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Gulliver's Travels - Court Games and Power Plays

Jonathan Swift

Gulliver's Travels

Court Games and Power Plays

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Summary

Gulliver witnesses the bizarre entertainment rituals of the Lilliputian court, where government officials must literally jump through hoops to prove their worth. The treasurer Flimnap performs dangerous rope-dancing stunts to maintain his position, while other ministers compete in elaborate stick-jumping ceremonies to earn colored silk ribbons as marks of royal favor. These aren't just games—they're how political appointments are made and maintained. Swift uses these absurd spectacles to satirize how real-world power structures often rely on meaningless displays rather than actual competence. Meanwhile, Gulliver creates his own entertainment by building a makeshift stage for military exercises, demonstrating how those seeking favor must constantly perform for their superiors. The chapter culminates with Gulliver's formal release from captivity, but the terms reveal the controlling nature of his 'freedom.' He must follow strict rules about where he can go, help with manual labor, and even assist in potential warfare against neighboring Blefuscu. The contract, written in pompous, inflated language, shows how authority figures use formal documents to maintain control while appearing generous. Through Gulliver's experiences, Swift exposes how political systems often prioritize spectacle over substance, and how even acts of apparent kindness come with strings attached. The mathematical calculation of Gulliver's food rations—exactly 1,724 times a normal portion—represents the bureaucratic obsession with precision in trivial matters while ignoring larger questions of justice and humanity.

Coming Up in Chapter 4

Now free to explore Lilliput, Gulliver will discover the deep political divisions that threaten to tear this tiny kingdom apart. The real power struggles are just beginning.

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An excerpt from the original text.(complete · 2810 words)

T

he author diverts the emperor, and his nobility of both sexes, in a
very uncommon manner. The diversions of the court of Lilliput
described. The author has his liberty granted him upon certain
conditions.

My gentleness and good behaviour had gained so far on the emperor and
his court, and indeed upon the army and people in general, that I began
to conceive hopes of getting my liberty in a short time. I took all
possible methods to cultivate this favourable disposition. The natives
came, by degrees, to be less apprehensive of any danger from me. I
would sometimes lie down, and let five or six of them dance on my hand;
and at last the boys and girls would venture to come and play at
hide-and-seek in my hair. I had now made a good progress in
understanding and speaking the language. The emperor had a mind one day
to entertain me with several of the country shows, wherein they exceed
all nations I have known, both for dexterity and magnificence. I was
diverted with none so much as that of the rope-dancers, performed upon
a slender white thread, extended about two feet, and twelve inches from
the ground. Upon which I shall desire liberty, with the reader’s
patience, to enlarge a little.

This diversion is only practised by those persons who are candidates
for great employments, and high favour at court. They are trained in
this art from their youth, and are not always of noble birth, or
liberal education. When a great office is vacant, either by death or
disgrace (which often happens) five or six of those candidates
petition the emperor to entertain his majesty and the court with a
dance on the rope; and whoever jumps the highest, without falling,
succeeds in the office. Very often the chief ministers themselves are
commanded to show their skill, and to convince the emperor that they
have not lost their faculty. Flimnap, the treasurer, is allowed to cut
a caper on the straight rope, at least an inch higher than any other
lord in the whole empire. I have seen him do the summerset several
times together, upon a trencher fixed on a rope which is no thicker
than a common packthread in England. My friend Reldresal, principal
secretary for private affairs, is, in my opinion, if I am not partial,
the second after the treasurer; the rest of the great officers are much
upon a par.

These diversions are often attended with fatal accidents, whereof great
numbers are on record. I myself have seen two or three candidates break
a limb. But the danger is much greater, when the ministers themselves
are commanded to show their dexterity; for, by contending to excel
themselves and their fellows, they strain so far that there is hardly
one of them who has not received a fall, and some of them two or three.
I was assured that, a year or two before my arrival, Flimnap would
infallibly have broke his neck, if one of the king’s cushions, that
accidentally lay on the ground, had not weakened the force of his fall.

