Summary
The Distressed One reveals the solution to the bearded ladies' curse: Don Quixote and Sancho must travel to the kingdom of Kandy on Clavileño, a magical wooden horse that flies through the air. The horse, once owned by the legendary Pierres who carried off fair Magalona, is controlled by a peg in its forehead and can travel thousands of leagues in hours. While Don Quixote eagerly accepts this quest, Sancho balks at the dangerous journey, complaining that squires do all the work but get none of the credit in these adventures. He'd rather stay behind and work on Dulcinea's disenchantment through his self-flagellation routine. The Duchess pressures Sancho to go, arguing it's for a worthy cause, but Sancho grumbles that risking his life to remove old ladies' beards seems hardly worth it. The chapter explores themes of duty versus self-preservation, the thankless nature of support roles, and how people rationalize asking others to take risks for their benefit. Don Quixote's unwavering commitment to help contrasts sharply with Sancho's practical reluctance, highlighting different approaches to obligation and service. The Distressed One's passionate plea reveals how desperate people can become when their dignity and social standing are threatened, while Sancho's complaints expose the often-invisible labor that makes heroic quests possible.
Coming Up in Chapter 113
Night falls and the mysterious flying horse Clavileño is set to arrive, but Don Quixote grows anxious when it doesn't appear on schedule. Will the magical steed come as promised, or is this elaborate adventure about to take an unexpected turn?
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An excerpt from the original text.(~500 words)
OF MATTERS RELATING AND BELONGING TO THIS ADVENTURE AND TO THIS MEMORABLE HISTORY Verily and truly all those who find pleasure in histories like this ought show their gratitude to Cide Hamete, its original author, for the scrupulous care he has taken to set before us all its minute particulars, not leaving anything, however trifling it may be, that he does not make clear and plain. He portrays the thoughts, he reveals the fancies, he answers implied questions, clears up doubts, sets objections at rest, and, in a word, makes plain the smallest points the most inquisitive can desire to know. O renowned author! O happy Don Quixote! O famous famous droll Sancho! All and each, may ye live countless ages for the delight and amusement of the dwellers on earth! The history goes on to say that when Sancho saw the Distressed One faint he exclaimed: “I swear by the faith of an honest man and the shades of all my ancestors the Panzas, that never I did see or hear of, nor has my master related or conceived in his mind, such an adventure as this. A thousand devils—not to curse thee—take thee, Malambruno, for an enchanter and a giant! Couldst thou find no other sort of punishment for these sinners but bearding them? Would it not have been better—it would have been better for them—to have taken off half their noses from the middle upwards, even though they’d have snuffled when they spoke, than to have put beards on them? I’ll bet they have not the means of paying anybody to shave them.” “That is the truth, señor,” said one of the twelve; “we have not the money to get ourselves shaved, and so we have, some of us, taken to using sticking-plasters by way of an economical remedy, for by applying them to our faces and plucking them off with a jerk we are left as bare and smooth as the bottom of a stone mortar. There are, to be sure, women in Kandy that go about from house to house to remove down, and trim eyebrows, and make cosmetics for the use of the women, but we, the duennas of my lady, would never let them in, for most of them have a flavour of agents that have ceased to be principals; and if we are not relieved by Señor Don Quixote we shall be carried to our graves with beards.” “I will pluck out my own in the land of the Moors,” said Don Quixote, “if I don’t cure yours.” At this instant the Trifaldi recovered from her swoon and said, “The chink of that promise, valiant knight, reached my ears in the midst of my swoon, and has been the means of reviving me and bringing back my senses; and so once more I implore you, illustrious errant, indomitable sir, to let your gracious promises be turned into deeds.” “There shall be no delay on my part,” said Don Quixote. “Bethink you, señora,...
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Intelligence Amplifier™ Analysis
The Road of Invisible Labor
Those who do the actual work get the least recognition while those making requests position themselves as noble for asking.
Why This Matters
Connect literature to life
This chapter teaches how to identify when emotional appeals mask unequal distribution of risk and reward.
Practice This Today
This week, notice when someone frames your reluctance to take on extra work as selfishness rather than reasonable self-protection.
Now let's explore the literary elements.
Terms to Know
Chivalric romance
A type of medieval story about knights going on impossible quests to help people in distress. These tales followed strict rules about honor, duty, and heroic behavior that often ignored practical concerns.
Modern Usage:
We see this pattern in superhero movies where the hero always saves the day regardless of personal cost or logic.
Enchanter
A magical villain who creates problems through spells and curses that only heroic quests can solve. In chivalric stories, enchanters were the go-to explanation for any strange or impossible situation.
Modern Usage:
Today we blame 'the system' or 'corporate headquarters' when we need someone to hold responsible for problems beyond our control.
Quest narrative
A story structure where heroes must travel to dangerous places and complete difficult tasks to solve other people's problems. The quest always involves personal risk for the benefit of strangers.
Modern Usage:
We see this in workplace dynamics where certain people always volunteer for the difficult assignments that help the team but put their own position at risk.
Squire
The knight's assistant who does the practical work, faces the same dangers, but gets none of the glory or rewards. Squires were essential to knightly adventures but rarely acknowledged.
Modern Usage:
Like the administrative assistant who makes the executive look good, or the support staff who enable someone else's success.
Social disgrace
Loss of reputation or standing in the community that makes normal life impossible. In this story, the bearded ladies can't function in society because their appearance violates expectations.
Modern Usage:
Similar to how people today feel they can't show their face after a public embarrassment or scandal goes viral on social media.
