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Madame Bovary - The Long Night of Grief

Gustave Flaubert

Madame Bovary

The Long Night of Grief

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Summary

Emma is dead, and Charles is drowning in disbelief and desperate love. He can't accept she's gone, demanding to see her, wanting her buried in her wedding dress with elaborate ceremony. The town pharmacist Homais tries to manage the practical details while spinning lies about Emma's death—claiming she mistook arsenic for sugar while making dessert. Charles alternates between catatonic staring and explosive grief, even cursing God when the priest tries to comfort him. During the night vigil, Homais and the priest argue endlessly about religion versus science, using intellectual debate to avoid confronting the reality of death. Their philosophical sparring reveals how people often retreat into abstractions when faced with life's rawest moments. Charles keeps returning to Emma's body, unable to let go, even asking for a lock of her hair. The chapter captures that surreal quality of early grief—how the world keeps moving while your universe has stopped. Homais and the priest eventually bond over brandy and food, showing how shared human needs can bridge ideological divides. The preparations for burial become a community effort, with neighbors helping dress Emma's body. Charles's romantic demands for her funeral arrangements reveal his desperate attempt to control something, anything, in his powerless situation. The chapter ends with Emma's father arriving and fainting at the sight of the funeral preparations, bringing the circle of grief wider.

Coming Up in Chapter 34

The funeral brings together all the threads of Emma's life as the community gathers to witness her final journey. Charles must face the ultimate goodbye while confronting what remains of his shattered world.

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An excerpt from the original text.(complete · 2642 words)

C

hapter Nine

There is always after the death of anyone a kind of stupefaction;
so difficult is it to grasp this advent of nothingness and to resign
ourselves to believe in it. But still, when he saw that she did not
move, Charles threw himself upon her, crying--

“Farewell! farewell!”

Homais and Canivet dragged him from the room.

“Restrain yourself!”

“Yes.” said he, struggling, “I’ll be quiet. I’ll not do anything. But
leave me alone. I want to see her. She is my wife!”

And he wept.

“Cry,” said the chemist; “let nature take her course; that will solace
you.”

Weaker than a child, Charles let himself be led downstairs into the
sitting-room, and Monsieur Homais soon went home. On the Place he
was accosted by the blind man, who, having dragged himself as far as
Yonville, in the hope of getting the antiphlogistic pomade, was asking
every passer-by where the druggist lived.

“There now! as if I hadn’t got other fish to fry. Well, so much the
worse; you must come later on.”

And he entered the shop hurriedly.

He had to write two letters, to prepare a soothing potion for Bovary, to
invent some lie that would conceal the poisoning, and work it up into an
article for the “Fanal,” without counting the people who were waiting to
get the news from him; and when the Yonvillers had all heard his story
of the arsenic that she had mistaken for sugar in making a vanilla
cream. Homais once more returned to Bovary’s.

He found him alone (Monsieur Canivet had left), sitting in an arm-chair
near the window, staring with an idiotic look at the flags of the floor.

“Now,” said the chemist, “you ought yourself to fix the hour for the
ceremony.”

“Why? What ceremony?” Then, in a stammering, frightened voice, “Oh, no!
not that. No! I want to see her here.”

Homais, to keep himself in countenance, took up a water-bottle on the
whatnot to water the geraniums.

“Ah! thanks,” said Charles; “you are good.”

But he did not finish, choking beneath the crowd of memories that this
action of the druggist recalled to him.

Then to distract him, Homais thought fit to talk a little horticulture:
plants wanted humidity. Charles bowed his head in sign of approbation.

“Besides, the fine days will soon be here again.”

“Ah!” said Bovary.

The druggist, at his wit’s end, began softly to draw aside the small
window-curtain.

“Hallo! there’s Monsieur Tuvache passing.”

Charles repeated like a machine---

“Monsieur Tuvache passing!”

Homais did not dare to speak to him again about the funeral
arrangements; it was the priest who succeeded in reconciling him to
them.

He shut himself up in his consulting-room, took a pen, and after sobbing
for some time, wrote--

“I wish her to be buried in her wedding-dress, with white shoes, and a
wreath. Her hair is to be spread out over her shoulders. Three coffins,
one of oak, one of mahogany, one of lead. Let no one say anything to me.
I shall have strength. Over all there is to be placed a large piece of
green velvet. This is my wish; see that it is done.”