There is likewise another diversion, which is only shown before the
emperor and empress, and first minister, upon particular occasions. The
emperor lays on the table three fine silken threads of six inches long;
one is blue, the other red, and the third green. These threads are
proposed as prizes for those persons whom the emperor has a mind to
distinguish by a peculiar mark of his favour. The ceremony is performed
in his majesty’s great chamber of state, where the candidates are to
undergo a trial of dexterity very different from the former, and such
as I have not observed the least resemblance of in any other country of
the new or old world. The emperor holds a stick in his hands, both ends
parallel to the horizon, while the candidates advancing, one by one,
sometimes leap over the stick, sometimes creep under it, backward and
forward, several times, according as the stick is advanced or
depressed. Sometimes the emperor holds one end of the stick, and his
first minister the other; sometimes the minister has it entirely to
himself. Whoever performs his part with most agility, and holds out the
longest in leaping and creeping, is rewarded with the blue-coloured
silk; the red is given to the next, and the green to the third, which
they all wear girt twice round about the middle; and you see few great
persons about this court who are not adorned with one of these girdles.

The horses of the army, and those of the royal stables, having been
daily led before me, were no longer shy, but would come up to my very
feet without starting. The riders would leap them over my hand, as I
held it on the ground; and one of the emperor’s huntsmen, upon a large
courser, took my foot, shoe and all; which was indeed a prodigious
leap. I had the good fortune to divert the emperor one day after a very
extraordinary manner. I desired he would order several sticks of two
feet high, and the thickness of an ordinary cane, to be brought me;
whereupon his majesty commanded the master of his woods to give
directions accordingly; and the next morning six woodmen arrived with
as many carriages, drawn by eight horses to each. I took nine of these
sticks, and fixing them firmly in the ground in a quadrangular figure,
two feet and a half square, I took four other sticks, and tied them
parallel at each corner, about two feet from the ground; then I
fastened my handkerchief to the nine sticks that stood erect; and
extended it on all sides, till it was tight as the top of a drum; and
the four parallel sticks, rising about five inches higher than the
handkerchief, served as ledges on each side. When I had finished my
work, I desired the emperor to let a troop of his best horses
twenty-four in number, come and exercise upon this plain. His majesty
approved of the proposal, and I took them up, one by one, in my hands,
ready mounted and armed, with the proper officers to exercise them. As
soon as they got into order they divided into two parties, performed
mock skirmishes, discharged blunt arrows, drew their swords, fled and
pursued, attacked and retired, and in short discovered the best
military discipline I ever beheld. The parallel sticks secured them and
their horses from falling over the stage; and the emperor was so much
delighted, that he ordered this entertainment to be repeated several
days, and once was pleased to be lifted up and give the word of
command; and with great difficulty persuaded even the empress herself
to let me hold her in her close chair within two yards of the stage,
when she was able to take a full view of the whole performance. It was
my good fortune, that no ill accident happened in these entertainments;
only once a fiery horse, that belonged to one of the captains, pawing
with his hoof, struck a hole in my handkerchief, and his foot slipping,
he overthrew his rider and himself; but I immediately relieved them
both, and covering the hole with one hand, I set down the troop with
the other, in the same manner as I took them up. The horse that fell
was strained in the left shoulder, but the rider got no hurt; and I
repaired my handkerchief as well as I could: however, I would not trust
to the strength of it any more, in such dangerous enterprises.

About two or three days before I was set at liberty, as I was
entertaining the court with this kind of feat, there arrived an express
to inform his majesty, that some of his subjects, riding near the place
where I was first taken up, had seen a great black substance lying on
the ground, very oddly shaped, extending its edges round, as wide as
his majesty’s bedchamber, and rising up in the middle as high as a man;
that it was no living creature, as they at first apprehended, for it
lay on the grass without motion; and some of them had walked round it
several times; that, by mounting upon each other’s shoulders, they had
got to the top, which was flat and even, and, stamping upon it, they
found that it was hollow within; that they humbly conceived it might be
something belonging to the man-mountain; and if his majesty pleased,
they would undertake to bring it with only five horses. I presently
knew what they meant, and was glad at heart to receive this
intelligence. It seems, upon my first reaching the shore after our
shipwreck, I was in such confusion, that before I came to the place
where I went to sleep, my hat, which I had fastened with a string to my
head while I was rowing, and had stuck on all the time I was swimming,
fell off after I came to land; the string, as I conjecture, breaking by
some accident, which I never observed, but thought my hat had been lost
at sea. I entreated his imperial majesty to give orders it might be
brought to me as soon as possible, describing to him the use and the
nature of it: and the next day the waggoners arrived with it, but not
in a very good condition; they had bored two holes in the brim, within
an inch and half of the edge, and fastened two hooks in the holes;
these hooks were tied by a long cord to the harness, and thus my hat
was dragged along for above half an English mile; but, the ground in
that country being extremely smooth and level, it received less damage
than I expected.

