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Don Quixote - The Promise of the Flying Horse

Miguel de Cervantes Saavedra

Don Quixote

The Promise of the Flying Horse

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Summary

The Promise of the Flying Horse

Don Quixote by Miguel de Cervantes Saavedra

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The Distressed One reveals the solution to the bearded ladies' curse: Don Quixote and Sancho must travel to the kingdom of Kandy on Clavileño, a magical wooden horse that flies through the air. The horse, once owned by the legendary Pierres who carried off fair Magalona, is controlled by a peg in its forehead and can travel thousands of leagues in hours. While Don Quixote eagerly accepts this quest, Sancho balks at the dangerous journey, complaining that squires do all the work but get none of the credit in these adventures. He'd rather stay behind and work on Dulcinea's disenchantment through his self-flagellation routine. The Duchess pressures Sancho to go, arguing it's for a worthy cause, but Sancho grumbles that risking his life to remove old ladies' beards seems hardly worth it. The chapter explores themes of duty versus self-preservation, the thankless nature of support roles, and how people rationalize asking others to take risks for their benefit. Don Quixote's unwavering commitment to help contrasts sharply with Sancho's practical reluctance, highlighting different approaches to obligation and service. The Distressed One's passionate plea reveals how desperate people can become when their dignity and social standing are threatened, while Sancho's complaints expose the often-invisible labor that makes heroic quests possible.

Coming Up in Chapter 113

Night falls and the mysterious flying horse Clavileño is set to arrive, but Don Quixote grows anxious when it doesn't appear on schedule. Will the magical steed come as promised, or is this elaborate adventure about to take an unexpected turn?

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An excerpt from the original text.(complete · 2179 words)

OF MATTERS RELATING AND BELONGING TO THIS ADVENTURE AND TO THIS
MEMORABLE HISTORY
Verily and truly all those who find pleasure in histories like this
ought show their gratitude to Cide Hamete, its original author, for the
scrupulous care he has taken to set before us all its minute
particulars, not leaving anything, however trifling it may be, that he
does not make clear and plain. He portrays the thoughts, he reveals the
fancies, he answers implied questions, clears up doubts, sets
objections at rest, and, in a word, makes plain the smallest points the
most inquisitive can desire to know. O renowned author! O happy Don
Quixote! O famous famous droll Sancho! All and each, may ye live
countless ages for the delight and amusement of the dwellers on earth!

The history goes on to say that when Sancho saw the Distressed One
faint he exclaimed: “I swear by the faith of an honest man and the
shades of all my ancestors the Panzas, that never I did see or hear of,
nor has my master related or conceived in his mind, such an adventure
as this. A thousand devils—not to curse thee—take thee, Malambruno, for
an enchanter and a giant! Couldst thou find no other sort of punishment
for these sinners but bearding them? Would it not have been better—it
would have been better for them—to have taken off half their noses from
the middle upwards, even though they’d have snuffled when they spoke,
than to have put beards on them? I’ll bet they have not the means of
paying anybody to shave them.”

“That is the truth, señor,” said one of the twelve; “we have not the
money to get ourselves shaved, and so we have, some of us, taken to
using sticking-plasters by way of an economical remedy, for by applying
them to our faces and plucking them off with a jerk we are left as bare
and smooth as the bottom of a stone mortar. There are, to be sure,
women in Kandy that go about from house to house to remove down, and
trim eyebrows, and make cosmetics for the use of the women, but we, the
duennas of my lady, would never let them in, for most of them have a
flavour of agents that have ceased to be principals; and if we are not
relieved by Señor Don Quixote we shall be carried to our graves with
beards.”

“I will pluck out my own in the land of the Moors,” said Don Quixote,
“if I don’t cure yours.”

At this instant the Trifaldi recovered from her swoon and said, “The
chink of that promise, valiant knight, reached my ears in the midst of
my swoon, and has been the means of reviving me and bringing back my
senses; and so once more I implore you, illustrious errant, indomitable
sir, to let your gracious promises be turned into deeds.”

“There shall be no delay on my part,” said Don Quixote. “Bethink you,
señora, of what I must do, for my heart is most eager to serve you.”