The two men were much surprised at Bovary’s romantic ideas. The chemist
at once went to him and said--

“This velvet seems to me a superfetation. Besides, the expense--”

“What’s that to you?” cried Charles. “Leave me! You did not love her.
Go!”

The priest took him by the arm for a turn in the garden. He discoursed
on the vanity of earthly things. God was very great, was very good: one
must submit to his decrees without a murmur; nay, must even thank him.

Charles burst out into blasphemies: “I hate your God!”

“The spirit of rebellion is still upon you,” sighed the ecclesiastic.

Bovary was far away. He was walking with great strides along by the
wall, near the espalier, and he ground his teeth; he raised to heaven
looks of malediction, but not so much as a leaf stirred.

A fine rain was falling: Charles, whose chest was bare, at last began to
shiver; he went in and sat down in the kitchen.

At six o’clock a noise like a clatter of old iron was heard on the
Place; it was the “Hirondelle” coming in, and he remained with his
forehead against the windowpane, watching all the passengers get
out, one after the other. Félicité put down a mattress for him in the
drawing-room. He threw himself upon it and fell asleep.

Although a philosopher, Monsieur Homais respected the dead. So bearing
no grudge to poor Charles, he came back again in the evening to sit up
with the body; bringing with him three volumes and a pocket-book for
taking notes.

Monsieur Bournisien was there, and two large candles were burning at the
head of the bed, that had been taken out of the alcove. The druggist, on
whom the silence weighed, was not long before he began formulating some
regrets about this “unfortunate young woman.” and the priest replied
that there was nothing to do now but pray for her.

“Yet,” Homais went on, “one of two things; either she died in a state of
grace (as the Church has it), and then she has no need of our prayers;
or else she departed impertinent (that is, I believe, the ecclesiastical
expression)
, and then--”

Bournisien interrupted him, replying testily that it was none the less
necessary to pray.

“But,” objected the chemist, “since God knows all our needs, what can be
the good of prayer?”

“What!” cried the ecclesiastic, “prayer! Why, aren’t you a Christian?”

“Excuse me,” said Homais; “I admire Christianity. To begin with, it
enfranchised the slaves, introduced into the world a morality--”

“That isn’t the question. All the texts-”

“Oh! oh! As to texts, look at history; it, is known that all the texts
have been falsified by the Jesuits.”

Charles came in, and advancing towards the bed, slowly drew the
curtains.

Emma’s head was turned towards her right shoulder, the corner of her
mouth, which was open, seemed like a black hole at the lower part of her
face; her two thumbs were bent into the palms of her hands; a kind
of white dust besprinkled her lashes, and her eyes were beginning to
disappear in that viscous pallor that looks like a thin web, as if
spiders had spun it over. The sheet sunk in from her breast to her
knees, and then rose at the tips of her toes, and it seemed to Charles
that infinite masses, an enormous load, were weighing upon her.

The church clock struck two. They could hear the loud murmur of the
river flowing in the darkness at the foot of the terrace. Monsieur
Bournisien from time to time blew his nose noisily, and Homais’ pen was
scratching over the paper.

“Come, my good friend,” he said, “withdraw; this spectacle is tearing
you to pieces.”

Charles once gone, the chemist and the cure recommenced their
discussions.

“Read Voltaire,” said the one, “read D’Holbach, read the
‘Encyclopaedia’!”

“Read the ‘Letters of some Portuguese Jews,’” said the other; “read ‘The
Meaning of Christianity,’ by Nicolas, formerly a magistrate.”

They grew warm, they grew red, they both talked at once without
listening to each other. Bournisien was scandalized at such audacity;
Homais marvelled at such stupidity; and they were on the point of
insulting one another when Charles suddenly reappeared. A fascination
drew him. He was continually coming upstairs.

He stood opposite her, the better to see her, and he lost himself in a
contemplation so deep that it was no longer painful.

He recalled stories of catalepsy, the marvels of magnetism, and he
said to himself that by willing it with all his force he might perhaps
succeed in reviving her. Once he even bent towards he, and cried in a
low voice, “Emma! Emma!” His strong breathing made the flames of the
candles tremble against the wall.

