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Jude the Obscure - Shadows at the Agricultural Show

Thomas Hardy

Jude the Obscure

Shadows at the Agricultural Show

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Summary

Jude and Sue attend the Great Wessex Agricultural Show with Father Time, enjoying a rare day of public happiness together. Their tender interactions and mutual devotion are palpable as they explore exhibits and share moments of joy. However, their past follows them in the form of Arabella, now married to publican Cartlett, who spots them and becomes obsessed with watching their every move. Arabella's jealousy is sharp—she recognizes the depth of their connection while dismissing Sue as cold and unworthy. The contrast between the two couples is stark: Jude and Sue move through the world as if they're the only two people in it, while Arabella and Cartlett embody the 'average husband and wife of Christendom' in their mutual irritation. The chapter reveals how love can make people vulnerable to outside judgment and manipulation. Arabella even purchases a love potion from the quack Dr. Vilbert, suggesting future interference. Meanwhile, Father Time remains a sobering presence, unable to enjoy the flowers because he knows they'll wither soon—a child's wisdom that cuts to the heart of life's transience. The day represents a peak of happiness for Jude and Sue, but the watching eyes of their past suggest this joy may be fragile.

Coming Up in Chapter 40

The happiness Jude and Sue have found begins to attract unwanted attention from their community. Their unconventional arrangement and the mysterious child who calls them 'Father' and 'Mother' becomes the subject of neighborhood gossip and scrutiny that will test their bond.

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An excerpt from the original text.(complete · 3383 words)

T

he purpose of a chronicler of moods and deeds does not require him to
express his personal views upon the grave controversy above given. That
the twain were happy—between their times of sadness—was indubitable.
And when the unexpected apparition of Jude’s child in the house had
shown itself to be no such disturbing event as it had looked, but one
that brought into their lives a new and tender interest of an ennobling
and unselfish kind, it rather helped than injured their happiness.

To be sure, with such pleasing anxious beings as they were, the boy’s
coming also brought with it much thought for the future, particularly
as he seemed at present to be singularly deficient in all the usual
hopes of childhood. But the pair tried to dismiss, for a while at
least, a too strenuously forward view.

There is in Upper Wessex an old town of nine or ten thousand souls; the
town may be called Stoke-Barehills. It stands with its gaunt,
unattractive, ancient church, and its new red brick suburb, amid the
open, chalk-soiled cornlands, near the middle of an imaginary triangle
which has for its three corners the towns of Aldbrickham and
Wintoncester, and the important military station of Quartershot. The
great western highway from London passes through it, near a point where
the road branches into two, merely to unite again some twenty miles
further westward. Out of this bifurcation and reunion there used to
arise among wheeled travellers, before railway days, endless questions
of choice between the respective ways. But the question is now as dead
as the scot-and-lot freeholder, the road waggoner, and the mail
coachman who disputed it; and probably not a single inhabitant of
Stoke-Barehills is now even aware that the two roads which part in his
town ever meet again; for nobody now drives up and down the great
western highway daily.

The most familiar object in Stoke-Barehills nowadays is its cemetery,
standing among some picturesque mediæval ruins beside the railway; the
modern chapels, modern tombs, and modern shrubs having a look of
intrusiveness amid the crumbling and ivy-covered decay of the ancient
walls.

On a certain day, however, in the particular year which has now been
reached by this narrative—the month being early June—the features of
the town excite little interest, though many visitors arrive by the
trains; some down-trains, in especial, nearly emptying themselves here.
It is the week of the Great Wessex Agricultural Show, whose vast
encampment spreads over the open outskirts of the town like the tents
of an investing army. Rows of marquees, huts, booths, pavilions,
arcades, porticoes—every kind of structure short of a permanent
one—cover the green field for the space of a square half-mile, and the
crowds of arrivals walk through the town in a mass, and make straight
for the exhibition ground. The way thereto is lined with shows, stalls,
and hawkers on foot, who make a market-place of the whole roadway to
the show proper, and lead some of the improvident to lighten their
pockets appreciably before they reach the gates of the exhibition they
came expressly to see.

