An excerpt from the original text.(complete · 3456 words)
HE FAIR—THE JOURNEY—THE FIRE
Two months passed away. We are brought on to a day in February, on
which was held the yearly statute or hiring fair in the county-town of
Casterbridge.
At one end of the street stood from two to three hundred blithe and
hearty labourers waiting upon Chance—all men of the stamp to whom
labour suggests nothing worse than a wrestle with gravitation, and
pleasure nothing better than a renunciation of the same. Among these,
carters and waggoners were distinguished by having a piece of whip-cord
twisted round their hats; thatchers wore a fragment of woven straw;
shepherds held their sheep-crooks in their hands; and thus the
situation required was known to the hirers at a glance.
In the crowd was an athletic young fellow of somewhat superior
appearance to the rest—in fact, his superiority was marked enough to
lead several ruddy peasants standing by to speak to him inquiringly, as
to a farmer, and to use “Sir” as a finishing word. His answer always
was,—
“I am looking for a place myself—a bailiff’s. Do ye know of anybody who
wants one?”
Gabriel was paler now. His eyes were more meditative, and his
expression was more sad. He had passed through an ordeal of
wretchedness which had given him more than it had taken away. He had
sunk from his modest elevation as pastoral king into the very
slime-pits of Siddim; but there was left to him a dignified calm he had
never before known, and that indifference to fate which, though it
often makes a villain of a man, is the basis of his sublimity when it
does not. And thus the abasement had been exaltation, and the loss
gain.
In the morning a regiment of cavalry had left the town, and a sergeant
and his party had been beating up for recruits through the four
streets. As the end of the day drew on, and he found himself not hired,
Gabriel almost wished that he had joined them, and gone off to serve
his country. Weary of standing in the market-place, and not much
minding the kind of work he turned his hand to, he decided to offer
himself in some other capacity than that of bailiff.
All the farmers seemed to be wanting shepherds. Sheep-tending was
Gabriel’s speciality. Turning down an obscure street and entering an
obscurer lane, he went up to a smith’s shop.
“How long would it take you to make a shepherd’s crook?”
“Twenty minutes.”
“How much?”
“Two shillings.”
He sat on a bench and the crook was made, a stem being given him into
the bargain.
He then went to a ready-made clothes’ shop, the owner of which had a
large rural connection. As the crook had absorbed most of Gabriel’s
money, he attempted, and carried out, an exchange of his overcoat for a
shepherd’s regulation smock-frock.
This transaction having been completed, he again hurried off to the
centre of the town, and stood on the kerb of the pavement, as a
shepherd, crook in hand.
Now that Oak had turned himself into a shepherd, it seemed that
bailiffs were most in demand. However, two or three farmers noticed him
and drew near. Dialogues followed, more or less in the subjoined form:—
“Where do you come from?”
“Norcombe.”
“That’s a long way.
“Fifteen miles.”
“Who’s farm were you upon last?”
“My own.”
This reply invariably operated like a rumour of cholera. The inquiring
farmer would edge away and shake his head dubiously. Gabriel, like his
dog, was too good to be trustworthy, and he never made advance beyond
this point.
It is safer to accept any chance that offers itself, and extemporize a
procedure to fit it, than to get a good plan matured, and wait for a
chance of using it. Gabriel wished he had not nailed up his colours as
a shepherd, but had laid himself out for anything in the whole cycle of
labour that was required in the fair. It grew dusk. Some merry men were
whistling and singing by the corn-exchange. Gabriel’s hand, which had
lain for some time idle in his smock-frock pocket, touched his flute
which he carried there. Here was an opportunity for putting his dearly
bought wisdom into practice.
He drew out his flute and began to play “Jockey to the Fair” in the
style of a man who had never known a moment’s sorrow. Oak could pipe
with Arcadian sweetness, and the sound of the well-known notes cheered
his own heart as well as those of the loungers. He played on with
spirit, and in half an hour had earned in pence what was a small
fortune to a destitute man.
By making inquiries he learnt that there was another fair at Shottsford
the next day.
“How far is Shottsford?”
“Ten miles t’other side of Weatherbury.”
Weatherbury! It was where Bathsheba had gone two months before. This
information was like coming from night into noon.
“How far is it to Weatherbury?”
“Five or six miles.”
