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Don Quixote - The Cat and Bell Catastrophe

Miguel de Cervantes Saavedra

Don Quixote

The Cat and Bell Catastrophe

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Summary

The Cat and Bell Catastrophe

Don Quixote by Miguel de Cervantes Saavedra

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Don Quixote's romantic serenade turns into a nightmare when the duke and duchess orchestrate an elaborate prank involving bells and cats. After Altisidora stages another fainting spell over his supposed coldness, Don Quixote agrees to play guitar and sing to 'cure' her lovesickness. His earnest ballad about true love and constancy becomes the setup for chaos when dozens of bell-laden cats are dropped into his room from above. In his delusion, Don Quixote sees this as an attack by evil enchanters and fights the terrified animals with his sword. One cat claws his face severely before the duke and duchess intervene. The 'harmless' joke leaves Don Quixote bedridden for five days with a face 'full of holes as a sieve.' This episode reveals the cruel edge beneath the court's amusement with Don Quixote. While they find his delusions entertaining, they fail to consider the real physical and emotional harm their games cause. Don Quixote's inability to distinguish between reality and fantasy makes him an easy target, but it also makes him genuinely vulnerable. The chapter shows how people can become complicit in cruelty when they view someone as a source of entertainment rather than as a fellow human being. Altisidora's mock-tender care while cursing him reveals the twisted nature of the court's 'affection' for their knight-errant guest.

Coming Up in Chapter 119

While Don Quixote recovers from his cat-induced wounds, the story shifts to Sancho Panza's adventures as governor. His common-sense approach to leadership promises both wisdom and comedy as he navigates the responsibilities of power.

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An excerpt from the original text.(complete · 1490 words)

OF THE TERRIBLE BELL AND CAT FRIGHT THAT DON QUIXOTE GOT IN THE COURSE
OF THE ENAMOURED ALTISIDORA’S WOOING
We left Don Quixote wrapped up in the reflections which the music of
the enamourned maid Altisidora had given rise to. He went to bed with
them, and just like fleas they would not let him sleep or get a
moment’s rest, and the broken stitches of his stockings helped them.
But as Time is fleet and no obstacle can stay his course, he came
riding on the hours, and morning very soon arrived. Seeing which Don
Quixote quitted the soft down, and, nowise slothful, dressed himself in
his chamois suit and put on his travelling boots to hide the disaster
to his stockings. He threw over him his scarlet mantle, put on his head
a montera of green velvet trimmed with silver edging, flung across his
shoulder the baldric with his good trenchant sword, took up a large
rosary that he always carried with him, and with great solemnity and
precision of gait proceeded to the antechamber where the duke and
duchess were already dressed and waiting for him. But as he passed
through a gallery, Altisidora and the other damsel, her friend, were
lying in wait for him, and the instant Altisidora saw him she pretended
to faint, while her friend caught her in her lap, and began hastily
unlacing the bosom of her dress.

Don Quixote observed it, and approaching them said, “I know very well
what this seizure arises from.”

“I know not from what,” replied the friend, “for Altisidora is the
healthiest damsel in all this house, and I have never heard her
complain all the time I have known her. A plague on all the
knights-errant in the world, if they be all ungrateful! Go away, Señor
Don Quixote; for this poor child will not come to herself again so long
as you are here.”
To which Don Quixote returned, “Do me the favour, señora, to let a lute
be placed in my chamber to-night; and I will comfort this poor maiden
to the best of my power; for in the early stages of love a prompt
disillusion is an approved remedy;” and with this he retired, so as not
to be remarked by any who might see him there.

He had scarcely withdrawn when Altisidora, recovering from her swoon,
said to her companion, “The lute must be left, for no doubt Don Quixote
intends to give us some music; and being his it will not be bad.”

They went at once to inform the duchess of what was going on, and of
the lute Don Quixote asked for, and she, delighted beyond measure,
plotted with the duke and her two damsels to play him a trick that
should be amusing but harmless; and in high glee they waited for night,
which came quickly as the day had come; and as for the day, the duke
and duchess spent it in charming conversation with Don Quixote.

When eleven o’clock came, Don Quixote found a guitar in his chamber; he
tried it, opened the window, and perceived that some persons were
walking in the garden; and having passed his fingers over the frets of
the guitar and tuned it as well as he could, he spat and cleared his
chest, and then with a voice a little hoarse but full-toned, he sang
the following ballad, which he had himself that day composed:

Mighty Love the hearts of maidens
Doth unsettle and perplex,
And the instrument he uses
Most of all is idleness.

Sewing, stitching, any labour,
Having always work to do,
To the poison Love instilleth
Is the antidote most sure.

And to proper-minded maidens
Who desire the matron’s name
Modesty’s a marriage portion,
Modesty their highest praise.

Men of prudence and discretion,
Courtiers gay and gallant knights,
With the wanton damsels dally,
But the modest take to wife.
There are passions, transient, fleeting,
Loves in hostelries declar’d,
Sunrise loves, with sunset ended,
When the guest hath gone his way.

Love that springs up swift and sudden,
Here to-day, to-morrow flown,
Passes, leaves no trace behind it,
Leaves no image on the soul.