It is the popular day, the shilling day, and of the fast arriving
excursion trains two from different directions enter the two contiguous
railway stations at almost the same minute. One, like several which
have preceded it, comes from London: the other by a cross-line from
Aldbrickham; and from the London train alights a couple; a short,
rather bloated man, with a globular stomach and small legs, resembling
a top on two pegs, accompanied by a woman of rather fine figure and
rather red face, dressed in black material, and covered with beads from
bonnet to skirt, that made her glisten as if clad in chain-mail.

They cast their eyes around. The man was about to hire a fly as some
others had done, when the woman said, “Don’t be in such a hurry,
Cartlett. It isn’t so very far to the show-yard. Let us walk down the
street into the place. Perhaps I can pick up a cheap bit of furniture
or old china. It is years since I was here—never since I lived as a
girl at Aldbrickham, and used to come across for a trip sometimes with
my young man.”

“You can’t carry home furniture by excursion train,” said, in a thick
voice, her husband, the landlord of The Three Horns, Lambeth; for they
had both come down from the tavern in that “excellent, densely
populated, gin-drinking neighbourhood,” which they had occupied ever
since the advertisement in those words had attracted them thither. The
configuration of the landlord showed that he, too, like his customers,
was becoming affected by the liquors he retailed.

“Then I’ll get it sent, if I see any worth having,” said his wife.

They sauntered on, but had barely entered the town when her attention
was attracted by a young couple leading a child, who had come out from
the second platform, into which the train from Aldbrickham had steamed.
They were walking just in front of the inn-keepers.

“Sakes alive!” said Arabella.

“What’s that?” said Cartlett.

“Who do you think that couple is? Don’t you recognize the man?”

“No.”

“Not from the photos I have showed you?”

“Is it Fawley?”

“Yes—of course.”

“Oh, well. I suppose he was inclined for a little sight-seeing like the
rest of us.” Cartlett’s interest in Jude whatever it might have been
when Arabella was new to him, had plainly flagged since her charms and
her idiosyncrasies, her supernumerary hair-coils, and her optional
dimples, were becoming as a tale that is told.

Arabella so regulated her pace and her husband’s as to keep just in the
rear of the other three, which it was easy to do without notice in such
a stream of pedestrians. Her answers to Cartlett’s remarks were vague
and slight, for the group in front interested her more than all the
rest of the spectacle.

“They are rather fond of one another and of their child, seemingly,”
continued the publican.

“Their child! ’Tisn’t their child,” said Arabella with a curious,
sudden covetousness. “They haven’t been married long enough for it to
be theirs!”

But although the smouldering maternal instinct was strong enough in her
to lead her to quash her husband’s conjecture, she was not disposed on
second thoughts to be more candid than necessary. Mr. Cartlett had no
other idea than that his wife’s child by her first husband was with his
grandparents at the Antipodes.

“Oh I suppose not. She looks quite a girl.”

“They are only lovers, or lately married, and have the child in charge,
as anybody can see.”

All continued to move ahead. The unwitting Sue and Jude, the couple in
question, had determined to make this agricultural exhibition within
twenty miles of their own town the occasion of a day’s excursion which
should combine exercise and amusement with instruction, at small
expense. Not regardful of themselves alone, they had taken care to
bring Father Time, to try every means of making him kindle and laugh
like other boys, though he was to some extent a hindrance to the
delightfully unreserved intercourse in their pilgrimages which they so
much enjoyed. But they soon ceased to consider him an observer, and
went along with that tender attention to each other which the shyest
can scarcely disguise, and which these, among entire strangers as they
imagined, took less trouble to disguise than they might have done at
home. Sue, in her new summer clothes, flexible and light as a bird, her
little thumb stuck up by the stem of her white cotton sunshade, went
along as if she hardly touched ground, and as if a moderately strong
puff of wind would float her over the hedge into the next field. Jude,
in his light grey holiday-suit, was really proud of her companionship,
not more for her external attractiveness than for her sympathetic words
and ways. That complete mutual understanding, in which every glance and
movement was as effectual as speech for conveying intelligence between
them, made them almost the two parts of a single whole.

