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Alice Adams - Taking the Veil of Business College

Booth Tarkington

Alice Adams

Taking the Veil of Business College

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Taking the Veil of Business College

Alice Adams by Booth Tarkington

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In the final chapter, Alice prepares to enter Frincke's Business College—the very place she once saw as the death of all her dreams. Her mother still schemes and complains, trying to matchmake with their new boarder and blaming her father for their reduced circumstances. But Alice has fundamentally changed. When she encounters Russell on the street, she handles the meeting with calm grace, realizing she truly is 'through with all that.' Her father, wise in his resignation, shares his philosophy about life's unpredictable turns—how we're often saved from complete disaster by unexpected developments, even if we never return to where we started. Alice finds profound meaning in his words about learning to live just as life is ending. As she approaches the business college, Alice remembers a romantic novel about a heroine taking religious vows after heartbreak. But she dismisses this dramatic comparison, recognizing that her path, while less poetic, is real and forward-moving. The dark stairway she once feared as the end of youth now seems brighter as she climbs, with sunshine waiting at the top. Alice's transformation is complete—from a girl who performed her life for others to a young woman ready to build something authentic and her own. The novel ends not with tragedy but with quiet triumph, as Alice embraces practical training that will give her independence and purpose.

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An excerpt from the original text.(complete · 6052 words)

O

ne morning, that autumn, Mrs. Adams came into Alice's room, and found
her completing a sober toilet for the street; moreover, the expression
revealed in her mirror was harmonious with the business-like severity
of her attire. “What makes you look so cross, dearie?” the mother asked.
“Couldn't you find anything nicer to wear than that plain old dark
dress?”

“I don't believe I'm cross,” the girl said, absently. “I believe I'm
just thinking. Isn't it about time?”

“Time for what?”

“Time for thinking--for me, I mean?”

Disregarding this, Mrs. Adams looked her over thoughtfully. “I can't see
why you don't wear more colour,” she said. “At your age it's becoming
and proper, too. Anyhow, when you're going on the street, I think you
ought to look just as gay and lively as you can manage. You want to show
'em you've got some spunk!”

“How do you mean, mama?”

“I mean about Walter's running away and the mess your father made of his
business. It would help to show 'em you're holding up your head just the
same.”

“Show whom!”

“All these other girls that----”

“Not I!” Alice laughed shortly, shaking her head. “I've quit dressing at
them, and if they saw me they wouldn't think what you want 'em to. It's
funny; but we don't often make people think what we want 'em to, mama.
You do thus and so; and you tell yourself, 'Now, seeing me do thus and
so, people will naturally think this and that'; but they don't. They
think something else--usually just what you DON'T want 'em to. I suppose
about the only good in pretending is the fun we get out of fooling
ourselves that we fool somebody.”

“Well, but it wouldn't be pretending. You ought to let people see you're
still holding your head up because you ARE. You wouldn't want that
Mildred Palmer to think you're cast down about--well, you know you
wouldn't want HER not to think you're holding your head up, would you?”

“She wouldn't know whether I am or not, mama.” Alice bit her lip, then
smiled faintly as she said:

“Anyhow, I'm not thinking about my head in that way--not this morning,
I'm not.”

Mrs. Adams dropped the subject casually. “Are you going down-town?” she
inquired.

“Yes.”

“What for?”

“Just something I want to see about. I'll tell you when I come back.
Anything you want me to do?”

“No; I guess not to-day. I thought you might look for a rug, but I'd
rather go with you to select it. We'll have to get a new rug for your
father's room, I expect.”

“I'm glad you think so, mama. I don't suppose he's ever even noticed it,
but that old rug of his--well, really!”

“I didn't mean for him,” her mother explained, thoughtfully. “No; he
don't mind it, and he'd likely make a fuss if we changed it on his
account. No; what I meant--we'll have to put your father in Walter's
room. He won't mind, I don't expect--not much.”

“No, I suppose not,” Alice agreed, rather sadly. “I heard the bell
awhile ago. Was it somebody about that?”

“Yes; just before I came upstairs. Mrs. Lohr gave him a note to me, and
he was really a very pleasant-looking young man. A VERY pleasant-looking
young man,” Mrs. Adams repeated with increased animation and a
thoughtful glance at her daughter. “He's a Mr. Will Dickson; he has a
first-rate position with the gas works, Mrs. Lohr says, and he's fully
able to afford a nice room. So if you and I double up in here, then
with that young married couple in my room, and this Mr. Dickson in your
father's, we'll just about have things settled. I thought maybe I could
make one more place at table, too, so that with the other people from
outside we'd be serving eleven altogether. You see if I have to pay this
cook twelve dollars a week--it can't be helped, I guess--well, one more
would certainly help toward a profit. Of course it's a terribly worrying
thing to see how we WILL come out. Don't you suppose we could squeeze in
one more?”