Painting that is laid on painting
Maketh no display or show;
Where one beauty’s in possession
There no other can take hold.

Dulcinea del Toboso
Painted on my heart I wear;
Never from its tablets, never,
Can her image be eras’d.

The quality of all in lovers
Most esteemed is constancy;
’Tis by this that love works wonders,
This exalts them to the skies.

Don Quixote had got so far with his song, to which the duke, the
duchess, Altisidora, and nearly the whole household of the castle were
listening, when all of a sudden from a gallery above that was exactly
over his window they let down a cord with more than a hundred bells
attached to it, and immediately after that discharged a great sack full
of cats, which also had bells of smaller size tied to their tails. Such
was the din of the bells and the squalling of the cats, that though the
duke and duchess were the contrivers of the joke they were startled by
it, while Don Quixote stood paralysed with fear; and as luck would have
it, two or three of the cats made their way in through the grating of
his chamber, and flying from one side to the other, made it seem as if
there was a legion of devils at large in it. They extinguished the
candles that were burning in the room, and rushed about seeking some
way of escape; the cord with the large bells never ceased rising and
falling; and most of the people of the castle, not knowing what was
really the matter, were at their wits’ end with astonishment. Don
Quixote sprang to his feet, and drawing his sword, began making passes
at the grating, shouting out, “Avaunt, malignant enchanters! avaunt, ye
witchcraft-working rabble! I am Don Quixote of La Mancha, against whom
your evil machinations avail not nor have any power.” And turning upon
the cats that were running about the room, he made several cuts at
them. They dashed at the grating and escaped by it, save one that,
finding itself hard pressed by the slashes of Don Quixote’s sword, flew
at his face and held on to his nose tooth and nail, with the pain of
which he began to shout his loudest. The duke and duchess hearing this,
and guessing what it was, ran with all haste to his room, and as the
poor gentleman was striving with all his might to detach the cat from
his face, they opened the door with a master-key and went in with
lights and witnessed the unequal combat. The duke ran forward to part
the combatants, but Don Quixote cried out aloud, “Let no one take him
from me; leave me hand to hand with this demon, this wizard, this
enchanter; I will teach him, I myself, who Don Quixote of La Mancha
is.” The cat, however, never minding these threats, snarled and held
on; but at last the duke pulled it off and flung it out of the window.
Don Quixote was left with a face as full of holes as a sieve and a nose
not in very good condition, and greatly vexed that they did not let him
finish the battle he had been so stoutly fighting with that villain of
an enchanter. They sent for some oil of John’s wort, and Altisidora
herself with her own fair hands bandaged all the wounded parts; and as
she did so she said to him in a low voice. “All these mishaps have
befallen thee, hardhearted knight, for the sin of thy insensibility and
obstinacy; and God grant thy squire Sancho may forget to whip himself,
so that that dearly beloved Dulcinea of thine may never be released
from her enchantment, that thou mayest never come to her bed, at least
while I who adore thee am alive.”

To all this Don Quixote made no answer except to heave deep sighs, and
then stretched himself on his bed, thanking the duke and duchess for
their kindness, not because he stood in any fear of that bell-ringing
rabble of enchanters in cat shape, but because he recognised their good
intentions in coming to his rescue. The duke and duchess left him to
repose and withdrew greatly grieved at the unfortunate result of the
joke; as they never thought the adventure would have fallen so heavy on
Don Quixote or cost him so dear, for it cost him five days of
confinement to his bed, during which he had another adventure,
pleasanter than the late one, which his chronicler will not relate just
now in order that he may turn his attention to Sancho Panza, who was
proceeding with great diligence and drollery in his government.

p46e.jpg (65K)

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Let's Analyse the Pattern

Pattern: Entertainment Cruelty Loop
This chapter reveals a devastating pattern: when we view someone as entertainment rather than as a person, we become capable of shocking cruelty while telling ourselves we're just having fun. The duke and duchess orchestrate elaborate pranks on Don Quixote, culminating in dropping bell-laden cats on him while he sleeps, leaving his face 'full of holes as a sieve.' They justify this because he's 'delusional' and provides amusement. The mechanism operates through dehumanization disguised as affection. The court claims to 'love' Don Quixote's antics, but this 'love' is really fascination with his otherness. They don't see his pain as real because they've mentally categorized him as a curiosity rather than a fellow human. The entertainment value creates a moral blind spot—they focus on their amusement rather than his dignity or wellbeing. Each prank escalates because the audience needs bigger thrills. This pattern appears everywhere today. Workplace bullying often starts as 'harmless teasing' of the awkward coworker until it becomes systematic cruelty. Social media pile-ons begin with 'just joking' comments that snowball into harassment campaigns. In healthcare, staff sometimes mock difficult patients behind their backs, gradually losing empathy. Family gatherings feature the designated 'character' everyone loves to poke fun at, not realizing the cumulative damage. Reality TV thrives on this exact dynamic—audiences enjoy watching people's pain as long as it's packaged as entertainment. When you recognize this pattern, ask yourself: Am I seeing this person as entertainment or as human? If you're the target, set boundaries early before 'harmless fun' escalates. If you're witnessing it, speak up—silence makes you complicit. If you catch yourself enjoying someone's discomfort, pause and reconnect with their humanity. The antidote to entertainment cruelty is remembering that every person's pain is real, regardless of how they present to the world. When you can name the pattern, predict where it leads, and navigate it successfully—that's amplified intelligence.

