An excerpt from the original text.(complete · 2725 words)
e had not undressed, and he sat beside the table, smoking his pipe and
reading his newspaper. Upon his forehead the lines in that old pattern,
the historical map of his troubles, had grown a little vaguer lately;
relaxed by the complacency of a man who not only finds his health
restored, but sees the days before him promising once more a familiar
routine that he has always liked to follow.
As his wife came in, closing the door behind her, he looked up
cheerfully, “Well, mother,” he said, “what's the news downstairs?”
“That's what I came to tell you,” she informed him, grimly.
Adams lowered his newspaper to his knee and peered over his spectacles
at her. She had remained by the door, standing, and the great greenish
shadow of the small lamp-shade upon his table revealed her but
dubiously. “Isn't everything all right?” he asked. “What's the matter?”
“Don't worry: I'm going to tell you,” she said, her grimness not
relaxed. “There's matter enough, Virgil Adams. Matter enough to make me
sick of being alive!”
With that, the markings on his brows began to emerge again in all their
sharpness; the old pattern reappeared. “Oh, my, my!” he lamented. “I
thought maybe we were all going to settle down to a little peace for a
while. What's it about now?”
“It's about Alice. Did you think it was about ME or anything for
MYSELF?”
Like some ready old machine, always in order, his irritability responded
immediately and automatically to her emotion. “How in thunder could I
think what it's about, or who it's for? SAY it, and get it over!”
“Oh, I'll 'say' it,” she promised, ominously. “What I've come to ask you
is, How much longer do you expect me to put up with that old man and his
doings?”
“Whose doings? What old man?”
She came at him, fiercely accusing. “You know well enough what old man,
Virgil Adams! That old man who was here the other night.”
“Mr. Lamb?”
“Yes; 'Mister Lamb!'” She mocked his voice. “What other old man would I
be likely to mean except J. A. Lamb?”
“What's he been doing now?” her husband inquired, satirically. “Where'd
you get something new against him since the last time you----”
“Just this!” she cried. “The other night when that man was here, if I'd
known how he was going to make my child suffer, I'd never have let him
set his foot in my house.”
Adams leaned back in his chair as though her absurdity had eased his
mind. “Oh, I see,” he said. “You've just gone plain crazy. That's the
only explanation of such talk, and it suits the case.”
“Hasn't that man made us all suffer every day of our lives?” she
demanded. “I'd like to know why it is that my life and my children's
lives have to be sacrificed to him?”
“How are they 'sacrificed' to him?”
“Because you keep on working for him! Because you keep on letting him
hand out whatever miserable little pittance he chooses to give you;
that's why! It's as if he were some horrible old Juggernaut and I had to
see my children's own father throwing them under the wheels to keep him
satisfied.”
“I won't hear any more such stuff!” Lifting his paper, Adams affected to
read.
“You'd better listen to me,” she admonished him. “You might be sorry
you didn't, in case he ever tried to set foot in my house again! I might
tell him to his face what I think of him.”
At this, Adams slapped the newspaper down upon his knee. “Oh, the devil!
What's it matter what you think of him?”
“It had better matter to you!” she cried. “Do you suppose I'm going
to submit forever to him and his family and what they're doing to my
child?”
“What are he and his family doing to 'your child?'”
Mrs. Adams came out with it. “That snippy little Henrietta Lamb has
always snubbed Alice every time she's ever had the chance. She's
followed the lead of the other girls; they've always all of 'em been
jealous of Alice because she dared to try and be happy, and because
she's showier and better-looking than they are, even though you do give
her only about thirty-five cents a year to do it on! They've all done
everything on earth they could to drive the young men away from her
and belittle her to 'em; and this mean little Henrietta Lamb's been the
worst of the whole crowd to Alice, every time she could see a chance.”
“What for?” Adams asked, incredulously. “Why should she or anybody else
pick on Alice?”
“'Why?' 'What for?'” his wife repeated with a greater vehemence. “Do YOU
ask me such a thing as that? Do you really want to know?”
“Yes; I'd want to know--I would if I believed it.”
“Then I'll tell you,” she said in a cold fury. “It's on account of you,
Virgil, and nothing else in the world.”
He hooted at her. “Oh, yes! These girls don't like ME, so they pick on
Alice.”
“Quit your palavering and evading,” she said. “A crowd of girls like
that, when they get a pretty girl like Alice among them, they act just
like wild beasts. They'll tear her to pieces, or else they'll chase
her and run her out, because they know if she had half a chance she'd
outshine 'em. They can't do that to a girl like Mildred Palmer because
she's got money and family to back her. Now you listen to me, Virgil
Adams: the way the world is now, money IS family. Alice would have just
as much 'family' as any of 'em every single bit--if you hadn't fallen
behind in the race.”