The pair with their charge passed through the turnstiles, Arabella and
her husband not far behind them. When inside the enclosure the
publican’s wife could see that the two ahead began to take trouble with
the youngster, pointing out and explaining the many objects of
interest, alive and dead; and a passing sadness would touch their faces
at their every failure to disturb his indifference.

“How she sticks to him!” said Arabella. “Oh no—I fancy they are not
married, or they wouldn’t be so much to one another as that… I wonder!”

“But I thought you said he did marry her?”

“I heard he was going to—that’s all, going to make another attempt,
after putting it off once or twice… As far as they themselves are
concerned they are the only two in the show. I should be ashamed of
making myself so silly if I were he!”

“I don’t see as how there’s anything remarkable in their behaviour. I
should never have noticed their being in love, if you hadn’t said so.”

“You never see anything,” she rejoined. Nevertheless Cartlett’s view of
the lovers’ or married pair’s conduct was undoubtedly that of the
general crowd, whose attention seemed to be in no way attracted by what
Arabella’s sharpened vision discerned.

“He’s charmed by her as if she were some fairy!” continued Arabella.
“See how he looks round at her, and lets his eyes rest on her. I am
inclined to think that she don’t care for him quite so much as he does
for her. She’s not a particular warm-hearted creature to my thinking,
though she cares for him pretty middling much—as much as she’s able to;
and he could make her heart ache a bit if he liked to try—which he’s
too simple to do. There—now they are going across to the cart-horse
sheds. Come along.”

“I don’t want to see the cart-horses. It is no business of ours to
follow these two. If we have come to see the show let us see it in our
own way, as they do in theirs.”

“Well—suppose we agree to meet somewhere in an hour’s time—say at that
refreshment tent over there, and go about independent? Then you can
look at what you choose to, and so can I.”

Cartlett was not loath to agree to this, and they parted—he proceeding
to the shed where malting processes were being exhibited, and Arabella
in the direction taken by Jude and Sue. Before, however, she had
regained their wake a laughing face met her own, and she was confronted
by Anny, the friend of her girlhood.

Anny had burst out in hearty laughter at the mere fact of the chance
encounter. “I am still living down there,” she said, as soon as she was
composed. “I am soon going to be married, but my intended couldn’t come
up here to-day. But there’s lots of us come by excursion, though I’ve
lost the rest of ’em for the present.”

“Have you met Jude and his young woman, or wife, or whatever she is? I
saw ’em by now.”

“No. Not a glimpse of un for years!”

“Well, they are close by here somewhere. Yes—there they are—by that
grey horse!”

“Oh, that’s his present young woman—wife did you say? Has he married
again?”

“I don’t know.”

“She’s pretty, isn’t she!”

“Yes—nothing to complain of; or jump at. Not much to depend on, though;
a slim, fidgety little thing like that.”

“He’s a nice-looking chap, too! You ought to ha’ stuck to un,
Arabella.”

“I don’t know but I ought,” murmured she.

Anny laughed. “That’s you, Arabella! Always wanting another man than
your own.”

“Well, and what woman don’t I should like to know? As for that body
with him—she don’t know what love is—at least what I call love! I can
see in her face she don’t.”

“And perhaps, Abby dear, you don’t know what she calls love.”

“I’m sure I don’t wish to! … Ah—they are making for the art department.
I should like to see some pictures myself. Suppose we go that way?—
Why, if all Wessex isn’t here, I verily believe! There’s Dr. Vilbert.
Haven’t seen him for years, and he’s not looking a day older than when
I used to know him. How do you do, Physician? I was just saying that
you don’t look a day older than when you knew me as a girl.”

“Simply the result of taking my own pills regular, ma’am. Only two and
threepence a box—warranted efficacious by the Government stamp. Now let
me advise you to purchase the same immunity from the ravages of time by
following my example? Only two-and-three.”

The physician had produced a box from his waistcoat pocket, and
Arabella was induced to make the purchase.

“At the same time,” continued he, when the pills were paid for, “you
have the advantage of me, Mrs.— Surely not Mrs. Fawley, once Miss Donn,
of the vicinity of Marygreen?”

“Yes. But Mrs. Cartlett now.”

“Ah—you lost him, then? Promising young fellow! A pupil of mine, you
know. I taught him the dead languages. And believe me, he soon knew
nearly as much as I.”

