’s the use of learning that I am one of a long row
only—finding out that there is set down in some old book somebody just
like me, and to know that I shall only act her part; making me sad,
that’s all. The best is not to remember that your nature and your past
doings have been just like thousands’ and thousands’, and that your
coming life and doings ’ll be like thousands’ and thousands’.”

“What, really, then, you don’t want to learn anything?”

“I shouldn’t mind learning why—why the sun do shine on the just and the
unjust alike,” she answered, with a slight quaver in her voice. “But
that’s what books will not tell me.”

“Tess, fie for such bitterness!” Of course he spoke with a conventional
sense of duty only, for that sort of wondering had not been unknown to
himself in bygone days. And as he looked at the unpracticed mouth and
lips, he thought that such a daughter of the soil could only have
caught up the sentiment by rote. She went on peeling the lords and
ladies till Clare, regarding for a moment the wave-like curl of her
lashes as they dropped with her bent gaze on her soft cheek,
lingeringly went away. When he was gone she stood awhile, thoughtfully
peeling the last bud; and then, awakening from her reverie, flung it
and all the crowd of floral nobility impatiently on the ground, in an
ebullition of displeasure with herself for her niaiseries, and with a
quickening warmth in her heart of hearts.

How stupid he must think her! In an access of hunger for his good
opinion she bethought herself of what she had latterly endeavoured to
forget, so unpleasant had been its issues—the identity of her family
with that of the knightly d’Urbervilles. Barren attribute as it was,
disastrous as its discovery had been in many ways to her, perhaps Mr
Clare, as a gentleman and a student of history, would respect her
sufficiently to forget her childish conduct with the lords and ladies
if he knew that those Purbeck-marble and alabaster people in Kingsbere
Church really represented her own lineal forefathers; that she was no
spurious d’Urberville, compounded of money and ambition like those at
Trantridge, but true d’Urberville to the bone.

But, before venturing to make the revelation, dubious Tess indirectly
sounded the dairyman as to its possible effect upon Mr Clare, by asking
the former if Mr Clare had any great respect for old county families
when they had lost all their money and land.

“Mr Clare,” said the dairyman emphatically, “is one of the most
rebellest rozums you ever knowed—not a bit like the rest of his family;
and if there’s one thing that he do hate more than another ’tis the
notion of what’s called a’ old family. He says that it stands to reason
that old families have done their spurt of work in past days, and can’t
have anything left in ’em now. There’s the Billets and the Drenkhards
and the Greys and the St Quintins and the Hardys and the Goulds, who
used to own the lands for miles down this valley; you could buy ’em all
up now for an old song a’most. Why, our little Retty Priddle here, you
know, is one of the Paridelles—the old family that used to own lots o’
the lands out by King’s Hintock, now owned by the Earl o’ Wessex, afore
even he or his was heard of. Well, Mr Clare found this out, and spoke
quite scornful to the poor girl for days. ‘Ah!’ he says to her, ‘you’ll
never make a good dairymaid! All your skill was used up ages ago in
Palestine, and you must lie fallow for a thousand years to git strength
for more deeds!’ A boy came here t’other day asking for a job, and said
his name was Matt, and when we asked him his surname he said he’d never
heard that ’a had any surname, and when we asked why, he said he
supposed his folks hadn’t been ’stablished long enough. ‘Ah! you’re the
very boy I want!’ says Mr Clare, jumping up and shaking hands wi’en;
‘I’ve great hopes of you;’ and gave him half-a-crown. O no! he can’t
stomach old families!”

After hearing this caricature of Clare’s opinion poor Tess was glad
that she had not said a word in a weak moment about her family—even
though it was so unusually old almost to have gone round the circle and
become a new one. Besides, another diary-girl was as good as she, it
seemed, in that respect. She held her tongue about the d’Urberville
vault and the Knight of the Conqueror whose name she bore. The insight
afforded into Clare’s character suggested to her that it was largely
owing to her supposed untraditional newness that she had won interest
in his eyes.

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Let's Analyse the Pattern

Pattern: The Hidden Kindness Trap
This chapter reveals a fundamental pattern: genuine connection often begins with quiet, unspoken kindnesses that create emotional debt and vulnerability. Angel arranges easier cows for Tess without fanfare or expectation of recognition—a small act that speaks louder than grand gestures ever could. The mechanism works through accumulation and discovery. When someone consistently makes your life easier without seeking credit, it creates a powerful emotional response. Tess discovers Angel's thoughtfulness and feels both grateful and exposed—she now owes him something she can't repay, and he's seen her vulnerability. This creates intimacy faster than months of conversation. But it also creates anxiety: What does he want? What does this mean? The kindness becomes a burden because it demands emotional response. This pattern appears everywhere in modern life. The coworker who always saves you the good assignments without mentioning it. The neighbor who quietly shovels your walk after night shifts. The manager who schedules you for easier patients when you're struggling. The friend who texts exactly when you need it most. Each act creates connection but also obligation—and sometimes resentment when you realize you've been 'managed' with kindness. When you recognize this pattern, navigate it with clarity. If you're receiving hidden kindness, acknowledge it directly—don't let gratitude turn into guilt. If you're giving it, be honest about your motives. Are you building genuine relationship or trying to create obligation? The healthiest approach is Angel's: give freely but don't hide it completely. Let people know they matter without demanding reciprocation. When you can distinguish between manipulation disguised as kindness and authentic care expressed quietly—that's amplified intelligence. It helps you build real relationships instead of emotional debt cycles.