At daybreak Madame Bovary senior arrived. Charles as he embraced her
burst into another flood of tears. She tried, as the chemist had done,
to make some remarks to him on the expenses of the funeral. He became so
angry that she was silent, and he even commissioned her to go to town at
once and buy what was necessary.

Charles remained alone the whole afternoon; they had taken Berthe
to Madame Homais’; Félicité was in the room upstairs with Madame
Lefrancois.

In the evening he had some visitors. He rose, pressed their hands,
unable to speak. Then they sat down near one another, and formed a large
semicircle in front of the fire. With lowered faces, and swinging one
leg crossed over the other knee, they uttered deep sighs at intervals;
each one was inordinately bored, and yet none would be the first to go.

Homais, when he returned at nine o’clock (for the last two days only
Homais seemed to have been on the Place)
, was laden with a stock of
camphor, of benzine, and aromatic herbs. He also carried a large jar
full of chlorine water, to keep off all miasmata. Just then the servant,
Madame Lefrancois, and Madame Bovary senior were busy about Emma,
finishing dressing her, and they were drawing down the long stiff veil
that covered her to her satin shoes.

Félicité was sobbing--“Ah! my poor mistress! my poor mistress!”

“Look at her,” said the landlady, sighing; “how pretty she still is!
Now, couldn’t you swear she was going to get up in a minute?”

Then they bent over her to put on her wreath. They had to raise the head
a little, and a rush of black liquid issued, as if she were vomiting,
from her mouth.

“Oh, goodness! The dress; take care!” cried Madame Lefrancois. “Now,
just come and help,” she said to the chemist. “Perhaps you’re afraid?”

“I afraid?” replied he, shrugging his shoulders. “I dare say! I’ve seen
all sorts of things at the hospital when I was studying pharmacy. We
used to make punch in the dissecting room! Nothingness does not terrify
a philosopher; and, as I often say, I even intend to leave my body to
the hospitals, in order, later on, to serve science.”

The cure on his arrival inquired how Monsieur Bovary was, and, on
the reply of the druggist, went on--“The blow, you see, is still too
recent.”

Then Homais congratulated him on not being exposed, like other people,
to the loss of a beloved companion; whence there followed a discussion
on the celibacy of priests.

“For,” said the chemist, “it is unnatural that a man should do without
women! There have been crimes--”

“But, good heaven!” cried the ecclesiastic, “how do you expect an
individual who is married to keep the secrets of the confessional, for
example?”

Homais fell foul of the confessional. Bournisien defended it; he
enlarged on the acts of restitution that it brought about. He cited
various anecdotes about thieves who had suddenly become honest. Military
men on approaching the tribunal of penitence had felt the scales fall
from their eyes. At Fribourg there was a minister--

His companion was asleep. Then he felt somewhat stifled by the
over-heavy atmosphere of the room; he opened the window; this awoke the
chemist.

“Come, take a pinch of snuff,” he said to him. “Take it; it’ll relieve
you.”

A continual barking was heard in the distance. “Do you hear that dog
howling?” said the chemist.

“They smell the dead,” replied the priest. “It’s like bees; they leave
their hives on the decease of any person.”

Homais made no remark upon these prejudices, for he had again dropped
asleep. Monsieur Bournisien, stronger than he, went on moving his lips
gently for some time, then insensibly his chin sank down, he let fall
his big black boot, and began to snore.

They sat opposite one another, with protruding stomachs, puffed-up
faces, and frowning looks, after so much disagreement uniting at last in
the same human weakness, and they moved no more than the corpse by their
side, that seemed to be sleeping.

Charles coming in did not wake them. It was the last time; he came to
bid her farewell.

The aromatic herbs were still smoking, and spirals of bluish vapour
blended at the window-sash with the fog that was coming in. There were
few stars, and the night was warm. The wax of the candles fell in great
drops upon the sheets of the bed. Charles watched them burn, tiring his
eyes against the glare of their yellow flame.

The watering on the satin gown shimmered white as moonlight. Emma was
lost beneath it; and it seemed to him that, spreading beyond her own
self, she blended confusedly with everything around her--the silence,
the night, the passing wind, the damp odours rising from the ground.

