Summary
Don Quixote finds himself caged on an ox-cart, being transported home by the curate and barber who are disguised and claim he's enchanted. Even in captivity, Don Quixote maintains his worldview, theorizing that modern enchantments must work differently than in ancient stories. Sancho remains loyal but confused, especially when he notices the 'devils' smell like expensive perfume rather than brimstone. When they encounter a canon from Toledo, the situation becomes more complex. The canon engages Don Quixote in conversation about chivalric literature, delivering a sophisticated critique of romance novels. He argues that these books are harmful because they're poorly written, unrealistic, and lack proper structure or moral instruction. However, he also acknowledges that the genre has potential - it could provide a canvas for talented writers to explore human nature, showcase virtue, and combine entertainment with education. The canon's balanced perspective contrasts sharply with the curate's earlier book-burning approach. Meanwhile, Sancho grows increasingly frustrated with the deception, directly confronting the curate and barber about their disguises. This chapter explores themes of perception versus reality, the power of storytelling, and how the same situation can be interpreted completely differently depending on one's worldview and circumstances.
Coming Up in Chapter 68
The canon continues his literary discussion, revealing more about the proper way to write compelling stories. His insights may challenge everything we've assumed about Don Quixote's adventures and the nature of good storytelling itself.
Share it with friends
An excerpt from the original text.(~500 words)
OF THE STRANGE MANNER IN WHICH DON QUIXOTE OF LA MANCHA WAS CARRIED AWAY ENCHANTED, TOGETHER WITH OTHER REMARKABLE INCIDENTS When Don Quixote saw himself caged and hoisted on the cart in this way, he said, “Many grave histories of knights-errant have I read; but never yet have I read, seen, or heard of their carrying off enchanted knights-errant in this fashion, or at the slow pace that these lazy, sluggish animals promise; for they always take them away through the air with marvellous swiftness, enveloped in a dark thick cloud, or on a chariot of fire, or it may be on some hippogriff or other beast of the kind; but to carry me off like this on an ox-cart! By God, it puzzles me! But perhaps the chivalry and enchantments of our day take a different course from that of those in days gone by; and it may be, too, that as I am a new knight in the world, and the first to revive the already forgotten calling of knight-adventurers, they may have newly invented other kinds of enchantments and other modes of carrying off the enchanted. What thinkest thou of the matter, Sancho my son?” “I don’t know what to think,” answered Sancho, “not being as well read as your worship in errant writings; but for all that I venture to say and swear that these apparitions that are about us are not quite catholic.” “Catholic!” said Don Quixote. “Father of me! how can they be Catholic when they are all devils that have taken fantastic shapes to come and do this, and bring me to this condition? And if thou wouldst prove it, touch them, and feel them, and thou wilt find they have only bodies of air, and no consistency except in appearance.” “By God, master,” returned Sancho, “I have touched them already; and that devil, that goes about there so busily, has firm flesh, and another property very different from what I have heard say devils have, for by all accounts they all smell of brimstone and other bad smells; but this one smells of amber half a league off.” Sancho was here speaking of Don Fernando, who, like a gentleman of his rank, was very likely perfumed as Sancho said. “Marvel not at that, Sancho my friend,” said Don Quixote; “for let me tell thee devils are crafty; and even if they do carry odours about with them, they themselves have no smell, because they are spirits; or, if they have any smell, they cannot smell of anything sweet, but of something foul and fetid; and the reason is that as they carry hell with them wherever they go, and can get no ease whatever from their torments, and as a sweet smell is a thing that gives pleasure and enjoyment, it is impossible that they can smell sweet; if, then, this devil thou speakest of seems to thee to smell of amber, either thou art deceiving thyself, or he wants to deceive...
Master this chapter. Complete your experience
Purchase the complete book to access all chapters and support classic literature
As an Amazon Associate, we earn a small commission from qualifying purchases at no additional cost to you.
Available in paperback, hardcover, and e-book formats
Intelligence Amplifier™ Analysis
The Road of Competing Narratives
The same situation generates completely different interpretations depending on each person's existing beliefs and frameworks.
Why This Matters
Connect literature to life
This chapter teaches how the same situation can generate completely different but equally compelling stories depending on perspective.
