An excerpt from the original text.(complete · 2979 words)
hapter Two
One night towards eleven o’clock they were awakened by the noise of
a horse pulling up outside their door. The servant opened the
garret-window and parleyed for some time with a man in the street below.
He came for the doctor, had a letter for him. Natasie came downstairs
shivering and undid the bars and bolts one after the other. The man left
his horse, and, following the servant, suddenly came in behind her. He
pulled out from his wool cap with grey top-knots a letter wrapped up in
a rag and presented it gingerly to Charles, who rested on his elbow on
the pillow to read it. Natasie, standing near the bed, held the light.
Madame in modesty had turned to the wall and showed only her back.
This letter, sealed with a small seal in blue wax, begged Monsieur
Bovary to come immediately to the farm of the Bertaux to set a broken
leg. Now from Tostes to the Bertaux was a good eighteen miles across
country by way of Longueville and Saint-Victor. It was a dark night;
Madame Bovary junior was afraid of accidents for her husband. So it was
decided the stable-boy should go on first; Charles would start three
hours later when the moon rose. A boy was to be sent to meet him, and
show him the way to the farm, and open the gates for him.
Towards four o’clock in the morning, Charles, well wrapped up in his
cloak, set out for the Bertaux. Still sleepy from the warmth of his bed,
he let himself be lulled by the quiet trot of his horse. When it stopped
of its own accord in front of those holes surrounded with thorns that
are dug on the margin of furrows, Charles awoke with a start, suddenly
remembered the broken leg, and tried to call to mind all the fractures
he knew. The rain had stopped, day was breaking, and on the branches
of the leafless trees birds roosted motionless, their little feathers
bristling in the cold morning wind. The flat country stretched as far as
eye could see, and the tufts of trees round the farms at long intervals
seemed like dark violet stains on the cast grey surface, that on the
horizon faded into the gloom of the sky.
Charles from time to time opened his eyes, his mind grew weary, and,
sleep coming upon him, he soon fell into a doze wherein, his recent
sensations blending with memories, he became conscious of a double
self, at once student and married man, lying in his bed as but now, and
crossing the operation theatre as of old. The warm smell of poultices
mingled in his brain with the fresh odour of dew; he heard the iron
rings rattling along the curtain-rods of the bed and saw his wife
sleeping. As he passed Vassonville he came upon a boy sitting on the
grass at the edge of a ditch.
“Are you the doctor?” asked the child.
And on Charles’s answer he took his wooden shoes in his hands and ran on
in front of him.
The general practitioner, riding along, gathered from his guide’s talk
that Monsieur Rouault must be one of the well-to-do farmers.
He had broken his leg the evening before on his way home from a
Twelfth-night feast at a neighbour’s. His wife had been dead for two
years. There was with him only his daughter, who helped him to keep
house.
The ruts were becoming deeper; they were approaching the Bertaux.
The little lad, slipping through a hole in the hedge, disappeared;
then he came back to the end of a courtyard to open the gate. The
horse slipped on the wet grass; Charles had to stoop to pass under
the branches. The watchdogs in their kennels barked, dragging at their
chains. As he entered the Bertaux, the horse took fright and stumbled.
It was a substantial-looking farm. In the stables, over the top of the
open doors, one could see great cart-horses quietly feeding from new
racks. Right along the outbuildings extended a large dunghill, from
which manure liquid oozed, while amidst fowls and turkeys, five or six
peacocks, a luxury in Chauchois farmyards, were foraging on the top of
it. The sheepfold was long, the barn high, with walls smooth as your
hand. Under the cart-shed were two large carts and four ploughs, with
their whips, shafts and harnesses complete, whose fleeces of blue wool
were getting soiled by the fine dust that fell from the granaries. The
courtyard sloped upwards, planted with trees set out symmetrically, and
the chattering noise of a flock of geese was heard near the pond.
A young woman in a blue merino dress with three flounces came to the
threshold of the door to receive Monsieur Bovary, whom she led to the
kitchen, where a large fire was blazing. The servant’s breakfast was
boiling beside it in small pots of all sizes. Some damp clothes were
drying inside the chimney-corner. The shovel, tongs, and the nozzle
of the bellows, all of colossal size, shone like polished steel, while
along the walls hung many pots and pans in which the clear flame of the
hearth, mingling with the first rays of the sun coming in through the
window, was mirrored fitfully.
Charles went up the first floor to see the patient. He found him in his
bed, sweating under his bed-clothes, having thrown his cotton nightcap
right away from him. He was a fat little man of fifty, with white skin
and blue eyes, the forepart of his head bald, and he wore earrings. By
his side on a chair stood a large decanter of brandy, whence he poured
himself a little from time to time to keep up his spirits; but as soon
as he caught sight of the doctor his elation subsided, and instead of
swearing, as he had been doing for the last twelve hours, began to groan
freely.