Two days after this adventure, the emperor, having ordered that part of
his army which quarters in and about his metropolis, to be in
readiness, took a fancy of diverting himself in a very singular manner.
He desired I would stand like a Colossus, with my legs as far asunder
as I conveniently could. He then commanded his general (who was an old
experienced leader, and a great patron of mine)
to draw up the troops
in close order, and march them under me; the foot by twenty-four
abreast, and the horse by sixteen, with drums beating, colours flying,
and pikes advanced. This body consisted of three thousand foot, and a
thousand horse. His majesty gave orders, upon pain of death, that every
soldier in his march should observe the strictest decency with regard
to my person; which however could not prevent some of the younger
officers from turning up their eyes as they passed under me: and, to
confess the truth, my breeches were at that time in so ill a condition,
that they afforded some opportunities for laughter and admiration.

I had sent so many memorials and petitions for my liberty, that his
majesty at length mentioned the matter, first in the cabinet, and then
in a full council; where it was opposed by none, except Skyresh
Bolgolam, who was pleased, without any provocation, to be my mortal
enemy. But it was carried against him by the whole board, and confirmed
by the emperor. That minister was galbet, or admiral of the realm,
very much in his master’s confidence, and a person well versed in
affairs, but of a morose and sour complexion. However, he was at length
persuaded to comply; but prevailed that the articles and conditions
upon which I should be set free, and to which I must swear, should be
drawn up by himself. These articles were brought to me by Skyresh
Bolgolam in person attended by two under-secretaries, and several
persons of distinction. After they were read, I was demanded to swear
to the performance of them; first in the manner of my own country, and
afterwards in the method prescribed by their laws; which was, to hold
my right foot in my left hand, and to place the middle finger of my
right hand on the crown of my head, and my thumb on the tip of my right
ear. But because the reader may be curious to have some idea of the
style and manner of expression peculiar to that people, as well as to
know the article upon which I recovered my liberty, I have made a
translation of the whole instrument, word for word, as near as I was
able, which I here offer to the public.

“Golbasto Momarem Evlame Gurdilo Shefin Mully Ully Gue, most mighty
Emperor of Lilliput, delight and terror of the universe, whose
dominions extend five thousand blustrugs (about twelve miles in
circumference)
to the extremities of the globe; monarch of all
monarchs, taller than the sons of men; whose feet press down to the
centre, and whose head strikes against the sun; at whose nod the
princes of the earth shake their knees; pleasant as the spring,
comfortable as the summer, fruitful as autumn, dreadful as winter: his
most sublime majesty proposes to the man-mountain, lately arrived at
our celestial dominions, the following articles, which, by a solemn
oath, he shall be obliged to perform:—

“1st, The man-mountain shall not depart from our dominions, without our
license under our great seal.

“2d, He shall not presume to come into our metropolis, without our
express order; at which time, the inhabitants shall have two hours
warning to keep within doors.

“3d, The said man-mountain shall confine his walks to our principal
high roads, and not offer to walk, or lie down, in a meadow or field of
corn.

“4th, As he walks the said roads, he shall take the utmost care not to
trample upon the bodies of any of our loving subjects, their horses, or
carriages, nor take any of our subjects into his hands without their
own consent.

“5th, If an express requires extraordinary despatch, the man-mountain
shall be obliged to carry, in his pocket, the messenger and horse a six
days journey, once in every moon, and return the said messenger back
(if so required) safe to our imperial presence.

“6th, He shall be our ally against our enemies in the island of
Blefuscu, and do his utmost to destroy their fleet, which is now
preparing to invade us.