Then suddenly he saw her in the garden at Tostes, on a bench against the
thorn hedge, or else at Rouen in the streets, on the threshold of their
house, in the yard at Bertaux. He again heard the laughter of the happy
boys beneath the apple-trees: the room was filled with the perfume
of her hair; and her dress rustled in his arms with a noise like
electricity. The dress was still the same.

For a long while he thus recalled all his lost joys, her attitudes,
her movements, the sound of her voice. Upon one fit of despair followed
another, and even others, inexhaustible as the waves of an overflowing
sea.

A terrible curiosity seized him. Slowly, with the tips of his fingers,
palpitating, he lifted her veil. But he uttered a cry of horror that
awoke the other two.

They dragged him down into the sitting-room. Then Félicité came up to
say that he wanted some of her hair.

“Cut some off,” replied the druggist.

And as she did not dare to, he himself stepped forward, scissors in
hand. He trembled so that he pierced the skin of the temple in several
places. At last, stiffening himself against emotion, Homais gave two
or three great cuts at random that left white patches amongst that
beautiful black hair.

The chemist and the cure plunged anew into their occupations, not
without sleeping from time to time, of which they accused each other
reciprocally at each fresh awakening. Then Monsieur Bournisien sprinkled
the room with holy water and Homais threw a little chlorine water on the
floor.

Félicité had taken care to put on the chest of drawers, for each
of them, a bottle of brandy, some cheese, and a large roll. And the
druggist, who could not hold out any longer, about four in the morning
sighed--

“My word! I should like to take some sustenance.”

The priest did not need any persuading; he went out to go and say mass,
came back, and then they ate and hobnobbed, giggling a little without
knowing why, stimulated by that vague gaiety that comes upon us after
times of sadness, and at the last glass the priest said to the druggist,
as he clapped him on the shoulder--

“We shall end by understanding one another.”

In the passage downstairs they met the undertaker’s men, who were coming
in. Then Charles for two hours had to suffer the torture of hearing the
hammer resound against the wood. Next day they lowered her into her
oak coffin, that was fitted into the other two; but as the bier was
too large, they had to fill up the gaps with the wool of a mattress. At
last, when the three lids had been planed down, nailed, soldered, it was
placed outside in front of the door; the house was thrown open, and the
people of Yonville began to flock round.

Old Rouault arrived, and fainted on the Place when he saw the black
cloth!

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Let's Analyse the Pattern

Pattern: Intellectual Escape
When life delivers unbearable pain, the human mind desperately seeks escape routes. This chapter reveals a crucial pattern: how we use intellectual debates and abstract discussions to avoid confronting overwhelming emotions. Homais and the priest argue endlessly about religion versus science while sitting beside Emma's corpse—not because these ideas suddenly matter more, but because philosophical sparring feels safer than facing raw grief. This escape mechanism operates through displacement. When emotions threaten to overwhelm us, our minds frantically search for something—anything—we can control or understand. Charles demands elaborate funeral arrangements because he can't control Emma's death. The pharmacist and priest debate grand theories because they can't process the simple, devastating fact of mortality. We retreat into our heads when our hearts can't handle the load. This pattern appears everywhere in modern life. Hospital families argue about treatment options instead of saying goodbye. Divorced parents debate custody logistics to avoid discussing their failed marriage. Coworkers dissect company policies during layoffs rather than acknowledge their fear. Friends analyze relationship theories when their own partnership is crumbling. We become suddenly passionate about abstract principles when concrete realities become unbearable. Recognizing this pattern offers navigation tools. When you catch yourself or others diving deep into intellectual debates during emotional crises, pause and ask: 'What are we really avoiding here?' Sometimes the debate is necessary, but often it's protective displacement. Honor the need for emotional processing alongside intellectual analysis. Create space for both the head and heart to respond. Don't shame the escape—use it as a bridge back to feeling when you're ready. When you can name the pattern of intellectual escape, predict when it will emerge during crisis, and navigate between thinking and feeling—that's amplified intelligence.

Using abstract debates and theoretical discussions to avoid confronting overwhelming emotions or unbearable realities.

Why This Matters

Connect literature to life

Skill: Detecting Emotional Displacement

This chapter teaches how people use intellectual debates and abstract discussions to avoid confronting overwhelming emotions.

Practice This Today

This week, notice when you or others suddenly become passionate about theories or procedures during emotional crises—ask what feelings might be hiding underneath the debate.

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Now let's explore the literary elements.