“The fact is,” replied the Distressed One, “it is five thousand
leagues, a couple more or less, from this to the kingdom of Kandy, if
you go by land; but if you go through the air and in a straight line,
it is three thousand two hundred and twenty-seven. You must know, too,
that Malambruno told me that, whenever fate provided the knight our
deliverer, he himself would send him a steed far better and with less
tricks than a post-horse; for he will be that same wooden horse on
which the valiant Pierres carried off the fair Magalona; which said
horse is guided by a peg he has in his forehead that serves for a
bridle, and flies through the air with such rapidity that you would
fancy the very devils were carrying him. This horse, according to
ancient tradition, was made by Merlin. He lent him to Pierres, who was
a friend of his, and who made long journeys with him, and, as has been
said, carried off the fair Magalona, bearing her through the air on its
haunches and making all who beheld them from the earth gape with
astonishment; and he never lent him save to those whom he loved or
those who paid him well; and since the great Pierres we know of no one
having mounted him until now. From him Malambruno stole him by his
magic art, and he has him now in his possession, and makes use of him
in his journeys which he constantly makes through different parts of
the world; he is here to-day, to-morrow in France, and the next day in
Potosi; and the best of it is the said horse neither eats nor sleeps
nor wears out shoes, and goes at an ambling pace through the air
without wings, so that he whom he has mounted upon him can carry a cup
full of water in his hand without spilling a drop, so smoothly and
easily does he go, for which reason the fair Magalona enjoyed riding
him greatly.”

“For going smoothly and easily,” said Sancho at this, “give me my
Dapple, though he can’t go through the air; but on the ground I’ll back
him against all the amblers in the world.”

They all laughed, and the Distressed One continued: “And this same
horse, if so be that Malambruno is disposed to put an end to our
sufferings, will be here before us ere the night shall have advanced
half an hour; for he announced to me that the sign he would give me
whereby I might know that I had found the knight I was in quest of,
would be to send me the horse wherever he might be, speedily and
promptly.”

“And how many is there room for on this horse?” asked Sancho.

“Two,” said the Distressed One, “one in the saddle, and the other on
the croup; and generally these two are knight and squire, when there is
no damsel that’s being carried off.”

“I’d like to know, Señora Distressed One,” said Sancho, “what is the
name of this horse?”

“His name,” said the Distressed One, “is not the same as Bellerophon’s
horse that was called Pegasus, or Alexander the Great’s, called
Bucephalus, or Orlando Furioso’s, the name of which was Brigliador, nor
yet Bayard, the horse of Reinaldos of Montalvan, nor Frontino like
Ruggiero’s, nor Bootes or Peritoa, as they say the horses of the sun
were called, nor is he called Orelia, like the horse on which the
unfortunate Rodrigo, the last king of the Goths, rode to the battle
where he lost his life and his kingdom.”

“I’ll bet,” said Sancho, “that as they have given him none of these
famous names of well-known horses, no more have they given him the name
of my master’s Rocinante, which for being apt surpasses all that have
been mentioned.”

“That is true,” said the bearded countess, “still it fits him very
well, for he is called Clavileño the Swift, which name is in accordance
with his being made of wood, with the peg he has in his forehead, and
with the swift pace at which he travels; and so, as far as name goes,
he may compare with the famous Rocinante.”

“I have nothing to say against his name,” said Sancho; “but with what
sort of bridle or halter is he managed?”

“I have said already,” said the Trifaldi, “that it is with a peg, by
turning which to one side or the other the knight who rides him makes
him go as he pleases, either through the upper air, or skimming and
almost sweeping the earth, or else in that middle course that is sought
and followed in all well-regulated proceedings.”

“I’d like to see him,” said Sancho; “but to fancy I’m going to mount
him, either in the saddle or on the croup, is to ask pears of the elm
tree. A good joke indeed! I can hardly keep my seat upon Dapple, and on
a pack-saddle softer than silk itself, and here they’d have me hold on
upon haunches of plank without pad or cushion of any sort! Gad, I have
no notion of bruising myself to get rid of anyone’s beard; let each one
shave himself as best he can; I’m not going to accompany my master on
any such long journey; besides, I can’t give any help to the shaving of
these beards as I can to the disenchantment of my lady Dulcinea.”

“Yes, you can, my friend,” replied the Trifaldi; “and so much, that
without you, so I understand, we shall be able to do nothing.”

“In the king’s name!” exclaimed Sancho, “what have squires got to do
with the adventures of their masters? Are they to have the fame of such
as they go through, and we the labour? Body o’ me! if the historians
would only say, ‘Such and such a knight finished such and such an
adventure, but with the help of so and so, his squire, without which it
would have been impossible for him to accomplish it;’ but they write
curtly, “Don Paralipomenon of the Three Stars accomplished the
adventure of the six monsters;’ without mentioning such a person as his
squire, who was there all the time, just as if there was no such being.
Once more, sirs, I say my master may go alone, and much good may it do
him; and I’ll stay here in the company of my lady the duchess; and
maybe when he comes back, he will find the lady Dulcinea’s affair ever
so much advanced; for I mean in leisure hours, and at idle moments, to
give myself a spell of whipping without so much as a hair to cover me.”