“I lost him; but not as you think,” said Arabella dryly. “The lawyers
untied us. There he is, look, alive and lusty; along with that young
woman, entering the art exhibition.”

“Ah—dear me! Fond of her, apparently.”

“They say they are cousins.”

“Cousinship is a great convenience to their feelings, I should say?”

“Yes. So her husband thought, no doubt, when he divorced her… Shall we
look at the pictures, too?”

The trio followed across the green and entered. Jude and Sue, with the
child, unaware of the interest they were exciting, had gone up to a
model at one end of the building, which they regarded with considerable
attention for a long while before they went on. Arabella and her
friends came to it in due course, and the inscription it bore was:
“Model of Cardinal College, Christminster; by J. Fawley and S. F. M.
Bridehead.”

“Admiring their own work,” said Arabella. “How like Jude—always
thinking of colleges and Christminster, instead of attending to his
business!”

They glanced cursorily at the pictures, and proceeded to the
band-stand. When they had stood a little while listening to the music
of the military performers, Jude, Sue, and the child came up on the
other side. Arabella did not care if they should recognize her; but
they were too deeply absorbed in their own lives, as translated into
emotion by the military band, to perceive her under her beaded veil.
She walked round the outside of the listening throng, passing behind
the lovers, whose movements had an unexpected fascination for her
to-day. Scrutinizing them narrowly from the rear she noticed that
Jude’s hand sought Sue’s as they stood, the two standing close together
so as to conceal, as they supposed, this tacit expression of their
mutual responsiveness.

“Silly fools—like two children!” Arabella whispered to herself
morosely, as she rejoined her companions, with whom she preserved a
preoccupied silence.

Anny meanwhile had jokingly remarked to Vilbert on Arabella’s hankering
interest in her first husband.

“Now,” said the physician to Arabella, apart; “do you want anything
such as this, Mrs. Cartlett? It is not compounded out of my regular
pharmacopœia, but I am sometimes asked for such a thing.” He produced a
small phial of clear liquid. “A love-philtre, such as was used by the
ancients with great effect. I found it out by study of their writings,
and have never known it to fail.”

“What is it made of?” asked Arabella curiously.

“Well—a distillation of the juices of doves’ hearts—otherwise
pigeons’—is one of the ingredients. It took nearly a hundred hearts to
produce that small bottle full.”

“How do you get pigeons enough?”

“To tell a secret, I get a piece of rock-salt, of which pigeons are
inordinately fond, and place it in a dovecot on my roof. In a few hours
the birds come to it from all points of the compass—east, west, north,
and south—and thus I secure as many as I require. You use the liquid by
contriving that the desired man shall take about ten drops of it in his
drink. But remember, all this is told you because I gather from your
questions that you mean to be a purchaser. You must keep faith with
me?”

“Very well—I don’t mind a bottle—to give some friend or other to try it
on her young man.” She produced five shillings, the price asked, and
slipped the phial in her capacious bosom. Saying presently that she was
due at an appointment with her husband, she sauntered away towards the
refreshment bar, Jude, his companion, and the child having gone on to
the horticultural tent, where Arabella caught a glimpse of them
standing before a group of roses in bloom.

She waited a few minutes observing them, and then proceeded to join her
spouse with no very amiable sentiments. She found him seated on a stool
by the bar, talking to one of the gaily dressed maids who had served
him with spirits.

“I should think you had enough of this business at home!” Arabella
remarked gloomily. “Surely you didn’t come fifty miles from your own
bar to stick in another? Come, take me round the show, as other men do
their wives! Dammy, one would think you were a young bachelor, with
nobody to look after but yourself!”

“But we agreed to meet here; and what could I do but wait?”

“Well, now we have met, come along,” she returned, ready to quarrel
with the sun for shining on her. And they left the tent together, this
pot-bellied man and florid woman, in the antipathetic, recriminatory
mood of the average husband and wife of Christendom.