Practice This Today
This week, notice when conflicts arise and ask yourself: what story is each person telling themselves about what's happening here?
Now let's explore the literary elements.
Terms to Know
Enchantment
In medieval literature, a magical spell that transforms or transports someone against their will. Don Quixote believes he's under an enchantment when he's actually being tricked by his friends who want to get him home safely.
Modern Usage:
We use this when someone refuses to see reality - like saying someone is 'under the spell' of a manipulative partner or conspiracy theory.
Chivalric Romance
Adventure stories about knights on quests, popular in medieval times. These books featured impossible feats, perfect heroes, and magical elements. The canon criticizes them as poorly written fantasy that gives people unrealistic expectations.
Modern Usage:
Like today's superhero movies or romance novels that create unrealistic standards for relationships and life.
Canon (church official)
A high-ranking church official with education and authority. In this chapter, the canon represents educated, reasonable society trying to understand Don Quixote's delusions through rational discussion rather than force.
Modern Usage:
The respected professional who tries to talk sense into someone having a breakdown - like a doctor, counselor, or wise mentor figure.
Deception for someone's own good
When people lie to protect someone from harm, even if the person doesn't want protection. The curate and barber disguise themselves and create an elaborate fiction because they think it's the only way to help Don Quixote.
Modern Usage:
Like families staging interventions, hiding car keys from elderly parents, or friends lying about why a party was cancelled to spare someone's feelings.
Literary criticism
Analyzing and judging the quality and value of books and stories. The canon provides a sophisticated critique of romance novels, pointing out their flaws while acknowledging their potential for good storytelling.
Modern Usage:
Like movie reviews, book clubs discussing what makes a story good or bad, or debates about whether violent video games are harmful.
Loyal but conflicted servant
Sancho's position as someone who loves his master but increasingly sees through the lies around him. He's caught between loyalty and truth, wanting to protect Don Quixote while also being frustrated by the deception.
Modern Usage:
Like the employee who knows their boss is making bad decisions but needs the job, or the friend who covers for someone's addiction while getting exhausted by the lies.
Characters in This Chapter
Don Quixote
Deluded protagonist
Even while caged and being transported like cargo, he maintains his fantasy worldview by theorizing that modern enchantments must work differently than ancient ones. His ability to rationalize any contradiction shows how deeply committed he is to his delusions.
Modern Equivalent:
The person who always has an explanation for why their conspiracy theory still makes sense despite evidence to the contrary
Sancho Panza
Loyal but increasingly frustrated companion
He's growing tired of the deception and directly confronts the curate and barber about their disguises. His practical observations (like noticing the 'devils' smell like perfume) show he sees reality clearly but remains loyal to his master.
Modern Equivalent:
The best friend who's getting exhausted covering for someone's bad choices but won't abandon them
The Canon
Voice of educated reason
He engages Don Quixote in sophisticated literary discussion, offering a balanced critique of romance novels. Unlike the curate's book-burning approach, he represents thoughtful analysis and the possibility of redemptive storytelling.
Modern Equivalent:
The college professor or therapist who tries to understand someone's delusions through respectful dialogue rather than confrontation
The Curate
Well-meaning deceiver
Still disguised and maintaining the enchantment fiction, he represents the approach of 'noble lies' - deceiving someone for their own good. Sancho directly challenges his disguise, showing the deception is becoming harder to maintain.
Modern Equivalent:
The family member who stages elaborate interventions or lies to protect someone from their own bad decisions
The Barber
Accomplice in deception
Continues to support the curate's plan to trick Don Quixote home safely. Like the curate, he's motivated by genuine care but uses deception as his method, which is increasingly being questioned by Sancho.
Modern Equivalent:
The friend who goes along with someone else's plan to help a mutual friend, even when it involves lying
Key Quotes & Analysis
"Many grave histories of knights-errant have I read; but never yet have I read, seen, or heard of their carrying off enchanted knights-errant in this fashion, or at the slow pace that these lazy, sluggish animals promise"
Context: Don Quixote tries to make sense of being transported in an ox-cart rather than the dramatic flying chariots described in his beloved books
This shows how Don Quixote's mind works - when reality doesn't match his expectations, he doesn't question his beliefs but instead theorizes that the rules must have changed. It's both tragic and absurd how he maintains his fantasy even in humiliating circumstances.