Bathsheba had probably left Weatherbury long before this time, but the
place had enough interest attaching to it to lead Oak to choose
Shottsford fair as his next field of inquiry, because it lay in the
Weatherbury quarter. Moreover, the Weatherbury folk were by no means
uninteresting intrinsically. If report spoke truly they were as hardy,
merry, thriving, wicked a set as any in the whole county. Oak resolved
to sleep at Weatherbury that night on his way to Shottsford, and struck
out at once into the high road which had been recommended as the direct
route to the village in question.
The road stretched through water-meadows traversed by little brooks,
whose quivering surfaces were braided along their centres, and folded
into creases at the sides; or, where the flow was more rapid, the
stream was pied with spots of white froth, which rode on in undisturbed
serenity. On the higher levels the dead and dry carcasses of leaves
tapped the ground as they bowled along helter-skelter upon the
shoulders of the wind, and little birds in the hedges were rustling
their feathers and tucking themselves in comfortably for the night,
retaining their places if Oak kept moving, but flying away if he
stopped to look at them. He passed by Yalbury Wood where the game-birds
were rising to their roosts, and heard the crack-voiced cock-pheasants
“cu-uck, cuck,” and the wheezy whistle of the hens.
By the time he had walked three or four miles every shape in the
landscape had assumed a uniform hue of blackness. He descended Yalbury
Hill and could just discern ahead of him a waggon, drawn up under a
great over-hanging tree by the roadside.
On coming close, he found there were no horses attached to it, the spot
being apparently quite deserted. The waggon, from its position, seemed
to have been left there for the night, for beyond about half a truss of
hay which was heaped in the bottom, it was quite empty. Gabriel sat
down on the shafts of the vehicle and considered his position. He
calculated that he had walked a very fair proportion of the journey;
and having been on foot since daybreak, he felt tempted to lie down
upon the hay in the waggon instead of pushing on to the village of
Weatherbury, and having to pay for a lodging.
Eating his last slices of bread and ham, and drinking from the bottle
of cider he had taken the precaution to bring with him, he got into the
lonely waggon. Here he spread half of the hay as a bed, and, as well as
he could in the darkness, pulled the other half over him by way of
bed-clothes, covering himself entirely, and feeling, physically, as
comfortable as ever he had been in his life. Inward melancholy it was
impossible for a man like Oak, introspective far beyond his neighbours,
to banish quite, whilst conning the present untoward page of his
history. So, thinking of his misfortunes, amorous and pastoral, he fell
asleep, shepherds enjoying, in common with sailors, the privilege of
being able to summon the god instead of having to wait for him.
On somewhat suddenly awaking, after a sleep of whose length he had no
idea, Oak found that the waggon was in motion. He was being carried
along the road at a rate rather considerable for a vehicle without
springs, and under circumstances of physical uneasiness, his head being
dandled up and down on the bed of the waggon like a kettledrum-stick.
He then distinguished voices in conversation, coming from the forpart
of the waggon. His concern at this dilemma (which would have been
alarm, had he been a thriving man; but misfortune is a fine opiate to
personal terror) led him to peer cautiously from the hay, and the first
sight he beheld was the stars above him. Charles’s Wain was getting
towards a right angle with the Pole star, and Gabriel concluded that it
must be about nine o’clock—in other words, that he had slept two hours.
This small astronomical calculation was made without any positive
effort, and whilst he was stealthily turning to discover, if possible,
into whose hands he had fallen.
Two figures were dimly visible in front, sitting with their legs
outside the waggon, one of whom was driving. Gabriel soon found that
this was the waggoner, and it appeared they had come from Casterbridge
fair, like himself.
A conversation was in progress, which continued thus:—
“Be as ’twill, she’s a fine handsome body as far’s looks be concerned.
But that’s only the skin of the woman, and these dandy cattle be as
proud as a lucifer in their insides.”
“Ay—so ’a do seem, Billy Smallbury—so ’a do seem.” This utterance was
very shaky by nature, and more so by circumstance, the jolting of the
waggon not being without its effect upon the speaker’s larynx. It came
from the man who held the reins.
“She’s a very vain feymell—so ’tis said here and there.”
“Ah, now. If so be ’tis like that, I can’t look her in the face. Lord,
no: not I—heh-heh-heh! Such a shy man as I be!”
“Yes—she’s very vain. ’Tis said that every night at going to bed she
looks in the glass to put on her night-cap properly.”
“And not a married woman. Oh, the world!”
“And ’a can play the peanner, so ’tis said. Can play so clever that ’a
can make a psalm tune sound as well as the merriest loose song a man
can wish for.”
“D’ye tell o’t! A happy time for us, and I feel quite a new man! And
how do she pay?”