“7th, That the said man-mountain shall, at his times of leisure, be
aiding and assisting to our workmen, in helping to raise certain great
stones, towards covering the wall of the principal park, and other our
royal buildings.

“8th, That the said man-mountain shall, in two moons’ time, deliver in
an exact survey of the circumference of our dominions, by a computation
of his own paces round the coast.

“Lastly, That, upon his solemn oath to observe all the above articles,
the said man-mountain shall have a daily allowance of meat and drink
sufficient for the support of 1724 of our subjects, with free access to
our royal person, and other marks of our favour. Given at our palace at
Belfaborac, the twelfth day of the ninety-first moon of our reign.”

I swore and subscribed to these articles with great cheerfulness and
content, although some of them were not so honourable as I could have
wished; which proceeded wholly from the malice of Skyresh Bolgolam, the
high-admiral: whereupon my chains were immediately unlocked, and I was
at full liberty. The emperor himself, in person, did me the honour to
be by at the whole ceremony. I made my acknowledgements by prostrating
myself at his majesty’s feet: but he commanded me to rise; and after
many gracious expressions, which, to avoid the censure of vanity, I
shall not repeat, he added, “that he hoped I should prove a useful
servant, and well deserve all the favours he had already conferred upon
me, or might do for the future.”

The reader may please to observe, that, in the last article of the
recovery of my liberty, the emperor stipulates to allow me a quantity
of meat and drink sufficient for the support of 1724 Lilliputians. Some
time after, asking a friend at court how they came to fix on that
determinate number, he told me that his majesty’s mathematicians,
having taken the height of my body by the help of a quadrant, and
finding it to exceed theirs in the proportion of twelve to one, they
concluded from the similarity of their bodies, that mine must contain
at least 1724 of theirs, and consequently would require as much food as
was necessary to support that number of Lilliputians. By which the
reader may conceive an idea of the ingenuity of that people, as well as
the prudent and exact economy of so great a prince.

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Let's Analyse the Pattern

Pattern: The Performance Trap

The Performance Trap - When Competence Takes a Backseat to Show

This chapter reveals a universal pattern: systems that prioritize performance over competence create a culture where the wrong people rise to power. In Lilliput, ministers literally jump through hoops and dance on ropes to earn their positions—not because these skills matter for governance, but because the system rewards spectacle over substance. The mechanism is straightforward but insidious. When organizations judge people by their willingness to perform rather than their ability to deliver results, they attract performers, not problem-solvers. The treasurer Flimnap risks his neck rope-dancing not because it makes him better with finances, but because survival in this system requires constant theatrical display. Meanwhile, actual qualifications become secondary. The pattern feeds on itself: those who refuse to perform get pushed out, leaving only the performers in charge. This exact dynamic plays out everywhere today. In corporate America, you see managers who excel at PowerPoint presentations but can't manage people. In healthcare, administrators who master buzzwords and metrics while nurses who actually save lives get overlooked for promotions. In families, the relative who creates the most drama often gets the most attention, while the steady, reliable ones are taken for granted. Even in relationships, partners sometimes reward the person who makes grand gestures over the one who shows up consistently. When you recognize this pattern, you have choices. First, decide if you're willing to play the performance game—sometimes you have to, but know what you're trading. Second, look for organizations and relationships that reward substance over show. Third, when you're in a position to evaluate others, focus on results and character, not charisma and theatrics. Document actual achievements, not just impressive presentations. When you can spot the difference between performance and competence, predict which systems reward which behavior, and choose your battles accordingly—that's amplified intelligence working for you.

Systems that reward theatrical display over actual competence inevitably promote the wrong people to positions of power.

Why This Matters

Connect literature to life

Skill: Reading Power Dynamics

This chapter teaches how to distinguish between systems that reward actual competence versus those that reward theatrical display.

Practice This Today

This week, notice when someone gets recognition or advancement—was it for results they delivered or for how well they presented themselves?

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Now let's explore the literary elements.

Key Quotes & Analysis

"This diversion is only practised by those persons who are candidates for great employments, and high favour at court."

— Narrator

Context: Gulliver explains that rope-dancing isn't just entertainment - it's how people get government jobs

This reveals Swift's main point about how political systems often reward flashy performances over actual qualifications. The most dangerous stunts get the best positions, which is completely backwards from how things should work.