“I suppose it COULD be managed; yes.”

Mrs. Adams brightened. “I'm sure it'll be pleasant having that young
married couple in the house and especially this Mr. Will Dickson. He
seemed very much of a gentleman, and anxious to get settled in good
surroundings. I was very favourably impressed with him in every way; and
he explained to me about his name; it seems it isn't William, it's just
'Will'; his parents had him christened that way. It's curious.” She
paused, and then, with an effort to seem casual, which veiled nothing
from her daughter: “It's QUITE curious,” she said again. “But it's
rather attractive and different, don't you think?”

“Poor mama!” Alice laughed compassionately. “Poor mama!”

“He is, though,” Mrs. Adams maintained. “He's very much of a gentleman,
unless I'm no judge of appearances; and it'll really be nice to have him
in the house.”

“No doubt,” Alice said, as she opened her door to depart. “I don't
suppose we'll mind having any of 'em as much as we thought we would.
Good-bye.”

But her mother detained her, catching her by the arm. “Alice, you do
hate it, don't you!”

“No,” the girl said, quickly. “There wasn't anything else to do.”

Mrs. Adams became emotional at once: her face cried tragedy, and her
voice misfortune. “There MIGHT have been something else to do! Oh,
Alice, you gave your father bad advice when you upheld him in taking a
miserable little ninety-three hundred and fifty from that old wretch! If
your father'd just had the gumption to hold out, they'd have had to pay
him anything he asked. If he'd just had the gumption and a little manly
COURAGE----”

“Hush!” Alice whispered, for her mother's voice grew louder. “Hush!
He'll hear you, mama.”

“Could he hear me too often?” the embittered lady asked. “If he'd
listened to me at the right time, would we have to be taking in boarders
and sinking DOWN in the scale at the end of our lives, instead of going
UP? You were both wrong; we didn't need to be so panicky--that was just
what that old man wanted: to scare us and buy us out for nothing! If
your father'd just listened to me then, or if for once in his life he'd
just been half a MAN----”

Alice put her hand over her mother's mouth. “You mustn't! He WILL hear
you!”

But from the other side of Adams's closed door his voice came
querulously. “Oh, I HEAR her, all right!”

“You see, mama?” Alice said, and, as Mrs. Adams turned away, weeping,
the daughter sighed; then went in to speak to her father.

He was in his old chair by the table, with a pillow behind his head,
but the crocheted scarf and Mrs. Adams's wrapper swathed him no more;
he wore a dressing-gown his wife had bought for him, and was smoking his
pipe. “The old story, is it?” he said, as Alice came in. “The same, same
old story! Well, well! Has she gone?”

“Yes, papa.”

“Got your hat on,” he said. “Where you going?”

“I'm going down-town on an errand of my own. Is there anything you want,
papa?”

“Yes, there is.” He smiled at her. “I wish you'd sit down a while and
talk to me unless your errand----”

“No,” she said, taking a chair near him. “I was just going down to see
about some arrangements I was making for myself. There's no hurry.”

“What arrangements for yourself, dearie?”

“I'll tell you afterwards--after I find out something about 'em myself.”

“All right,” he said, indulgently. “Keep your secrets; keep your
secrets.” He paused, drew musingly upon his pipe, and shook his head.
“Funny--the way your mother looks at things! For the matter o' that,
everything's pretty funny, I expect, if you stop to think about it. For
instance, let her say all she likes, but we were pushed right spang to
the wall, if J. A. Lamb hadn't taken it into his head to make that
offer for the works; and there's one of the things I been thinking about
lately, Alice: thinking about how funny they work out.”

“What did you think about it, papa!”

“Well, I've seen it happen in other people's lives, time and time again;
and now it's happened in ours. You think you're going to be pushed right
up against the wall; you can't see any way out, or any hope at all; you
think you're GONE--and then something you never counted on turns up;
and, while maybe you never do get back to where you used to be, yet
somehow you kind of squirm out of being right SPANG against the wall.
You keep on going--maybe you can't go much, but you do go a little. See
what I mean?”

“Yes. I understand, dear.”

“Yes, I'm afraid you do,” he said. “Too bad! You oughtn't to understand
it at your age. It seems to me a good deal as if the Lord really meant
for the young people to have the good times, and for the old to have
the troubles; and when anybody as young as you has trouble there's a big
mistake somewhere.”