When we view someone as entertainment rather than human, we justify increasingly cruel behavior as harmless fun.

Why This Matters

Connect literature to life

Skill: Detecting Entertainment Cruelty

This chapter teaches how to recognize when people treat your pain as their amusement, disguised as affection or harmless fun.

Practice This Today

This week, notice when laughter at your expense feels different from laughing with you—trust that instinct and speak up before it escalates.

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Now let's explore the literary elements.

Key Quotes & Analysis

"I know very well what this fainting fit arises from"

— Don Quixote

Context: When he sees Altisidora's staged fainting spell

Don Quixote thinks he understands what's happening, but he's completely wrong about the situation. This shows how his delusions make him confident about things he doesn't actually comprehend, making him easy to manipulate.

In Today's Words:

I totally know what's going on here

"Time is fleet and no obstacle can stay his course"

— Narrator

Context: Describing how morning arrives despite Don Quixote's sleepless night

This reminds us that time moves forward regardless of our personal struggles. Don Quixote's romantic anxieties can't stop the world from continuing, setting up the day's events.

In Today's Words:

Time keeps moving no matter what's keeping you up at night

"His face was full of holes as a sieve"

— Narrator

Context: Describing Don Quixote's injuries after the cat attack

This vivid image shows the real physical damage caused by the court's 'harmless' prank. It emphasizes how their entertainment comes at the cost of genuine human suffering.

In Today's Words:

His face was torn up like hamburger

Thematic Threads

Class

In This Chapter

The aristocrats use their power to torment someone they see as beneath them, disguising cruelty as hospitality

Development

Evolved from earlier power dynamics to show how class privilege enables systematic cruelty

In Your Life:

You might see this in how management treats certain employees or how wealthy families treat service workers

Dehumanization

In This Chapter

Don Quixote becomes a plaything rather than a guest, with his pain dismissed as part of the show

Development

Introduced here as the logical endpoint of treating someone as spectacle

In Your Life:

You might recognize this in how people talk about 'difficult' patients, customers, or family members

Vulnerability

In This Chapter

Don Quixote's mental state makes him unable to protect himself from escalating abuse

Development

Deepened from earlier chapters to show how vulnerability attracts predators

In Your Life:

You might see this in how people target those who can't or won't fight back effectively

Complicity

In This Chapter

Everyone at court participates in or enables the cruelty through their silence and laughter

Development

Introduced here to show how group dynamics enable individual cruelty

In Your Life:

You might recognize this in workplace bullying where everyone watches but nobody intervenes

Escalation

In This Chapter

What started as verbal teasing has progressed to physical harm requiring medical care

Development

Shows the natural progression of unchecked cruelty throughout the duke's castle chapters

In Your Life:

You might see this pattern in how 'harmless' teasing gradually becomes serious harassment

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You now have the context. Time to form your own thoughts.

Discussion Questions

  1. 1

    What escalated the duke and duchess's pranks from mild teasing to physical harm, and how did they justify it to themselves?

    analysis • surface
  2. 2

    Why do you think the court found Don Quixote's pain entertaining rather than concerning, and what allowed them to ignore his humanity?

    analysis • medium
  3. 3

    Where have you seen this pattern of 'harmless fun' that gradually becomes cruel—in workplaces, schools, families, or online spaces?

    application • medium
  4. 4

    If you were a servant witnessing these pranks, what would be the risks and benefits of speaking up, and how might you navigate that situation?

    application • deep
  5. 5

    What does this chapter reveal about how entertainment and cruelty can become intertwined, and why do people sometimes enjoy others' suffering?

    reflection • deep

Critical Thinking Exercise

10 minutes

Spot the Entertainment Cruelty Pattern

Think of a situation where you've witnessed someone being treated as entertainment rather than as a person—maybe the office 'character,' the family member everyone teases, or someone online being mocked. Write down how it started, how it escalated, and what warning signs you can now identify. Then consider: what would it take to interrupt this pattern?

Consider:

  • •Notice how 'just joking' language is often used to deflect responsibility for harm
  • •Consider how group dynamics make individuals feel less accountable for collective cruelty
  • •Think about the difference between laughing with someone versus laughing at someone

Journaling Prompt

Write about a time when you realized you were either participating in or witnessing entertainment cruelty. What would you do differently now, and how can you recognize this pattern earlier in the future?

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Coming Up Next...

Chapter 119: The Hungry Governor's Rebellion

While Don Quixote recovers from his cat-induced wounds, the story shifts to Sancho Panza's adventures as governor. His common-sense approach to leadership promises both wisdom and comedy as he navigates the responsibilities of power.

Continue to Chapter 119
Previous
Sancho's First Day as Governor
Contents
Next
The Hungry Governor's Rebellion

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