“That I don’t know, Master Poorgrass.”
On hearing these and other similar remarks, a wild thought flashed into
Gabriel’s mind that they might be speaking of Bathsheba. There were,
however, no grounds for retaining such a supposition, for the waggon,
though going in the direction of Weatherbury, might be going beyond it,
and the woman alluded to seemed to be the mistress of some estate. They
were now apparently close upon Weatherbury and not to alarm the
speakers unnecessarily, Gabriel slipped out of the waggon unseen.
He turned to an opening in the hedge, which he found to be a gate, and
mounting thereon, he sat meditating whether to seek a cheap lodging in
the village, or to ensure a cheaper one by lying under some hay or
corn-stack. The crunching jangle of the waggon died upon his ear. He
was about to walk on, when he noticed on his left hand an unusual
light—appearing about half a mile distant. Oak watched it, and the glow
increased. Something was on fire.
Gabriel again mounted the gate, and, leaping down on the other side
upon what he found to be ploughed soil, made across the field in the
exact direction of the fire. The blaze, enlarging in a double ratio by
his approach and its own increase, showed him as he drew nearer the
outlines of ricks beside it, lighted up to great distinctness. A
rick-yard was the source of the fire. His weary face now began to be
painted over with a rich orange glow, and the whole front of his
smock-frock and gaiters was covered with a dancing shadow pattern of
thorn-twigs—the light reaching him through a leafless intervening
hedge—and the metallic curve of his sheep-crook shone silver-bright in
the same abounding rays. He came up to the boundary fence, and stood to
regain breath. It seemed as if the spot was unoccupied by a living
soul.
The fire was issuing from a long straw-stack, which was so far gone as
to preclude a possibility of saving it. A rick burns differently from a
house. As the wind blows the fire inwards, the portion in flames
completely disappears like melting sugar, and the outline is lost to
the eye. However, a hay or a wheat-rick, well put together, will resist
combustion for a length of time, if it begins on the outside.
This before Gabriel’s eyes was a rick of straw, loosely put together,
and the flames darted into it with lightning swiftness. It glowed on
the windward side, rising and falling in intensity, like the coal of a
cigar. Then a superincumbent bundle rolled down, with a whisking noise;
flames elongated, and bent themselves about with a quiet roar, but no
crackle. Banks of smoke went off horizontally at the back like passing
clouds, and behind these burned hidden pyres, illuminating the
semi-transparent sheet of smoke to a lustrous yellow uniformity.
Individual straws in the foreground were consumed in a creeping
movement of ruddy heat, as if they were knots of red worms, and above
shone imaginary fiery faces, tongues hanging from lips, glaring eyes,
and other impish forms, from which at intervals sparks flew in clusters
like birds from a nest.
Oak suddenly ceased from being a mere spectator by discovering the case
to be more serious than he had at first imagined. A scroll of smoke
blew aside and revealed to him a wheat-rick in startling juxtaposition
with the decaying one, and behind this a series of others, composing
the main corn produce of the farm; so that instead of the straw-stack
standing, as he had imagined comparatively isolated, there was a
regular connection between it and the remaining stacks of the group.
Gabriel leapt over the hedge, and saw that he was not alone. The first
man he came to was running about in a great hurry, as if his thoughts
were several yards in advance of his body, which they could never drag
on fast enough.
“O, man—fire, fire! A good master and a bad servant is fire, fire!—I
mane a bad servant and a good master. Oh, Mark Clark—come! And you,
Billy Smallbury—and you, Maryann Money—and you, Jan Coggan, and Matthew
there!” Other figures now appeared behind this shouting man and among
the smoke, and Gabriel found that, far from being alone he was in a
great company—whose shadows danced merrily up and down, timed by the
jigging of the flames, and not at all by their owners’ movements. The
assemblage—belonging to that class of society which casts its thoughts
into the form of feeling, and its feelings into the form of
commotion—set to work with a remarkable confusion of purpose.
“Stop the draught under the wheat-rick!” cried Gabriel to those nearest
to him. The corn stood on stone staddles, and between these, tongues of
yellow hue from the burning straw licked and darted playfully. If the
fire once got under this stack, all would be lost.
“Get a tarpaulin—quick!” said Gabriel.
A rick-cloth was brought, and they hung it like a curtain across the
channel. The flames immediately ceased to go under the bottom of the
corn-stack, and stood up vertical.
“Stand here with a bucket of water and keep the cloth wet.” said
Gabriel again.