The fracture was a simple one, without any kind of complication.
Charles could not have hoped for an easier case. Then calling to mind
the devices of his masters at the bedsides of patients, he comforted the
sufferer with all sorts of kindly remarks, those caresses of the surgeon
that are like the oil they put on bistouries. In order to make some
splints a bundle of laths was brought up from the cart-house. Charles
selected one, cut it into two pieces and planed it with a fragment
of windowpane, while the servant tore up sheets to make bandages, and
Mademoiselle Emma tried to sew some pads. As she was a long time before
she found her work-case, her father grew impatient; she did not answer,
but as she sewed she pricked her fingers, which she then put to her
mouth to suck them. Charles was surprised at the whiteness of her nails.
They were shiny, delicate at the tips, more polished than the ivory of
Dieppe, and almond-shaped. Yet her hand was not beautiful, perhaps not
white enough, and a little hard at the knuckles; besides, it was too
long, with no soft inflections in the outlines. Her real beauty was in
her eyes. Although brown, they seemed black because of the lashes, and
her look came at you frankly, with a candid boldness.
The bandaging over, the doctor was invited by Monsieur Rouault himself
to “pick a bit” before he left.
Charles went down into the room on the ground floor. Knives and forks
and silver goblets were laid for two on a little table at the foot of a
huge bed that had a canopy of printed cotton with figures representing
Turks. There was an odour of iris-root and damp sheets that escaped
from a large oak chest opposite the window. On the floor in corners were
sacks of flour stuck upright in rows. These were the overflow from
the neighbouring granary, to which three stone steps led. By way of
decoration for the apartment, hanging to a nail in the middle of the
wall, whose green paint scaled off from the effects of the saltpetre,
was a crayon head of Minerva in gold frame, underneath which was written
in Gothic letters “To dear Papa.”
First they spoke of the patient, then of the weather, of the great cold,
of the wolves that infested the fields at night.
Mademoiselle Rouault did not at all like the country, especially now
that she had to look after the farm almost alone. As the room was
chilly, she shivered as she ate. This showed something of her full lips,
that she had a habit of biting when silent.
Her neck stood out from a white turned-down collar. Her hair, whose
two black folds seemed each of a single piece, so smooth were they, was
parted in the middle by a delicate line that curved slightly with the
curve of the head; and, just showing the tip of the ear, it was joined
behind in a thick chignon, with a wavy movement at the temples that the
country doctor saw now for the first time in his life. The upper part of
her cheek was rose-coloured. She had, like a man, thrust in between two
buttons of her bodice a tortoise-shell eyeglass.
When Charles, after bidding farewell to old Rouault, returned to the
room before leaving, he found her standing, her forehead against the
window, looking into the garden, where the bean props had been knocked
down by the wind. She turned round. “Are you looking for anything?” she
asked.
“My whip, if you please,” he answered.
He began rummaging on the bed, behind the doors, under the chairs. It
had fallen to the floor, between the sacks and the wall. Mademoiselle
Emma saw it, and bent over the flour sacks.
Charles out of politeness made a dash also, and as he stretched out his
arm, at the same moment felt his breast brush against the back of the
young girl bending beneath him. She drew herself up, scarlet, and looked
at him over her shoulder as she handed him his whip.
Instead of returning to the Bertaux in three days as he had promised,
he went back the very next day, then regularly twice a week, without
counting the visits he paid now and then as if by accident.
Everything, moreover, went well; the patient progressed favourably; and
when, at the end of forty-six days, old Rouault was seen trying to walk
alone in his “den,” Monsieur Bovary began to be looked upon as a man
of great capacity. Old Rouault said that he could not have been cured
better by the first doctor of Yvetot, or even of Rouen.
As to Charles, he did not stop to ask himself why it was a pleasure
to him to go to the Bertaux. Had he done so, he would, no doubt, have
attributed his zeal to the importance of the case, or perhaps to the
money he hoped to make by it. Was it for this, however, that his visits
to the farm formed a delightful exception to the meagre occupations of
his life? On these days he rose early, set off at a gallop, urging on
his horse, then got down to wipe his boots in the grass and put on black
gloves before entering. He liked going into the courtyard, and noticing
the gate turn against his shoulder, the cock crow on the wall, the lads
run to meet him. He liked the granary and the stables; he liked old
Rouault, who pressed his hand and called him his saviour; he liked the
small wooden shoes of Mademoiselle Emma on the scoured flags of the
kitchen--her high heels made her a little taller; and when she walked in
front of him, the wooden soles springing up quickly struck with a sharp
sound against the leather of her boots.