“For all that you must go if it be necessary, my good Sancho,” said the
duchess, “for they are worthy folk who ask you; and the faces of these
ladies must not remain overgrown in this way because of your idle
fears; that would be a hard case indeed.”

“In the king’s name, once more!” said Sancho; “If this charitable work
were to be done for the sake of damsels in confinement or
charity-girls, a man might expose himself to some hardships; but to
bear it for the sake of stripping beards off duennas! Devil take it!
I’d sooner see them all bearded, from the highest to the lowest, and
from the most prudish to the most affected.”

“You are very hard on duennas, Sancho my friend,” said the duchess;
“you incline very much to the opinion of the Toledo apothecary. But
indeed you are wrong; there are duennas in my house that may serve as
patterns of duennas; and here is my Doña Rodriguez, who will not allow
me to say otherwise.”

“Your excellence may say it if you like,” said the Rodriguez; “for God
knows the truth of everything; and whether we duennas are good or bad,
bearded or smooth, we are our mothers’ daughters like other women; and
as God sent us into the world, he knows why he did, and on his mercy I
rely, and not on anybody’s beard.”

“Well, Señora Rodriguez, Señora Trifaldi, and present company,” said
Don Quixote, “I trust in Heaven that it will look with kindly eyes upon
your troubles, for Sancho will do as I bid him. Only let Clavileño come
and let me find myself face to face with Malambruno, and I am certain
no razor will shave you more easily than my sword shall shave
Malambruno’s head off his shoulders; for ‘God bears with the wicked,
but not for ever.’”

“Ah!” exclaimed the Distressed One at this, “may all the stars of the
celestial regions look down upon your greatness with benign eyes,
valiant knight, and shed every prosperity and valour upon your heart,
that it may be the shield and safeguard of the abused and downtrodden
race of duennas, detested by apothecaries, sneered at by squires, and
made game of by pages. Ill betide the jade that in the flower of her
youth would not sooner become a nun than a duenna! Unfortunate beings
that we are, we duennas! Though we may be descended in the direct male
line from Hector of Troy himself, our mistresses never fail to address
us as ‘you’ if they think it makes queens of them. O giant Malambruno,
though thou art an enchanter, thou art true to thy promises. Send us
now the peerless Clavileño, that our misfortune may be brought to an
end; for if the hot weather sets in and these beards of ours are still
there, alas for our lot!”

The Trifaldi said this in such a pathetic way that she drew tears from
the eyes of all and even Sancho’s filled up; and he resolved in his
heart to accompany his master to the uttermost ends of the earth, if so
be the removal of the wool from those venerable countenances depended
upon it.

p40e.jpg (13K)

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Let's Analyse the Pattern

Pattern: The Invisible Labor Trap
This chapter reveals a fundamental pattern: those who do the actual work often get the least recognition, while those who make the requests get the glory. Sancho perfectly captures this when he grumbles that squires do all the dangerous work but knights get all the credit. The mechanism works through emotional manipulation and social pressure. The Distressed One makes passionate pleas about dignity and suffering, while the Duchess applies guilt about worthy causes. They frame Sancho's reluctance as selfishness rather than reasonable self-preservation. Meanwhile, Don Quixote eagerly volunteers for the dramatic gesture—riding the magical horse—while expecting Sancho to share the actual risk without sharing the recognition. This pattern dominates modern workplaces. The manager who takes credit for the team's late-night project while the actual workers remain invisible. The family member who volunteers others for caregiving duties while positioning themselves as the compassionate organizer. In healthcare, administrators make grand pronouncements about patient care while CNAs like Rosie do the actual bedside work for a fraction of the recognition or pay. Politicians promise solutions that require others to make sacrifices. When you recognize this pattern, protect yourself strategically. Before agreeing to requests, ask: Who benefits if this succeeds? Who suffers if it fails? Who gets recognized? Document your contributions. When someone volunteers you for something, pause and ask what they're contributing beyond the suggestion. Learn to say 'That sounds important—what's your role going to be?' Don't let guilt override your legitimate concerns about fairness and safety. When you can name the pattern of invisible labor, predict who will actually bear the costs, and navigate requests with clear-eyed assessment of risks and rewards—that's amplified intelligence.

Those who do the actual work get the least recognition while those making requests position themselves as noble for asking.

Why This Matters

Connect literature to life

Skill: Reading Power Dynamics

This chapter teaches how to identify when emotional appeals mask unequal distribution of risk and reward.