The flames, now driven upwards, began to attack the angles of the huge
roof covering the wheat-stack.
“A ladder,” cried Gabriel.
“The ladder was against the straw-rick and is burnt to a cinder,” said
a spectre-like form in the smoke.
Oak seized the cut ends of the sheaves, as if he were going to engage
in the operation of “reed-drawing,” and digging in his feet, and
occasionally sticking in the stem of his sheep-crook, he clambered up
the beetling face. He at once sat astride the very apex, and began with
his crook to beat off the fiery fragments which had lodged thereon,
shouting to the others to get him a bough and a ladder, and some water.
Billy Smallbury—one of the men who had been on the waggon—by this time
had found a ladder, which Mark Clark ascended, holding on beside Oak
upon the thatch. The smoke at this corner was stifling, and Clark, a
nimble fellow, having been handed a bucket of water, bathed Oak’s face
and sprinkled him generally, whilst Gabriel, now with a long
beech-bough in one hand, in addition to his crook in the other, kept
sweeping the stack and dislodging all fiery particles.
On the ground the groups of villagers were still occupied in doing all
they could to keep down the conflagration, which was not much. They
were all tinged orange, and backed up by shadows of varying pattern.
Round the corner of the largest stack, out of the direct rays of the
fire, stood a pony, bearing a young woman on its back. By her side was
another woman, on foot. These two seemed to keep at a distance from the
fire, that the horse might not become restive.
“He’s a shepherd,” said the woman on foot. “Yes—he is. See how his
crook shines as he beats the rick with it. And his smock-frock is burnt
in two holes, I declare! A fine young shepherd he is too, ma’am.”
“Whose shepherd is he?” said the equestrian in a clear voice.
“Don’t know, ma’am.”
“Don’t any of the others know?”
“Nobody at all—I’ve asked ’em. Quite a stranger, they say.”
The young woman on the pony rode out from the shade and looked
anxiously around.
“Do you think the barn is safe?” she said.
“D’ye think the barn is safe, Jan Coggan?” said the second woman,
passing on the question to the nearest man in that direction.
“Safe now—leastwise I think so. If this rick had gone the barn would
have followed. ’Tis that bold shepherd up there that have done the most
good—he sitting on the top o’ rick, whizzing his great long arms about
like a windmill.”
“He does work hard,” said the young woman on horseback, looking up at
Gabriel through her thick woollen veil. “I wish he was shepherd here.
Don’t any of you know his name.”
“Never heard the man’s name in my life, or seed his form afore.”
The fire began to get worsted, and Gabriel’s elevated position being no
longer required of him, he made as if to descend.
“Maryann,” said the girl on horseback, “go to him as he comes down, and
say that the farmer wishes to thank him for the great service he has
done.”
Maryann stalked off towards the rick and met Oak at the foot of the
ladder. She delivered her message.
“Where is your master the farmer?” asked Gabriel, kindling with the
idea of getting employment that seemed to strike him now.
“’Tisn’t a master; ’tis a mistress, shepherd.”
“A woman farmer?”
“Ay, ’a b’lieve, and a rich one too!” said a bystander. “Lately ’a came
here from a distance. Took on her uncle’s farm, who died suddenly. Used
to measure his money in half-pint cups. They say now that she’ve
business in every bank in Casterbridge, and thinks no more of playing
pitch-and-toss sovereign than you and I do pitch-halfpenny—not a bit in
the world, shepherd.”
“That’s she, back there upon the pony,” said Maryann; “wi’ her face
a-covered up in that black cloth with holes in it.”
Oak, his features smudged, grimy, and undiscoverable from the smoke and
heat, his smock-frock burnt into holes and dripping with water, the ash
stem of his sheep-crook charred six inches shorter, advanced with the
humility stern adversity had thrust upon him up to the slight female
form in the saddle. He lifted his hat with respect, and not without
gallantry: stepping close to her hanging feet he said in a hesitating
voice,—
“Do you happen to want a shepherd, ma’am?”
She lifted the wool veil tied round her face, and looked all
astonishment. Gabriel and his cold-hearted darling, Bathsheba Everdene,
were face to face.
Bathsheba did not speak, and he mechanically repeated in an abashed and
sad voice,—
“Do you want a shepherd, ma’am?”
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Let's Analyse the Pattern
When clinging to who you used to be prevents you from becoming who you need to be to survive.
Why This Matters
Connect literature to life
This chapter teaches how to spot the moment when everyone else freezes—that's when decisive action creates the biggest advantage.