Magical intervention
The idea that supernatural solutions exist for human problems, usually requiring great risk or sacrifice to access. Characters believe magic can fix what normal methods cannot.
Modern Usage:
Like believing there's a perfect product, program, or guru that will solve all your problems if you just take the leap.
Characters in This Chapter
Don Quixote
Idealistic protagonist
Immediately agrees to the dangerous flying horse quest because helping distressed people is his calling. Shows his unwavering commitment to his knightly ideals regardless of personal risk.
Modern Equivalent:
The coworker who always volunteers for impossible projects
Sancho Panza
Reluctant companion
Complains about having to risk his life for strangers' problems while getting no credit. Represents the practical person who sees through romantic ideals to the real costs involved.
Modern Equivalent:
The friend who points out why your ambitious plan is actually a bad idea
The Distressed One
Desperate petitioner
Reveals the magical solution to the bearded ladies' curse and pleads for help. Her desperation shows how social disgrace can drive people to ask others to take enormous risks.
Modern Equivalent:
The person who needs a huge favor and makes it sound like you're the only one who can help
The Duchess
Social pressure agent
Pressures Sancho to go on the quest by appealing to his sense of duty and the worthiness of the cause. Uses moral arguments to overcome his practical objections.
Modern Equivalent:
The boss who guilts you into taking on extra work for the good of the team
Malambruno
Absent antagonist
The enchanter who cursed the ladies with beards as punishment. Though not present, his curse creates the entire problem that drives the plot.
Modern Equivalent:
The previous manager whose bad policies still cause problems for everyone
Key Quotes & Analysis
"A thousand devils—not to curse thee—take thee, Malambruno, for an enchanter and a giant! Couldst thou find no other sort of punishment for these sinners but bearding them?"
Context: Sancho reacts to seeing the Distressed One faint from shame over her situation
Shows Sancho's practical outrage at the absurdity of the curse. He questions why the punishment had to be so extreme and socially devastating, revealing his common-sense perspective on problems.
In Today's Words:
What kind of sick punishment is this? Couldn't you have come up with something that didn't completely ruin their lives?
"Would it not have been better for them to have taken off half their noses from the middle upwards, even though they'd have snuffled when they spoke, than to have put beards on them?"
Context: Sancho continues complaining about the nature of the ladies' curse
Demonstrates Sancho's pragmatic thinking about social consequences. He understands that beards on women create more social problems than physical disfigurement would.
In Today's Words:
Even a visible disability would be better than this kind of social humiliation.
"O renowned author! O happy Don Quixote! O famous droll Sancho! All and each, may ye live countless ages for the delight and amusement of the dwellers on earth!"
Context: The narrator praises the characters and author for creating such entertaining adventures
The narrator breaks the fourth wall to remind readers this is a story meant for entertainment. It highlights how adventures that seem terrible for the characters can be delightful for observers.
In Today's Words:
These characters are so entertaining—may their stories live forever for everyone's enjoyment!
Thematic Threads
Class
In This Chapter
Sancho's complaint that squires do the work while knights get the glory exposes how class determines who takes risks versus who gets credit
Development
Building from earlier chapters where Sancho questioned the fairness of knight-squire arrangements
In Your Life:
You might notice this when your boss takes credit for your overtime work or family members volunteer you for caregiving duties
Social Expectations
In This Chapter
The Duchess uses social pressure and guilt to overcome Sancho's reasonable reluctance to risk his life for strangers
Development
Continues the theme of how social pressure manipulates people into unwanted obligations
In Your Life:
You might feel this when people frame your boundaries as selfishness to get you to comply with their requests
Identity
In This Chapter
The Distressed One's desperation about her beard reveals how threats to social appearance can drive extreme behavior
Development
Echoes Don Quixote's own identity struggles, but focused on social rather than heroic identity
In Your Life:
You might recognize this when fear of judgment makes you or others take disproportionate risks
Human Relationships
In This Chapter
Don Quixote's eagerness to help contrasts with his blindness to the unfair burden he places on Sancho
Development
Deepens the exploration of how good intentions can mask exploitation in relationships
In Your Life:
You might see this in relationships where one person's generosity consistently requires another's sacrifice
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
Why does Sancho resist going on the flying horse adventure while Don Quixote eagerly accepts?
analysis • surface - 2
How do the Distressed One and the Duchess pressure Sancho to participate, and what techniques do they use?
analysis • medium - 3
Where have you seen this pattern of someone volunteering others for risky or difficult tasks while positioning themselves as helpful?
application • medium - 4
What questions would you ask before agreeing to take on risks that someone else is requesting of you?
application • deep - 5
What does this chapter reveal about how society values the people who do the actual work versus those who make the requests?
reflection • deep
Critical Thinking Exercise
Map the Request Chain
Think of a recent time someone asked you to do something difficult, risky, or time-consuming. Draw three columns: What They Asked, What They Contributed, What I Risked. Fill in each column honestly. Then write one sentence about what you learned about the true cost-benefit breakdown of that request.
Consider:
- •Consider both visible contributions (money, time) and invisible ones (emotional labor, reputation risk)
- •Think about who would get credit if things went well versus who would be blamed if things went wrong
- •Notice if the person making the request framed it as helping others rather than helping themselves
Journaling Prompt
Write about a time when you felt like Sancho - expected to do the dangerous or difficult work while someone else got the recognition. How did you handle it, and what would you do differently now?
Coming Up Next...
Chapter 113: The Flying Horse Reveals Its Trick
What lies ahead teaches us elaborate pranks can reveal both gullibility and wisdom, and shows us different people experience the same event so differently. These patterns appear in literature and life alike.