In the meantime the more exceptional couple and the boy still lingered
in the pavilion of flowers—an enchanted palace to their appreciative
taste—Sue’s usually pale cheeks reflecting the pink of the tinted roses
at which she gazed; for the gay sights, the air, the music, and the
excitement of a day’s outing with Jude had quickened her blood and made
her eyes sparkle with vivacity. She adored roses, and what Arabella had
witnessed was Sue detaining Jude almost against his will while she
learnt the names of this variety and that, and put her face within an
inch of their blooms to smell them.

“I should like to push my face quite into them—the dears!” she had
said. “But I suppose it is against the rules to touch them—isn’t it,
Jude?”

“Yes, you baby,” said he: and then playfully gave her a little push, so
that her nose went among the petals.

“The policeman will be down on us, and I shall say it was my husband’s
fault!”

Then she looked up at him, and smiled in a way that told so much to
Arabella.

“Happy?” he murmured.

She nodded.

“Why? Because you have come to the great Wessex Agricultural Show—or
because we have come?”

“You are always trying to make me confess to all sorts of absurdities.
Because I am improving my mind, of course, by seeing all these
steam-ploughs, and threshing-machines, and chaff-cutters, and cows, and
pigs, and sheep.”

Jude was quite content with a baffle from his ever evasive companion.
But when he had forgotten that he had put the question, and because he
no longer wished for an answer, she went on: “I feel that we have
returned to Greek joyousness, and have blinded ourselves to sickness
and sorrow, and have forgotten what twenty-five centuries have taught
the race since their time, as one of your Christminster luminaries
says… There is one immediate shadow, however—only one.” And she looked
at the aged child, whom, though they had taken him to everything likely
to attract a young intelligence, they had utterly failed to interest.

He knew what they were saying and thinking. “I am very, very sorry,
Father and Mother,” he said. “But please don’t mind!—I can’t help it. I
should like the flowers very very much, if I didn’t keep on thinking
they’d be all withered in a few days!”

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Let's Analyse the Pattern

Pattern: The Spotlight Effect

The Spotlight Effect - When Happiness Makes You a Target

When we're deeply happy, we often forget that others are watching—and not always with goodwill. Jude and Sue move through the agricultural show lost in their joy, unaware that Arabella is cataloging their every gesture with jealous calculation. This reveals a fundamental pattern: visible happiness creates vulnerability. The mechanism works like this: genuine contentment makes us less guarded. We stop scanning for threats because we're absorbed in the moment. Meanwhile, those who lack what we have become hypervigilant observers. Arabella doesn't just notice Jude and Sue—she studies them, measures their connection against her own hollow marriage, and begins plotting interference. The contrast feeds her resentment and activates her desire to destroy what she cannot possess. This pattern plays out everywhere today. Post about your promotion on social media, and suddenly old colleagues start undermining you at work. Mention your happy relationship to a recently divorced friend, and watch them start pointing out your partner's flaws. Share your child's achievements with other parents, and notice how they begin highlighting your kid's weaknesses. Even in healthcare settings, patients who seem too content or demanding often receive subtly different treatment from overworked staff who resent their apparent ease. The navigation strategy isn't to hide your joy—that would impoverish your life. Instead, develop situational awareness about who's watching and why. Before sharing good news, ask: Does this person genuinely want me to succeed? Are they in a place to celebrate with me, or might this trigger their own insecurities? Learn to recognize the difference between friends who celebrate your wins and those who catalog them as ammunition. When you sense jealous observation, protect your happiness by limiting exposure rather than dimming your light. When you can name the pattern, predict where it leads, and navigate it successfully—that's amplified intelligence working to preserve what matters most.

Visible happiness creates vulnerability by attracting the jealous attention of those who lack what you have.

Why This Matters

Connect literature to life

Skill: Detecting Jealous Surveillance

This chapter teaches how to recognize when others are cataloging your happiness as a threat to their own self-image.

Practice This Today

This week, notice when sharing good news triggers subtle hostility—the friend who immediately points out potential problems, the coworker who suddenly becomes critical, the family member who changes the subject.

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Now let's explore the literary elements.

Key Quotes & Analysis

"That the twain were happy—between their times of sadness—was indubitable."

— Narrator

Context: Opening description of Jude and Sue's relationship

This captures the bittersweet nature of their love—genuine happiness exists but is always shadowed by pain. The formal language emphasizes that their joy is real and observable, even if temporary.