In Today's Words:

Only people trying to get promoted or stay in the boss's good graces have to do these ridiculous stunts.

"They are trained in this art from their youth, and are not always of noble birth or liberal education."

— Narrator

Context: Describing how rope-dancers are chosen and trained for political positions

Swift points out that political success has nothing to do with background, education, or merit - just the ability to perform tricks. This was a direct criticism of how real political appointments worked in his time.

In Today's Words:

They've been practicing these tricks since they were kids, and it doesn't matter if they're smart or well-educated.

"I had the honour to be a nardac, which the treasurer himself is not."

— Gulliver

Context: Gulliver boasts about receiving a higher honor than even the treasurer

This shows how quickly Gulliver gets caught up in the meaningless status games of the court. Even though he knows the system is ridiculous, he still feels proud of his place in it.

In Today's Words:

I got a fancier title than even the guy who controls all the money.

Thematic Threads

Power

In This Chapter

Political appointments based on entertainment value rather than governing ability

Development

Builds on earlier themes of arbitrary authority from previous chapters

In Your Life:

You might see this in workplaces where the most promoted people are the best at meetings, not at actual work.

Performance

In This Chapter

Ministers must literally perform stunts to maintain their government positions

Development

Introduced here as a new lens for understanding social expectations

In Your Life:

You might recognize this when family members expect you to constantly prove your worth through grand gestures.

Control

In This Chapter

Gulliver's 'freedom' comes with detailed restrictions and obligations disguised as privileges

Development

Evolves from physical restraint in earlier chapters to psychological manipulation

In Your Life:

You might see this in relationships where someone gives you 'freedom' but with so many conditions it's not really freedom at all.

Bureaucracy

In This Chapter

Precise mathematical calculations for food rations while ignoring larger questions of justice

Development

Introduced here as obsession with trivial precision over meaningful action

In Your Life:

You might encounter this at work where management focuses on minor policy details while ignoring major workplace problems.

Identity

In This Chapter

Gulliver adapts to become an entertainer for his captors, losing sight of his own values

Development

Continues his pattern of conforming to whatever society he finds himself in

In Your Life:

You might notice this when you find yourself changing who you are to fit in with different groups or please authority figures.

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You now have the context. Time to form your own thoughts.

Discussion Questions

  1. 1

    What specific performances do the Lilliputian officials have to do to keep their jobs, and why are these activities completely unrelated to their actual work?

    analysis • surface
  2. 2

    Why does Swift make the treasurer risk his life rope-dancing when his job is managing money? What point is he making about how people get and keep power?

    analysis • medium
  3. 3

    Where have you seen people get promoted or rewarded for putting on a good show rather than doing good work? Think about school, work, or even family dynamics.

    application • medium
  4. 4

    If you found yourself in a workplace or organization that rewarded performance over competence, what strategies would you use to navigate it while maintaining your integrity?

    application • deep
  5. 5

    What does this chapter suggest about why incompetent people sometimes end up in charge, and how can recognizing this pattern help you make better decisions about who to trust or follow?

    reflection • deep

Critical Thinking Exercise

10 minutes

Performance vs. Competence Audit

Think of three different environments you're part of (work, school, family, community group, etc.). For each one, identify what behaviors actually get rewarded versus what behaviors should get rewarded. Write down specific examples of people who succeed through performance versus those who succeed through competence. This isn't about judging people, but about understanding the system.

Consider:

  • •Look for patterns in who gets promoted, praised, or listened to most
  • •Notice the difference between what's officially valued and what actually gets rewarded
  • •Consider whether you've adapted your behavior to fit the performance expectations

Journaling Prompt

Write about a time when you had to choose between performing for approval and focusing on doing good work. What did you choose and why? What would you do differently now?

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Coming Up Next...

Chapter 4: Politics, Perspective, and Petty Wars

Now free to explore Lilliput, Gulliver will discover the deep political divisions that threaten to tear this tiny kingdom apart. The real power struggles are just beginning.

Continue to Chapter 4
Previous
First Impressions and Power Dynamics
Contents
Next
Politics, Perspective, and Petty Wars

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