“Oh, no!” she protested.

But he persisted whimsically in this view of divine error: “Yes, it
does look a good deal that way. But of course we can't tell; we're never
certain about anything--not about anything at all. Sometimes I look at
it another way, though. Sometimes it looks to me as if a body's troubles
came on him mainly because he hadn't had sense enough to know how not to
have any--as if his troubles were kind of like a boy's getting kept in
after school by the teacher, to give him discipline, or something or
other. But, my, my! We don't learn easy!” He chuckled mournfully. “Not
to learn how to live till we're about ready to die, it certainly seems
to me dang tough!”

“Then I wouldn't brood on such a notion, papa,” she said.

“'Brood?' No!” he returned. “I just kind o' mull it over.” He chuckled
again, sighed, and then, not looking at her, he said, “That Mr.
Russell--your mother tells me he hasn't been here again--not since----”

“No,” she said, quietly, as Adams paused. “He never came again.”

“Well, but maybe----”

“No,” she said. “There isn't any 'maybe.' I told him good-bye that
night, papa. It was before he knew about Walter--I told you.”

“Well, well,” Adams said. “Young people are entitled to their own
privacy; I don't want to pry.” He emptied his pipe into a chipped saucer
on the table beside him, laid the pipe aside, and reverted to a former
topic. “Speaking of dying----”

“Well, but we weren't!” Alice protested.

“Yes, about not knowing how to live till you're through living--and THEN
maybe not!” he said, chuckling at his own determined pessimism. “I see
I'm pretty old because I talk this way--I remember my grandmother saying
things a good deal like all what I'm saying now; I used to hear her
at it when I was a young fellow--she was a right gloomy old lady, I
remember. Well, anyhow, it reminds me: I want to get on my feet again as
soon as I can; I got to look around and find something to go into.”

Alice shook her head gently. “But, papa, he told you----”

“Never mind throwing that dang doctor up at me!” Adams interrupted,
peevishly. “He said I'd be good for SOME kind of light job--if I could
find just the right thing. 'Where there wouldn't be either any physical
or mental strain,' he said. Well, I got to find something like that.
Anyway, I'll feel better if I can just get out LOOKING for it.”

“But, papa, I'm afraid you won't find it, and you'll be disappointed.”

“Well, I want to hunt around and SEE, anyhow.”

Alice patted his hand. “You must just be contented, papa. Everything's
going to be all right, and you mustn't get to worrying about doing
anything. We own this house; it's all clear--and you've taken care of
mama and me all our lives; now it's our turn.”

“No, sir!” he said, querulously. “I don't like the idea of being the
landlady's husband around a boarding-house; it goes against my gizzard.
I know: makes out the bills for his wife Sunday mornings--works with
a screw-driver on somebody's bureau drawer sometimes--'tends the furnace
maybe--one the boarders gives him a cigar now and then. That's a FINE
life to look forward to! No, sir; I don't want to finish as a landlady's
husband!”

Alice looked grave; for she knew the sketch was but too accurately
prophetic in every probability. “But, papa,” she said, to console him,
“don't you think maybe there isn't such a thing as a 'finish,' after
all! You say perhaps we don't learn to live till we die but maybe that's
how it is AFTER we die, too--just learning some more, the way we do
here, and maybe through trouble again, even after that.”

“Oh, it might be,” he sighed. “I expect so.”

“Well, then,” she said, “what's the use of talking about a 'finish?' We
do keep looking ahead to things as if they'd finish something, but when
we get TO them, they don't finish anything. They're just part of going
on. I'll tell you--I looked ahead all summer to something I was afraid
of, and I said to myself, 'Well, if that happens, I'm finished!' But it
wasn't so, papa. It did happen, and nothing's finished; I'm going on,
just the same only----” She stopped and blushed.

“Only what?” he asked.

“Well----” She blushed more deeply, then jumped up, and, standing before
him, caught both his hands in hers. “Well, don't you think, since we do
have to go on, we ought at least to have learned some sense about how to
do it?”

He looked up at her adoringly.

“What I think,” he said, and his voice trembled;--“I think you're
the smartest girl in the world! I wouldn't trade you for the whole
kit-and-boodle of 'em!”

But as this folly of his threatened to make her tearful, she kissed him
hastily, and went forth upon her errand.

Since the night of the tragic-comic dinner she had not seen Russell, nor
caught even the remotest chance glimpse of him; and it was curious that
she should encounter him as she went upon such an errand as now engaged
her. At a corner, not far from that tobacconist's shop she had just left
when he overtook her and walked with her for the first time, she met him
to-day. He turned the corner, coming toward her, and they were face to
face; whereupon that engaging face of Russell's was instantly reddened,
but Alice's remained serene.