In Today's Words:

You could tell they were truly happy together, even though they both carried a lot of pain.

"I can't help liking flowers, though I know they are dying"

— Father Time

Context: When Sue tries to get him to enjoy the flower exhibits

This reveals the child's tragic wisdom—he can appreciate beauty while simultaneously understanding its transience. It foreshadows the fragility of all happiness in the novel.

In Today's Words:

I like pretty things even though I know they don't last.

"She's him all over—hanging on to her like a young man"

— Arabella

Context: Watching Jude's devotion to Sue at the fair

Arabella's jealousy is clear as she observes the genuine affection she never experienced with Jude. Her dismissive tone reveals her inability to understand true emotional connection.

In Today's Words:

Look at him acting all lovesick with her like some teenager.

Thematic Threads

Vulnerability

In This Chapter

Jude and Sue's open happiness at the show makes them targets for Arabella's jealous scheming

Development

Developed from earlier themes of exposure and judgment—now showing how love itself creates exposure

In Your Life:

Your moments of genuine happiness can make you vulnerable to those who resent your joy

Surveillance

In This Chapter

Arabella watches and analyzes every interaction between Jude and Sue, gathering intelligence for future use

Development

Introduced here as active threat rather than passive observation

In Your Life:

Someone in your life might be studying your happiness to find ways to undermine it

Contrast

In This Chapter

The stark difference between Jude/Sue's deep connection and Arabella/Cartlett's mutual irritation fuels jealousy

Development

Builds on earlier class and relationship contrasts—now showing how comparison breeds resentment

In Your Life:

Your contentment can trigger others' awareness of what's missing in their own lives

Transience

In This Chapter

Father Time's inability to enjoy flowers because they'll wither reflects the temporary nature of all joy

Development

Introduced here as child's wisdom about life's fragility

In Your Life:

Knowing that good times don't last forever can either enhance or diminish your ability to enjoy them

Manipulation

In This Chapter

Arabella purchases a love potion, suggesting she'll use artificial means to interfere with Jude and Sue

Development

Evolved from passive resentment to active plotting

In Your Life:

Those who envy your relationships may try to manipulate or sabotage them through indirect means

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You now have the context. Time to form your own thoughts.

Discussion Questions

  1. 1

    What does Arabella do when she spots Jude and Sue at the agricultural show, and why does this behavior matter?

    analysis • surface
  2. 2

    Why does Arabella's jealousy focus so intensely on studying Jude and Sue's interactions rather than just feeling hurt and moving on?

    analysis • medium
  3. 3

    Where have you seen this pattern of someone watching and cataloging another person's happiness with resentful calculation?

    application • medium
  4. 4

    How would you protect your joy from jealous observers without hiding your happiness or becoming paranoid?

    application • deep
  5. 5

    What does Father Time's comment about flowers withering reveal about how children sometimes see truth more clearly than adults?

    reflection • deep

Critical Thinking Exercise

10 minutes

Map Your Vulnerability Points

Think about the last time you shared genuinely good news or felt visibly happy in public. List three people who were present or heard about it. For each person, honestly assess: Did they celebrate with you, feel neutral, or seem to catalog your joy with subtle resentment? Now identify which areas of your life make you most vulnerable to jealous observation when things go well.

Consider:

  • •Consider both online and offline spaces where you share good news
  • •Notice the difference between people who ask follow-up questions to celebrate versus those who probe for problems
  • •Pay attention to your gut feeling about who genuinely wants you to succeed

Journaling Prompt

Write about a time when someone's jealous attention made you feel like you had to dim your happiness. How did you handle it then, and what would you do differently now?

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Coming Up Next...

Chapter 40: The Weight of Public Judgment

The happiness Jude and Sue have found begins to attract unwanted attention from their community. Their unconventional arrangement and the mysterious child who calls them 'Father' and 'Mother' becomes the subject of neighborhood gossip and scrutiny that will test their bond.

Continue to Chapter 40
Previous
The Wedding That Never Was
Contents
Next
The Weight of Public Judgment

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Public domain books have shaped humanity's understanding of love, justice, ambition, and the human condition. By amplifying these works, we help preserve and share literature that truly belongs to the world.

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