Practice This Today
This week, notice when chaos erupts at work or home—instead of waiting for someone else to take charge, step up and organize one small piece of the solution.
Now let's explore the literary elements.
Key Quotes & Analysis
"I am looking for a place myself—a bailiff's. Do ye know of anybody who wants one?"
Context: When other workers mistake him for a farmer looking to hire help
Gabriel's honesty about seeking employment rather than offering it shows his integrity, but also his naivety about how the job market works. His straightforward answer reveals both his character and his inexperience with being unemployed.
In Today's Words:
I'm actually job hunting too - looking for a management position. Know anyone who's hiring?
"He had sunk from his modest elevation as pastoral king into the very slime-pits of Siddim; but there was left to him a dignified calm he had never before known"
Context: Describing Gabriel's transformation after losing his farm
Hardy shows that hitting rock bottom can paradoxically bring inner strength. The biblical reference emphasizes how complete Gabriel's fall has been, while 'dignified calm' suggests he's gained wisdom and self-possession through suffering.
In Today's Words:
He'd gone from being his own boss to completely broke, but somehow he'd found a kind of peace he'd never had before.
"The rick was on fire"
Context: The moment Gabriel discovers the burning grain storage
This simple statement launches the dramatic climax where Gabriel can prove his worth. The fire becomes his opportunity to demonstrate leadership and courage when it matters most.
In Today's Words:
The warehouse was burning.
Thematic Threads
Class Mobility
In This Chapter
Gabriel experiences dramatic downward mobility but discovers that adaptability matters more than maintaining status
Development
Introduced here as Gabriel learns the hard lesson that past success doesn't guarantee future opportunities
In Your Life:
You might face this when job loss forces you to take work you feel is 'beneath' your education or experience
Identity Flexibility
In This Chapter
Gabriel transforms from failed farmer to entertainer to firefighter to potential shepherd, showing remarkable adaptability
Development
Builds on earlier themes by showing that rigid self-concept can be a liability during crisis
In Your Life:
You might need this when major life changes require you to see yourself in completely new ways
Opportunity Recognition
In This Chapter
Gabriel seizes the moment during the fire, demonstrating leadership that reveals his true worth to potential employers
Development
Introduced here as Gabriel learns that sometimes you create opportunities by acting boldly in crisis moments
In Your Life:
You might find this when workplace emergencies or family crises reveal skills you didn't know you had
Power Dynamics
In This Chapter
The complete reversal of Gabriel and Bathsheba's positions creates new tension about who has authority over whom
Development
Evolves from their earlier meeting by flipping the power structure entirely
In Your Life:
You might experience this when former peers become your boss or when you have to work for someone you once helped
Practical Wisdom
In This Chapter
Gabriel's street-smart decisions (making music for money, taking the wagon ride, acting during the fire) show intelligence beyond formal education
Development
Introduced here as Gabriel learns that survival requires different skills than success
In Your Life:
You might need this when book knowledge isn't enough and you have to figure out what actually works in real situations
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
Why does Gabriel's honesty about being a former farm owner actually hurt his chances of getting hired at the fair?
analysis • surface - 2
What does Gabriel's decision to pull out his flute reveal about his character and approach to survival?
analysis • medium - 3
Where do you see people today struggling because they won't let go of who they used to be professionally or personally?
application • medium - 4
How does the fire scene demonstrate that real leadership has nothing to do with official titles or positions?
analysis • deep - 5
What does the complete role reversal between Gabriel and Bathsheba teach us about how quickly power dynamics can shift in life?
reflection • deep
Critical Thinking Exercise
Identity Flexibility Audit
Think of a time when you lost something important - a job, relationship, living situation, or role. Write down three things you refused to consider doing because 'that's not who I am.' Then identify what skills or opportunities you might have missed by clinging to your old identity. Finally, rewrite those three refusals as potential stepping stones.
Consider:
- •Consider how your self-image might be limiting your options right now
- •Think about the difference between core values (keep these) and social roles (these can change)
- •Notice how Gabriel maintains his character while completely changing his circumstances
Journaling Prompt
Write about a current situation where you might be holding onto an outdated version of yourself. What would it look like to approach this situation with Gabriel's flexibility while keeping your core values intact?
Coming Up Next...
Chapter 7: Second Chances and Hidden Struggles
The awkward reunion between Gabriel and Bathsheba will test both their pride and their past feelings. How do you ask for work from someone who once rejected your marriage proposal?