She stopped short, though; and so did he; then she smiled brightly as
she put out her hand.

“Why, Mr. Russell!”

“I'm so--I'm so glad to have this--this chance,” he stammered. “I've
wanted to tell you--it's just that going into a new undertaking--this
business life--one doesn't get to do a great many things he'd like to. I
hope you'll let me call again some time, if I can.”

“Yes, do!” she said, cordially, and then, with a quick nod, went briskly
on.

She breathed more rapidly, but knew that he could not have detected it,
and she took some pride in herself for the way she had met this little
crisis. But to have met it with such easy courage meant to her something
more reassuring than a momentary pride in the serenity she had shown.
For she found that what she had resolved in her inmost heart was now
really true: she was “through with all that!”

She walked on, but more slowly, for the tobacconist's shop was not far
from her now--and, beyond it, that portal of doom, Frincke's Business
College. Already Alice could read the begrimed gilt letters of the
sign; and although they had spelled destiny never with a more painful
imminence than just then, an old habit of dramatizing herself still
prevailed with her.

There came into her mind a whimsical comparison of her fate with that
of the heroine in a French romance she had read long ago and remembered
well, for she had cried over it. The story ended with the heroine's
taking the veil after a death blow to love; and the final scene again
became vivid to Alice, for a moment. Again, as when she had read
and wept, she seemed herself to stand among the great shadows in the
cathedral nave; smelled the smoky incense on the enclosed air, and heard
the solemn pulses of the organ. She remembered how the novice's father
knelt, trembling, beside a pillar of gray stone; how the faithless lover
watched and shivered behind the statue of a saint; how stifled sobs and
outcries were heard when the novice came to the altar; and how a shaft
of light struck through the rose-window, enveloping her in an amber
glow.

It was the vision of a moment only, and for no longer than a moment did
Alice tell herself that the romance provided a prettier way of taking
the veil than she had chosen, and that a faithless lover, shaking with
remorse behind a saint's statue, was a greater solace than one left on a
street corner protesting that he'd like to call some time--if he could!
Her pity for herself vanished more reluctantly; but she shook it off and
tried to smile at it, and at her romantic recollections--at all of them.
She had something important to think of.

She passed the tobacconist's, and before her was that dark entrance to
the wooden stairway leading up to Frincke's Business College--the very
doorway she had always looked upon as the end of youth and the end of
hope.

How often she had gone by here, hating the dreary obscurity of that
stairway; how often she had thought of this obscurity as something lying
in wait to obliterate the footsteps of any girl who should ascend into
the smoky darkness above! Never had she passed without those ominous
imaginings of hers: pretty girls turning into old maids “taking
dictation”--old maids of a dozen different types, yet all looking a
little like herself.

Well, she was here at last! She looked up and down the street quickly,
and then, with a little heave of the shoulders, she went bravely in,
under the sign, and began to climb the wooden steps. Half-way up the
shadows were heaviest, but after that the place began to seem brighter.
There was an open window overhead somewhere, she found; and the steps at
the top were gay with sunshine.

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Let's Analyse the Pattern

Pattern: The Authentic Rebuilding Pattern
This chapter reveals the pattern of authentic rebuilding—how genuine transformation happens not through dramatic gestures but through quiet acceptance of reality and purposeful forward movement. Alice's journey from social climber to self-directed young woman shows us that real growth often looks less like triumph and more like steady progress toward practical goals. The mechanism operates through three stages: disillusionment strips away false hopes, acceptance replaces performance with authenticity, and purposeful action builds something real. Alice stops performing the role of a society girl because that performance no longer serves her. She's learned that trying to be someone else's version of success leads to exhaustion and failure. Her father's wisdom about life's unpredictable turns reinforces this—we rarely get back to where we started, but we can build something new from where we actually are. This pattern appears everywhere in modern life. The nurse who stops trying to be the 'perfect' employee and focuses on patient care finds more satisfaction. The parent who quits comparing their family to social media perfection and works on actual relationships. The worker who stops chasing prestige jobs that don't fit and pursues training that leads to stable, meaningful work. The person who leaves a toxic relationship and chooses practical steps toward independence over dramatic gestures. When you recognize this pattern, focus on what you can actually build rather than what you think you should want. Ask: What skills would give me real security? What relationships feel authentic rather than performative? What small, concrete steps move me toward independence? Alice chooses business college not because it's glamorous, but because it offers real training for real work. That's the navigation—choose substance over story, progress over perfection. When you can name the pattern of authentic rebuilding, predict where performance leads versus where purposeful action leads, and navigate toward what's real rather than what looks good—that's amplified intelligence.