“How did I----”
“Yes, you did!” she cried. “Twenty-five years ago when we were starting
and this town was smaller, you and I could have gone with any of 'em
if we'd tried hard enough. Look at the people we knew then that do hold
their heads up alongside of anybody in this town! WHY can they? Because
the men of those families made money and gave their children everything
that makes life worth living! Why can't we hold our heads up? Because
those men passed you in the race. They went up the ladder, and
you--you're still a clerk down at that old hole!”
“You leave that out, please,” he said. “I thought you were going to tell
me something Henrietta Lamb had done to our Alice.”
“You BET I'm going to tell you,” she assured him, vehemently. “But first
I'm telling WHY she does it. It's because you've never given Alice any
backing nor any background, and they all know they can do anything they
like to her with perfect impunity. If she had the hundredth part of what
THEY have to fall back on she'd have made 'em sing a mighty different
song long ago!”
“How would she?”
“Oh, my heavens, but you're slow!” Mrs. Adams moaned. “Look here! You
remember how practically all the nicest boys in this town used to come
here a few years ago. Why, they were all crazy over her; and the girls
HAD to be nice to her then. Look at the difference now! There'll be a
whole month go by and not a young man come to call on her, let alone
send her candy or flowers, or ever think of TAKING her any place and
yet she's prettier and brighter than she was when they used to come. It
isn't the child's fault she couldn't hold 'em, is it? Poor thing, SHE
tried hard enough! I suppose you'd say it was her fault, though.”
“No; I wouldn't.”
“Then whose fault is it?”
“Oh, mine, mine,” he said, wearily. “I drove the young men away, of
course.”
“You might as well have driven 'em, Virgil. It amounts to just the same
thing.”
“How does it?”
“Because as they got older a good many of 'em began to think more about
money; that's one thing. Money's at the bottom of it all, for that
matter. Look at these country clubs and all such things: the other
girls' families belong and we don't, and Alice don't; and she can't go
unless somebody takes her, and nobody does any more. Look at the other
girls' houses, and then look at our house, so shabby and old-fashioned
she'd be pretty near ashamed to ask anybody to come in and sit down
nowadays! Look at her clothes--oh, yes; you think you shelled out a lot
for that little coat of hers and the hat and skirt she got last March;
but it's nothing. Some of these girls nowadays spend more than your
whole salary on their clothes. And what jewellery has she got? A plated
watch and two or three little pins and rings of the kind people's maids
wouldn't wear now. Good Lord, Virgil Adams, wake up! Don't sit there and
tell me you don't know things like this mean SUFFERING for the child!”
He had begun to rub his hands wretchedly back and forth over his bony
knees, as if in that way he somewhat alleviated the tedium caused by her
racking voice. “Oh, my, my!” he muttered. “OH, my, my!”
“Yes, I should think you WOULD say 'Oh, my, my!'” she took him up,
loudly. “That doesn't help things much! If you ever wanted to DO
anything about it, the poor child might see some gleam of hope in her
life. You don't CARE for her, that's the trouble; you don't care a
single thing about her.”
“I don't?”
“No; you don't. Why, even with your miserable little salary you could
have given her more than you have. You're the closest man I ever knew:
it's like pulling teeth to get a dollar out of you for her, now and
then, and yet you hide some away, every month or so, in some wretched
little investment or other. You----”
“Look here, now,” he interrupted, angrily. “You look here! If I didn't
put a little by whenever I could, in a bond or something, where would
you be if anything happened to me? The insurance doctors never passed
me; YOU know that. Haven't we got to have SOMETHING to fall back on?”
“Yes, we have!” she cried. “We ought to have something to go on with
right now, too, when we need it. Do you suppose these snippets would
treat Alice the way they do if she could afford to ENTERTAIN? They leave
her out of their dinners and dances simply because they know she can't
give any dinners and dances to leave them out of! They know she can't
get EVEN, and that's the whole story! That's why Henrietta Lamb's done
this thing to her now.”
Adams had gone back to his rubbing of his knees. “Oh, my, my!” he said.
“WHAT thing?”