She always accompanied him to the first step of the stairs. When his
horse had not yet been brought round she stayed there. They had said
“Good-bye”; there was no more talking. The open air wrapped her round,
playing with the soft down on the back of her neck, or blew to and fro
on her hips the apron-strings, that fluttered like streamers. Once,
during a thaw the bark of the trees in the yard was oozing, the snow on
the roofs of the outbuildings was melting; she stood on the threshold,
and went to fetch her sunshade and opened it. The sunshade of silk of
the colour of pigeons’ breasts, through which the sun shone, lighted
up with shifting hues the white skin of her face. She smiled under the
tender warmth, and drops of water could be heard falling one by one on
the stretched silk.
During the first period of Charles’s visits to the Bertaux, Madame
Bovary junior never failed to inquire after the invalid, and she had
even chosen in the book that she kept on a system of double entry a
clean blank page for Monsieur Rouault. But when she heard he had a
daughter, she began to make inquiries, and she learnt the Mademoiselle
Rouault, brought up at the Ursuline Convent, had received what is called
“a good education”; and so knew dancing, geography, drawing, how to
embroider and play the piano. That was the last straw.
“So it is for this,” she said to herself, “that his face beams when he
goes to see her, and that he puts on his new waistcoat at the risk of
spoiling it with the rain. Ah! that woman! That woman!”
And she detested her instinctively. At first she solaced herself by
allusions that Charles did not understand, then by casual observations
that he let pass for fear of a storm, finally by open apostrophes to
which he knew not what to answer. “Why did he go back to the Bertaux now
that Monsieur Rouault was cured and that these folks hadn’t paid yet?
Ah! it was because a young lady was there, some one who knew how to
talk, to embroider, to be witty. That was what he cared about; he wanted
town misses.” And she went on--
“The daughter of old Rouault a town miss! Get out! Their grandfather was
a shepherd, and they have a cousin who was almost had up at the assizes
for a nasty blow in a quarrel. It is not worth while making such a fuss,
or showing herself at church on Sundays in a silk gown like a countess.
Besides, the poor old chap, if it hadn’t been for the colza last year,
would have had much ado to pay up his arrears.”
For very weariness Charles left off going to the Bertaux. Heloise made
him swear, his hand on the prayer-book, that he would go there no more
after much sobbing and many kisses, in a great outburst of love. He
obeyed then, but the strength of his desire protested against the
servility of his conduct; and he thought, with a kind of naive
hypocrisy, that his interdict to see her gave him a sort of right to
love her. And then the widow was thin; she had long teeth; wore in all
weathers a little black shawl, the edge of which hung down between her
shoulder-blades; her bony figure was sheathed in her clothes as if they
were a scabbard; they were too short, and displayed her ankles with the
laces of her large boots crossed over grey stockings.
Charles’s mother came to see them from time to time, but after a few
days the daughter-in-law seemed to put her own edge on her, and
then, like two knives, they scarified him with their reflections and
observations. It was wrong of him to eat so much.
Why did he always offer a glass of something to everyone who came?
What obstinacy not to wear flannels! In the spring it came about that a
notary at Ingouville, the holder of the widow Dubuc’s property, one fine
day went off, taking with him all the money in his office. Heloise,
it is true, still possessed, besides a share in a boat valued at six
thousand francs, her house in the Rue St. Francois; and yet, with all
this fortune that had been so trumpeted abroad, nothing, excepting
perhaps a little furniture and a few clothes, had appeared in the
household. The matter had to be gone into. The house at Dieppe was found
to be eaten up with mortgages to its foundations; what she had placed
with the notary God only knew, and her share in the boat did not exceed
one thousand crowns. She had lied, the good lady! In his exasperation,
Monsieur Bovary the elder, smashing a chair on the flags, accused his
wife of having caused misfortune to the son by harnessing him to such
a harridan, whose harness wasn’t worth her hide. They came to Tostes.
Explanations followed. There were scenes. Heloise in tears, throwing her
arms about her husband, implored him to defend her from his parents.
Charles tried to speak up for her. They grew angry and left the house.
But “the blow had struck home.” A week after, as she was hanging up some
washing in her yard, she was seized with a spitting of blood, and
the next day, while Charles had his back turned to her drawing the
window-curtain, she said, “O God!” gave a sigh and fainted. She was
dead! What a surprise! When all was over at the cemetery Charles went
home. He found no one downstairs; he went up to the first floor to
their room; saw her dress still hanging at the foot of the alcove; then,
leaning against the writing-table, he stayed until the evening, buried
in a sorrowful reverie. She had loved him after all!