Real transformation happens through quiet acceptance of reality and purposeful forward movement, not dramatic gestures or attempts to return to past dreams.

Why This Matters

Connect literature to life

Skill: Distinguishing Performance from Progress

This chapter teaches how to recognize when you're performing a role versus building something real.

Practice This Today

This week, notice when you're doing something to look successful versus doing something that actually builds your skills or security—then choose the latter.

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Now let's explore the literary elements.

Key Quotes & Analysis

"I believe I'm just thinking. Isn't it about time?"

— Alice Adams

Context: When her mother asks why she looks so serious while getting dressed

This marks Alice's fundamental shift from a girl who lived in fantasies and social performance to a young woman ready to think seriously about her real life and future. The question suggests she's been avoiding serious thought until now.

In Today's Words:

I'm finally getting real about my life. Don't you think it's time I did?

"We don't often make people think what we want 'em to, mama."

— Alice Adams

Context: Responding to her mother's advice about dressing to show 'spunk' after their family troubles

Alice has learned that trying to control others' perceptions is futile. This wisdom represents her growth from someone who performed constantly for others to someone who lives authentically.

In Today's Words:

You can't control what people think about you, Mom. It's pointless to try.

"We keep gettin' saved just about when we think it's all over with us."

— Mr. Adams

Context: Sharing his philosophy about life's unexpected turns with Alice

Mr. Adams offers a profound perspective on resilience - that life often provides unexpected solutions just when we think we're defeated. This wisdom helps Alice see her business college training as salvation, not defeat.

In Today's Words:

Just when you think you're completely screwed, something comes along to help you out.

Thematic Threads

Authenticity

In This Chapter

Alice stops performing for others and chooses practical training that serves her real needs

Development

Evolved from her desperate social climbing to genuine self-direction

In Your Life:

You might recognize this when you stop caring what others think and start making choices based on what actually works for you.

Class

In This Chapter

Alice accepts her family's reduced circumstances and chooses working-class practicality over middle-class pretensions

Development

Transformed from shame about class status to acceptance and forward movement

In Your Life:

You might see this when you stop being embarrassed about your background and start using your practical skills as strengths.

Independence

In This Chapter

Alice chooses business college to gain skills that will make her financially self-sufficient

Development

Evolved from dependence on others' approval to building her own security

In Your Life:

You might experience this when you prioritize learning skills that give you options over trying to please people who control your opportunities.

Growth

In This Chapter

Alice's transformation is complete—she handles meeting Russell with calm grace and moves forward without looking back

Development

Culmination of her journey from performative girl to authentic young woman

In Your Life:

You might recognize this when you can face people from your past without needing their validation or feeling bitter about what didn't work out.

Wisdom

In This Chapter

Alice's father shares insight about life's unpredictable turns and learning to live just as life is ending

Development

His practical philosophy provides framework for Alice's acceptance of change

In Your Life:

You might find this wisdom helpful when your plans fall apart and you need to build something new from where you actually are rather than where you thought you'd be.

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You now have the context. Time to form your own thoughts.

Discussion Questions

  1. 1

    How has Alice's attitude toward Frincke's Business College changed from the beginning of the novel to this final chapter?

    analysis • surface
  2. 2

    Why does Alice handle her encounter with Russell so differently than she would have earlier in the story?

    analysis • medium
  3. 3

    Where do you see people today choosing practical training over prestigious dreams that don't fit their reality?

    application • medium
  4. 4

    When have you had to choose between what looked good to others and what would actually build something real in your life?

    application • deep
  5. 5

    What does Alice's transformation teach us about the difference between giving up and growing up?

    reflection • deep

Critical Thinking Exercise

10 minutes

Map Your Own Authentic Rebuilding

Think of an area in your life where you've been performing a role that doesn't fit or chasing something that isn't working. Write down what that performance costs you in time, energy, or peace of mind. Then identify one concrete, practical step you could take toward building something more authentic in that area—something that would give you real skills, genuine relationships, or actual security.

Consider:

  • •Focus on what you can actually control and build, not what you wish were different
  • •Consider what would remain valuable even if external circumstances changed
  • •Think about what would feel sustainable rather than exhausting

Journaling Prompt

Write about a time when you stopped trying to be someone else's version of successful and chose your own path. What did that shift feel like, and what did you learn about yourself in the process?

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Old Wounds, New Mercy
Contents

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