She told him. “Your dear, grand, old Mister Lamb's Henrietta has sent
out invitations for a large party--a LARGE one. Everybody that is
anybody in this town is asked, you can be sure. There's a very fine
young man, a Mr. Russell, has just come to town, and he's interested
in Alice, and he's asked her to go to this dance with him. Well, Alice
can't accept. She can't go with him, though she'd give anything in
the world to do it. Do you understand? The reason she can't is because
Henrietta Lamb hasn't invited her. Do you want to know why Henrietta
hasn't invited her? It's because she knows Alice can't get even, and
because she thinks Alice ought to be snubbed like this on account of
only being the daughter of one of her grandfather's clerks. I HOPE you
understand!”
“Oh, my, my!” he said. “OH, my, my!”
“That's your sweet old employer,” his wife cried, tauntingly. “That's
your dear, kind, grand old Mister Lamb! Alice has been left out of a
good many smaller things, like big dinners and little dances, but this
is just the same as serving her notice that she's out of everything! And
it's all done by your dear, grand old----”
“Look here!” Adams exclaimed. “I don't want to hear any more of that!
You can't hold him responsible for everything his grandchildren do, I
guess! He probably doesn't know a thing about it. You don't suppose he's
troubling HIS head over----”
But she burst out at him passionately. “Suppose you trouble YOUR head
about it! You'd better, Virgil Adams! You'd better, unless you want to
see your child just dry up into a miserable old maid! She's still young
and she has a chance for happiness, if she had a father that didn't
bring a millstone to hang around her neck, instead of what he ought to
give her! You just wait till you die and God asks you what you had in
your breast instead of a heart!”
“Oh, my, my!” he groaned. “What's my heart got to do with it?”
“Nothing! You haven't got one or you'd give her what she needed. Am I
asking anything you CAN'T do? You know better; you know I'm not!”
At this he sat suddenly rigid, his troubled hands ceasing to rub his
knees; and he looked at her fixedly. “Now, tell me,” he said, slowly.
“Just what ARE you asking?”
“You know!” she sobbed.
“You mean you've broken your word never to speak of THAT to me again?”
“What do I care for my word?” she cried, and, sinking to the floor at
his feet, rocked herself back and forth there. “Do you suppose I'll
let my 'word' keep me from struggling for a little happiness for my
children? It won't, I tell you; it won't! I'll struggle for that till I
die! I will, till I die till I die!”
He rubbed his head now instead of his knees, and, shaking all over, he
got up and began with uncertain steps to pace the floor.
“Hell, hell, hell!” he said. “I've got to go through THAT again!”
“Yes, you have!” she sobbed. “Till I die.”
“Yes; that's what you been after all the time I was getting well.”
“Yes, I have, and I'll keep on till I die!”
“A fine wife for a man,” he said. “Beggin' a man to be a dirty dog!”
“No! To be a MAN--and I'll keep on till I die!”
Adams again fell back upon his last solace: he walked, half staggering,
up and down the room, swearing in a rhythmic repetition.
His wife had repetitions of her own, and she kept at them in a voice
that rose to a higher and higher pitch, like the sound of an old
well-pump. “Till I die! Till I die! Till I DIE!”
She ended in a scream; and Alice, coming up the stairs, thanked heaven
that Russell had gone. She ran to her father's door and went in.
Adams looked at her, and gesticulated shakily at the convulsive figure
on the floor. “Can you get her out of here?”
Alice helped Mrs. Adams to her feet; and the stricken woman threw her
arms passionately about her daughter.
“Get her out!” Adams said, harshly; then cried, “Wait!”
Alice, moving toward the door, halted, and looked at him blankly, over
her mother's shoulder. “What is it, papa?”
He stretched out his arm and pointed at her. “She says--she says you
have a mean life, Alice.”
“No, papa.”
Mrs. Adams turned in her daughter's arms. “Do you hear her lie? Couldn't
you be as brave as she is, Virgil?”
“Are you lying, Alice?” he asked. “Do you have a mean time?”
“No, papa.”
He came toward her. “Look at me!” he said. “Things like this dance
now--is that so hard to bear?”
Alice tried to say, “No, papa,” again, but she couldn't. Suddenly and in
spite of herself she began to cry.
“Do you hear her?” his wife sobbed. “Now do you----”
He waved at them fiercely. “Get out of here!” he said. “Both of you! Get
out of here!”
As they went, he dropped in his chair and bent far forward, so that his
haggard face was concealed from them. Then, as Alice closed the door, he
began to rub his knees again, muttering, “Oh, my, my! OH, my, my!”
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Let's Analyse the Pattern
The Pressure Point - When Love Becomes Manipulation
Using someone's deepest loves and loyalties against them to force compliance through emotional manipulation.