Small, unacknowledged acts of care create powerful emotional bonds but can also generate guilt, obligation, and anxiety about motives.

Why This Matters

Connect literature to life

Skill: Reading Power Dynamics in Kindness

This chapter teaches how to distinguish between authentic care and kindness that creates emotional obligation.

Practice This Today

This week, notice when someone consistently makes your life easier without acknowledgment—then ask yourself what they might want in return, and address it directly.

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Now let's explore the literary elements.

Key Quotes & Analysis

"I don't want to learn that I am one of a long row only - finding out that there is set down in some old book somebody just like me, and to know that I shall only act her part; making me sad, that's all."

— Tess

Context: When Angel offers to teach her history

This reveals Tess's desire for individual significance and her fear of being just another tragic figure repeating old patterns. It shows her intuitive wisdom about the burden of too much knowledge.

In Today's Words:

I don't want to learn that my problems aren't special - that I'm just another girl making the same mistakes as women before me.

"The trees have inquisitive eyes, haven't they? - that is, seem as if they had. And the river says, - 'Why do ye trouble me with your looks?'"

— Tess

Context: During her intimate conversation with Angel in the garden

Shows Tess's poetic sensitivity but also her paranoia - she feels watched and judged even by nature. This reflects her guilt and trauma making her see threats everywhere.

In Today's Words:

Everything feels like it's watching me and judging me, even the trees and water.

"Why should I think of what will happen to me hereafter? I do want to be happy, if I can."

— Tess

Context: Explaining her philosophy to Angel

Reveals Tess's attempt to live in the present moment despite her fears. She's trying to choose happiness over anxiety about the future, showing both wisdom and desperation.

In Today's Words:

I'm trying not to overthink the future - I just want to be happy right now if that's possible.

Thematic Threads

Class Insecurity

In This Chapter

Tess feels intellectually inferior to Angel's education and worldly knowledge, despite her natural wisdom

Development

Deepening from earlier hints—now explicitly affecting her romantic feelings

In Your Life:

You might dismiss your own insights when talking to someone with more formal education or credentials

Hidden Identity

In This Chapter

Tess considers revealing her d'Urberville heritage to impress Angel, then discovers he despises aristocracy

Development

Her noble blood becomes more burden than asset as she learns Angel's values

In Your Life:

You might hide or emphasize different parts of your background depending on what you think others want to hear

Unspoken Connection

In This Chapter

Angel and Tess share deep intimacy through his quiet kindnesses and their evening conversation

Development

First real emotional intimacy beyond physical attraction

In Your Life:

You might find your strongest connections happen in quiet moments rather than dramatic declarations

Intellectual Wisdom

In This Chapter

Tess shows profound insight about not wanting to learn she's 'one of a long row' but seeking deeper meaning

Development

Introduced here—reveals her natural philosophy despite lack of formal education

In Your Life:

You might have deep understanding about life that doesn't come from books or school

Secret Burdens

In This Chapter

Tess's melancholy and fear of life stems from her traumatic past, unknown to Angel

Development

Her Alec experience continues shaping every interaction

In Your Life:

You might carry experiences that color everything but feel too heavy to share with new people

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You now have the context. Time to form your own thoughts.

Discussion Questions

  1. 1

    What small kindness does Angel do for Tess, and how does she react when she discovers it?

    analysis • surface
  2. 2

    Why does Tess feel both grateful and uncomfortable about Angel's thoughtfulness with the cows?

    analysis • medium
  3. 3

    Where have you seen this pattern of quiet kindness creating both connection and obligation in your own life or workplace?

    application • medium
  4. 4

    When someone consistently makes your life easier without asking for credit, how do you handle the emotional debt this creates?

    application • deep
  5. 5

    What does Tess's fear of learning she's 'one of a long row' reveal about how we protect ourselves from uncomfortable truths?

    reflection • deep

Critical Thinking Exercise

10 minutes

Map the Kindness Pattern

Think of someone who regularly does small, unasked-for kindnesses in your life. Write down three specific examples of their actions, then analyze: What do these kindnesses accomplish beyond the immediate help? How do they make you feel about the person? About yourself? What unspoken expectations, if any, do they create?

Consider:

  • •Consider whether the kindness feels genuine or manipulative
  • •Think about how you respond - with gratitude, guilt, or resentment
  • •Examine what this reveals about power dynamics in the relationship

Journaling Prompt

Write about a time when you gave quiet kindness to someone else. What were your true motivations? How did it change the relationship? Would you handle it differently now?

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Coming Up Next...

Chapter 20: Dawn's Intimacy at Talbothays Dairy

As summer deepens at the dairy, the attraction between Tess and Angel grows stronger, but so do the complications. Other dairy maids have also noticed Angel's charms, setting up romantic rivalries that will test friendships and loyalties.

Continue to Chapter 20
Previous
Angel Clare's Awakening
Contents
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Dawn's Intimacy at Talbothays Dairy

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