In Today's Words:
This isn't how it's supposed to work according to everything I've read - they must be doing things differently nowadays
"I venture to say and swear that these apparitions that are about us are not quite catholic"
Context: Sancho expresses doubt about the 'enchantment' when he notices the disguised curate and barber don't seem like real supernatural beings
Sancho's practical wisdom shines through as he notices details that Don Quixote ignores. His comment about them not being 'catholic' (meaning genuine or orthodox) shows he's seeing through the deception while trying to be diplomatic about it.
In Today's Words:
Something's not right about these so-called magical beings - they don't seem legit to me
"These books of chivalry are harmful to the commonwealth"
Context: The canon explains his critique of romance novels to Don Quixote during their journey
The canon represents the voice of educated society concerned about the effects of escapist literature on people's minds. His criticism isn't just about literary quality but about social responsibility - how stories shape people's expectations and behavior.
In Today's Words:
These fantasy stories are bad for society because they give people unrealistic ideas about how life works
"The canvas is broad and spacious on which such a writer might embroider whatever he pleased"
Context: The canon acknowledges that while most chivalric romances are poorly done, the genre has potential for talented writers
This shows a sophisticated understanding of storytelling - the canon isn't against fantasy or adventure stories entirely, but wants them to be well-crafted and meaningful. He sees the potential for literature to both entertain and educate.
In Today's Words:
A good writer could use this type of story to explore any theme they wanted - there's so much creative potential here
Thematic Threads
Perception
In This Chapter
Don Quixote interprets his captivity as enchantment while others see necessary intervention
Development
Evolved from simple delusion to complex philosophical question about reality
In Your Life:
You might see this when family members have completely different versions of the same childhood event
Loyalty
In This Chapter
Sancho remains faithful despite growing confusion and direct evidence of deception
Development
His loyalty deepens even as his understanding becomes more complicated
In Your Life:
You might struggle with loyalty when someone you care about makes choices you can't support
Authority
In This Chapter
The canon's educated critique carries weight that the curate's emotional reaction lacks
Development
Authority shifts from religious to intellectual, showing different types of power
In Your Life:
You might notice how expertise in one area doesn't automatically create authority in another
Deception
In This Chapter
The curate and barber maintain their disguises even when directly confronted by Sancho
Development
Deception becomes more elaborate and harder to maintain as the journey continues
In Your Life:
You might find yourself maintaining a helpful lie long past its usefulness because admitting the truth feels too complicated
Literature
In This Chapter
The canon offers sophisticated analysis of romance novels' potential and problems
Development
Introduced here as a meta-commentary on the very book we're reading
In Your Life:
You might recognize how the stories you consume shape your expectations about relationships and success
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
Don Quixote, the canon, and Sancho all experience the same events but tell completely different stories about what's happening. What does each person believe is going on?
analysis • surface - 2
The canon argues that chivalric books could be valuable if written well, while the curate wants to burn them all. Why do they have such different approaches to the same problem?
analysis • medium - 3
Think about a recent conflict at work, home, or in your community. How might each person involved be telling themselves a different story about what happened and why?
application • medium - 4
When you're facing a difficult situation, how do you decide which interpretation to believe? What helps you choose between competing explanations?
application • deep - 5
Don Quixote stays committed to his worldview even when caged. Is this admirable persistence or dangerous delusion? What's the difference?
reflection • deep
Critical Thinking Exercise
Rewrite the Scene from Three Perspectives
Choose a recent disagreement or misunderstanding from your life. Write three short paragraphs describing the same event: once from your perspective, once from the other person's viewpoint, and once from a neutral observer's position. Focus on what story each person might be telling themselves about motives, intentions, and what really happened.
Consider:
- •What assumptions is each person making about the other's intentions?
- •How might past experiences be shaping each person's interpretation?
- •What information might each person be missing that would change their story?
Journaling Prompt
Write about a time when you discovered your interpretation of a situation was completely wrong. What helped you see it differently, and how did that change your response?
Coming Up Next...
Chapter 68: The Canon's Literary Debate
What lies ahead teaches us market pressures can compromise artistic integrity, and shows us popular doesn't always mean good - and vice versa. These patterns appear in literature and life alike.