Why This Matters
Connect literature to life
This chapter teaches how people weaponize our deepest loves and values to force compliance when logical arguments fail.
Practice This Today
This week, notice when someone escalates emotionally right after you say no—that's the manipulation pattern activating, and you can pause before responding.
Now let's explore the literary elements.
Key Quotes & Analysis
"There's matter enough to make me sick of being alive!"
Context: She's about to tell her husband how Alice has been excluded from Henrietta's party
This reveals the depth of Mrs. Adams' desperation and how social exclusion affects the entire family. Her dramatic language shows how class inequality can make life feel unbearable when you watch your child suffer.
In Today's Words:
I'm so tired of this life I could just die!
"It's about Alice. Did you think it was about ME or anything for MYSELF?"
Context: When her husband asks what's wrong, she immediately clarifies this is about their daughter
This shows how parents often sacrifice their own needs and channel all their frustration into fighting for their children's opportunities. Her defensive tone suggests she's been accused of being selfish before.
In Today's Words:
This isn't about me - this is about our daughter!
"I thought maybe we were all going to settle down to a little peace for a while."
Context: His response when his wife brings up new troubles
This reveals Adams as a man who desperately wants stability and normalcy. His hope for 'peace' shows how exhausting it is to constantly struggle with class and financial pressures.
In Today's Words:
I thought things were finally going to calm down around here.
"Are you unhappy?"
Context: He asks Alice directly after hearing his wife's accusations
This simple, direct question cuts through all the family drama to the heart of the matter. It forces Alice to confront the truth she's been hiding and shows a father's need to know if he's failing his child.
In Today's Words:
Are you miserable, honey?
Thematic Threads
Class
In This Chapter
Social exclusion becomes a weapon—Alice's snub from the party reveals how class barriers operate through deliberate isolation
Development
Evolved from subtle social discomfort to explicit exclusion and its devastating family consequences
In Your Life:
You might face this when certain social or professional circles make you feel like an outsider because you can't afford their lifestyle.
Integrity
In This Chapter
Adams faces the impossible choice between maintaining his moral principles and securing his daughter's happiness
Development
His quiet dignity is now under direct assault from family pressure
In Your Life:
You might face this when family members pressure you to compromise your values for financial gain or social advancement.
Manipulation
In This Chapter
Mrs. Adams uses Alice's tears and unhappiness as weapons to break down her husband's resistance
Development
Her frustration has escalated from nagging to full emotional warfare
In Your Life:
You might recognize this when someone uses guilt, tears, or threats to make you responsible for their emotional state.
Truth
In This Chapter
Alice tries to lie about her unhappiness but breaks down, revealing the painful reality her parents have been avoiding
Development
The family's polite pretenses finally crack under direct questioning
In Your Life:
You might face this when trying to protect others by hiding your own struggles, only to have the truth emerge anyway.
Sacrifice
In This Chapter
Adams must choose between sacrificing his integrity or sacrificing his daughter's social prospects
Development
The cost of maintaining principles becomes deeply personal and immediate
In Your Life:
You might encounter this when doing the right thing comes at a significant cost to people you love.
You now have the context. Time to form your own thoughts.
Discussion Questions
- 1
What specific tactics does Mrs. Adams use to pressure her husband into betraying his employer?
analysis • surface - 2
Why does Mrs. Adams escalate to hysteria when her husband refuses her demands?
analysis • medium - 3
Where do you see this pattern of using someone's love against them in modern workplaces or families?
application • medium - 4
How could Adams respond to his wife's emotional pressure without abandoning his daughter or compromising his integrity?
application • deep - 5
What does this chapter reveal about how financial stress can corrupt family relationships and moral decision-making?
reflection • deep
Critical Thinking Exercise
Recognize Your Pressure Points
Think about the people and values you care about most deeply. Write down three scenarios where someone could use your love for these people to pressure you into doing something you normally wouldn't do. Then identify the warning signs that would tell you manipulation is happening rather than a genuine crisis.
Consider:
- •Notice when emotional escalation happens right after you say no
- •Pay attention to language that makes you responsible for someone else's feelings
- •Recognize when you're being asked to decide during peak emotional chaos
Journaling Prompt
Write about a time when someone used your love or loyalty against you to get compliance. How did you recognize what was happening, and how did you respond?
Coming Up Next...
Chapter 14: The Art of Careful Conversation
Despite the family crisis, Alice puts on a brave face for her walk with Arthur Russell the next day. The sunshine and his company lift her spirits, but can she maintain this facade when her world is crumbling at home?