Practice This Today

This week, notice when someone frames your reluctance to take on extra work as selfishness rather than reasonable self-protection.

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Now let's explore the literary elements.

Key Quotes & Analysis

"A thousand devils—not to curse thee—take thee, Malambruno, for an enchanter and a giant! Couldst thou find no other sort of punishment for these sinners but bearding them?"

— Sancho Panza

Context: Sancho reacts to seeing the Distressed One faint from shame over her situation

Shows Sancho's practical outrage at the absurdity of the curse. He questions why the punishment had to be so extreme and socially devastating, revealing his common-sense perspective on problems.

In Today's Words:

What kind of sick punishment is this? Couldn't you have come up with something that didn't completely ruin their lives?

"Would it not have been better for them to have taken off half their noses from the middle upwards, even though they'd have snuffled when they spoke, than to have put beards on them?"

— Sancho Panza

Context: Sancho continues complaining about the nature of the ladies' curse

Demonstrates Sancho's pragmatic thinking about social consequences. He understands that beards on women create more social problems than physical disfigurement would.

In Today's Words:

Even a visible disability would be better than this kind of social humiliation.

"O renowned author! O happy Don Quixote! O famous droll Sancho! All and each, may ye live countless ages for the delight and amusement of the dwellers on earth!"

— Narrator

Context: The narrator praises the characters and author for creating such entertaining adventures

The narrator breaks the fourth wall to remind readers this is a story meant for entertainment. It highlights how adventures that seem terrible for the characters can be delightful for observers.

In Today's Words:

These characters are so entertaining—may their stories live forever for everyone's enjoyment!

Thematic Threads

Class

In This Chapter

Sancho's complaint that squires do the work while knights get the glory exposes how class determines who takes risks versus who gets credit

Development

Building from earlier chapters where Sancho questioned the fairness of knight-squire arrangements

In Your Life:

You might notice this when your boss takes credit for your overtime work or family members volunteer you for caregiving duties

Social Expectations

In This Chapter

The Duchess uses social pressure and guilt to overcome Sancho's reasonable reluctance to risk his life for strangers

Development

Continues the theme of how social pressure manipulates people into unwanted obligations

In Your Life:

You might feel this when people frame your boundaries as selfishness to get you to comply with their requests

Identity

In This Chapter

The Distressed One's desperation about her beard reveals how threats to social appearance can drive extreme behavior

Development

Echoes Don Quixote's own identity struggles, but focused on social rather than heroic identity

In Your Life:

You might recognize this when fear of judgment makes you or others take disproportionate risks

Human Relationships

In This Chapter

Don Quixote's eagerness to help contrasts with his blindness to the unfair burden he places on Sancho

Development

Deepens the exploration of how good intentions can mask exploitation in relationships

In Your Life:

You might see this in relationships where one person's generosity consistently requires another's sacrifice

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You now have the context. Time to form your own thoughts.

Discussion Questions

  1. 1

    Why does Sancho resist going on the flying horse adventure while Don Quixote eagerly accepts?

    analysis • surface
  2. 2

    How do the Distressed One and the Duchess pressure Sancho to participate, and what techniques do they use?

    analysis • medium
  3. 3

    Where have you seen this pattern of someone volunteering others for risky or difficult tasks while positioning themselves as helpful?

    application • medium
  4. 4

    What questions would you ask before agreeing to take on risks that someone else is requesting of you?

    application • deep
  5. 5

    What does this chapter reveal about how society values the people who do the actual work versus those who make the requests?

    reflection • deep

Critical Thinking Exercise

10 minutes

Map the Request Chain

Think of a recent time someone asked you to do something difficult, risky, or time-consuming. Draw three columns: What They Asked, What They Contributed, What I Risked. Fill in each column honestly. Then write one sentence about what you learned about the true cost-benefit breakdown of that request.

Consider:

  • •Consider both visible contributions (money, time) and invisible ones (emotional labor, reputation risk)
  • •Think about who would get credit if things went well versus who would be blamed if things went wrong
  • •Notice if the person making the request framed it as helping others rather than helping themselves

Journaling Prompt

Write about a time when you felt like Sancho - expected to do the dangerous or difficult work while someone else got the recognition. How did you handle it, and what would you do differently now?

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Coming Up Next...

Chapter 113: The Flying Horse Reveals Its Trick

Night falls and the mysterious flying horse Clavileño is set to arrive, but Don Quixote grows anxious when it doesn't appear on schedule. Will the magical steed come as promised, or is this elaborate adventure about to take an unexpected turn?

Continue to Chapter 113
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The Curse of the Bearded Ladies
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The Flying Horse Reveals Its Trick

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