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Let's Analyse the Pattern
We create elaborate, socially acceptable reasons to do what we simply want to do, convincing ourselves our desires are actually duties.
Why This Matters
Connect literature to life
This chapter teaches how to recognize when we create noble reasons for pursuing what we simply want.
Practice This Today
This week, notice when you find yourself building elaborate justifications for a choice—ask 'What am I really after here?' and strip away the respectable reasons to find the core desire.
Now let's explore the literary elements.
Key Quotes & Analysis
"Charles would start three hours later when the moon rose."
Context: Charles prepares for his first journey to the Bertaux farm in the middle of the night
This moment marks the beginning of Charles's transformation. The moonlit journey suggests romance and fate, turning a simple medical call into something more significant. The careful planning shows how seriously he takes this opportunity.
In Today's Words:
He was going to wait until conditions were perfect for this trip.
"She had been educated at the Ursuline Convent; she had received what is called 'a good education.'"
Context: Describing Emma's background when Charles first encounters her
This education sets Emma apart from other rural women and explains her refined manners and cultural knowledge. It also hints at the mismatch between her education and her limited life options as a farmer's daughter.
In Today's Words:
She went to a fancy private school and got the kind of education that was supposed to matter.
"He found excuses for going; he said his horse was lame; he pretended not to remember the way."
Context: Charles manufacturing reasons to return to the Bertaux farm repeatedly
This shows Charles's self-deception and growing obsession. He's lying to himself and others about his motives, turning professional duty into personal desire. His behavior reveals how attraction can corrupt our sense of honesty.
In Today's Words:
He kept making up reasons to go back and see her.
"You must swear to me that you will not go there again."
Context: Héloïse confronting Charles about his frequent visits to see Emma
This desperate attempt to control Charles shows Héloïse's accurate perception of the threat Emma poses to their marriage. Her demand for a sworn promise reveals how powerless she feels and how serious the situation has become.
In Today's Words:
Promise me you'll stop seeing her.
Thematic Threads
Class
In This Chapter
Emma's convent education and refinement make her seem superior to Charles's simple world
Development
Builds on previous class tensions, now showing how education creates perceived superiority
In Your Life:
You might feel intimidated by someone's credentials or background, forgetting that education doesn't equal wisdom.
Self-Deception
In This Chapter
Charles convinces himself his frequent visits are medical necessity, not romantic attraction
Development
Introduced here
In Your Life:
You might create elaborate justifications for choices you know aren't quite right.
Recognition
In This Chapter
Héloïse immediately recognizes what Charles refuses to admit about his feelings for Emma
Development
Introduced here
In Your Life:
Others often see your patterns more clearly than you do, especially when emotions are involved.
Social Expectations
In This Chapter
Charles must maintain professional appearances while navigating personal desires
Development
Continues from earlier chapters, now showing conflict between duty and desire
In Your Life:
You might struggle between what you want and what others expect of you professionally or personally.
Power
In This Chapter
Héloïse's hidden financial deceptions are revealed, showing how she maintained control through lies
Development
Introduced here
In Your Life:
Someone might be controlling you through information they're withholding or misrepresenting.
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
Charles keeps finding medical reasons to visit Emma's farm. What's really driving these frequent visits?
analysis • surface - 2
Why does Héloïse immediately see through Charles's excuses when he can't see through them himself?
analysis • medium - 3
Think about someone who creates elaborate justifications for what they want to do. How do they convince themselves their reasons are legitimate?
application • medium - 4
When you catch yourself making complicated excuses for something you want, what's the most honest way to handle that situation?
application • deep - 5
What does Charles's self-deception reveal about how we protect ourselves from uncomfortable truths about our own motivations?
reflection • deep
Critical Thinking Exercise
Map Your Justified Desires
Think of a recent time when you created elaborate reasons for doing something you simply wanted to do. Write down your official reason, then your real reason. Notice how your mind built the bridge between want and justification. This isn't about judging yourself—it's about recognizing the pattern so you can navigate it more consciously.
Consider:
- •Look for times when your explanations became unusually detailed or defensive
- •Notice if others seemed skeptical of your reasons while you felt completely convinced
- •Consider whether the underlying want was actually reasonable or problematic
Journaling Prompt
Write about a current situation where you might be justifying a desire as a duty. What would change if you approached it with complete honesty about your motivations?
Coming Up Next...
Chapter 3: Finding Love After Loss
With Héloïse gone and no obstacles remaining, Charles is free to pursue his feelings for Emma. But will the reality of courtship match the fantasy he's built during those stolen moments at the farm?