Key Quotes & Analysis

"Farewell! farewell!"

— Charles

Context: Charles throws himself on Emma's body when he realizes she's really dead

This desperate repetition shows Charles's inability to let go. He's not just saying goodbye - he's clinging to the last moment he can pretend she might still hear him. The repetition reveals his mental breaking point.

In Today's Words:

Don't leave me, please don't leave me

"She is my wife!"

— Charles

Context: When others try to pull him away from Emma's body

Charles is asserting his right to grieve, his ownership of this relationship and this pain. He's fighting for his place in this tragedy when everyone else wants to manage it practically. It's both touching and possessive.

In Today's Words:

I have the right to fall apart - she was mine

"There now! as if I hadn't got other fish to fry"

— Homais

Context: When the blind man approaches him asking for medicine while Emma lies dead

Homais is irritated that his crisis management is being interrupted by routine business. This reveals his priorities - he's more concerned with controlling the narrative than with genuine human needs or grief.

In Today's Words:

Not now - I've got bigger problems to deal with

Thematic Threads

Grief

In This Chapter

Charles's desperate denial and the community's awkward attempts to manage death's raw reality

Development

Culmination of Emma's destructive choices now creating ripple effects of pain

In Your Life:

You might recognize this in how differently people process loss and trauma in your own family or workplace.

Control

In This Chapter

Charles demanding elaborate funeral arrangements when he couldn't control Emma's life or death

Development

Evolved from Emma's attempts to control her destiny to Charles grasping for any remaining control

In Your Life:

You see this when people become rigid about small details during major life changes they can't influence.

Community

In This Chapter

Neighbors helping with burial preparations while Homais spins protective lies about Emma's death

Development

Introduced here as the town collectively manages scandal and tragedy

In Your Life:

You witness this in how your community rallies around crisis while also managing its own reputation.

Class

In This Chapter

Homais's concern with respectability driving his lies about Emma's suicide versus Charles's raw emotional display

Development

Continued theme of social appearances versus authentic human experience

In Your Life:

You see this tension between 'proper' behavior and genuine feeling in your own social circles during difficult times.

Avoidance

In This Chapter

The priest and pharmacist's endless philosophical debate serving as distraction from confronting mortality

Development

New manifestation of how people escape uncomfortable truths throughout the novel

In Your Life:

You might catch yourself or others getting lost in theoretical discussions when facing practical emotional challenges.

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You now have the context. Time to form your own thoughts.

Discussion Questions

  1. 1

    Why does Charles demand such elaborate funeral arrangements for Emma, and what does this reveal about how he's processing her death?

    analysis • surface
  2. 2

    Why do Homais and the priest spend the night arguing about religion versus science instead of simply mourning Emma's death?

    analysis • medium
  3. 3

    Think about a time when your family or workplace faced a crisis. Did people start debating policies, procedures, or abstract ideas instead of dealing with the emotional reality? What happened?

    application • medium
  4. 4

    When you're overwhelmed by grief, fear, or loss, how do you recognize when you're escaping into your head instead of processing your emotions? What strategies help you balance both?

    application • deep
  5. 5

    What does this chapter teach us about why humans often retreat into intellectual debates during emotional crises, and how can understanding this pattern help us support others better?

    reflection • deep

Critical Thinking Exercise

10 minutes

Map Your Escape Routes

Think about a recent stressful situation in your life - a job loss, relationship conflict, family crisis, or health scare. Write down what intellectual topics or debates you found yourself focusing on during that time. Then identify what emotions you might have been avoiding by diving into those discussions or analyses.

Consider:

  • •Notice if you became suddenly passionate about topics that normally don't interest you much
  • •Consider whether the timing of your intellectual focus coincided with emotional overwhelm
  • •Think about whether others around you were doing the same thing - creating group intellectual escape

Journaling Prompt

Write about a time when you caught yourself or someone close to you using intellectual debate as emotional armor. How might you handle that situation differently now, honoring both the need to think and the need to feel?

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Coming Up Next...

Chapter 34: The Final Goodbye

The funeral brings together all the threads of Emma's life as the community gathers to witness her final journey. Charles must face the ultimate goodbye while confronting what remains of his shattered world.

Continue to Chapter 34
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The Final Reckoning
Contents
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The Final Goodbye

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